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"Dies Irae" is Latin for "Day of Wrath"; the 18 rhymed stanzas of "Dies Irae" that form part of the Roman Catholic mass for the dead, and requiem mass, are ascribed to Thomas of Celano (d. circa 1256). The plainsong melody version you're inquiring about dates to the 16th Century, and has been used by composers as varied as Hector Berlioz, Camille Saint-Saens, Ralph Vaughan Williams, and Miklos Rozsa in his scores to YOUNG BESS and DIANE.
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And definetly the most over used piece of music in film history!
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Even though the Dies Irae is used a lot I certainly wouldn't call it over used because each time it is used in a different way, with different arrangements (unlike carmina burana) and the underlying concept of the "day of wrath" tends to add to the moments it is used in. Two of my favorite examples: 1) The opening of "The Shining" where the Dies Irae is played with creepy moans setting up the impending horror. 2) The climactic skeleton fight from "Jason And The Argonauts" where Herrmann brings in the Dies Irae as the skeletons rise from the teeth of the Hydra. I even used it myself recently, in a more tongue and cheek way, for a promotional CD for a fighting robot called "Dr. Inferno Jr." (from Comedy Central's "BattleBots")
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One of the best representations of this haunting piece of music is found on a concert piece of YOUNG BESS. The Citadel recording is AWESOME. http://home.earthlink.net/~citadel/release3.htm#77118 I highly recommend picking this album up. It's a great representation of Rozsa's works! Also, Manfredini used it very well in Friday the 13th: Jason Lives. Regards, MV Gerhard
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That same "Fantasy on YOUNG BESS" is also found on "Miklos Rozsa Hollywood Spectacular," Bay Cities BCD 3028. Out-of-print, but there're a lot of copies around.
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My favorite use of the Dies Irae is by John Barry in THE LION IN WINTER.
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I agree that the Dies Irae from the Verdi and Mozart requiems are fantastic, but it should be noted that they aren't based on the traditional melody that goes back to gregorian chant, but just the text. Oh, and Berlioz1, again, I agree about the Verdi requiem being incredible, BUT are you sure that the Dies Irae in the Berlioz Requiem isn't "the most awesome"?
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