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| The Appointment (1969) |
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| Music by John Barry, Stu Phillips |
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| Click to enlarge images. |
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| Line: Silver Age |
| CD Release:
June 2003
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| Catalog #: Vol. 6, No. 11 |
| # of Discs: 1 |
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Released by Special Arrangement with Turner Classic Movies Music
The Appointment was a 1969 drama starring Omar Sharif as a lonely Italian attorney who romances and weds a beautiful model (Anouk Aimee)—all the while suspecting that she is a highly priced prostitute. Although directed by Sidney Lumet, The Appointment was a troubled production that led to its receiving three fully recorded scores by four composers. FSM's premiere release of the original soundtrack features selections from each—making for a rare and fascinating look at three different approaches for a single film.
Score #1: Michel Legrand, recorded in Paris. Then at the peak of his powers (Ice Station Zebra, The Thomas Crown Affair), Michel Legrand provided a single 12-bar theme orchestrated for vibes, flutes, keyboards, guitars and harps, evoking Sharif's single-minded obsession. Legrand's (deliberately redundant) score was discarded after the film's initial screening for M-G-M executives, and is presented as a 2-track suite running 18:59.
Score #2: John Barry & Don Walker, recorded in London. The Appointment was released internationally with a symphonic score consisting of a 32-bar theme by John Barry, adapted and lushly orchestrated by Don Walker (a Broadway arranger who subsequently worked on Barry's musicals). This is the version of the film approved by Lumet and presently in circulation. Barry's theme was released on a French 45rpm single, both tracks of which are included within the 26:19 program on this new CD.
Score #3: Stu Phillips, recorded in Culver City. When The Appointment was released in the U.S., it was in a shorter version premiered on CBS television as the late night movie on July 20, 1972. The new cut was scored by Stu Phillips who provided a contemporary, rhythmic feel, including two songs with lyrics by Bob Stone (presented in a 31:48 program). The style is roughly that of Phillips's pop/symphonic score to the 1970 cult classic, Beyond the Valley of the Dolls.
FSM's CD of The Appointment is presented entirely in stereo, remixed from the original master elements. Liner notes by Lukas Kendall chronicle the production and differences between the scores. |
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| John Barry Scores on FSM |
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| About the Composer |
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John Barry (1933-2011) is a five-time Oscar winner and one of the most successful and beloved composers ever to write for the movies. His career encompasses everything from the James Bond films to Hollywood epics like Out of Africa and Dances With Wolves. His style is marked foremost by melody but also by a thoughtful economy of gesture that has always added a great sense of style and scope to his projects.FSM has released on CD as many of his scores as possible, from intimate dramas like Petulia to the classic Born Free, the 1976 King Kong and the obscure 1968 gem Deadfall. IMDB |
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| Stu Phillips Scores on FSM |
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| About the Composer |
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Stu Phillips (b. 1929) is best-known for his television music of the 1970s and '80s (including Battlestar Galactica, Knight Rider and The Fall Guy), with their distinctive themes and pop culture impact. He is also a veteran film composer, songwriter, arranger, record producer ("Blue Moon"), teacher and author, having published his memoirs, Stu Who?, in 2002. For more information, see the composer's officlal site at www.stuwho.com. IMDB |
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| Track List |
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Click on track TIME for MP3 sound clip. Click on track title (selected tracks only) for Real Audio. The Appointment Music From the Unused Score Composed and Conducted by Michel Legrand - Suite Part 1 11:18
- Suite Part 2 7:34
Total Time: 18:59 Music From the International Theatrical Release Theme Composed by John Barry Additional Music and Orchestration by Don Walker Conducted by Harry Rabinowitz - 1M1 Revised 1:19
- 3M2 4:20
- 4M1 1:00
- 6M2 1:32
- 7M1 1:24
- 9M1 6:39
- Cafe Music 2:09
- 12M1 4:20
- 13M2 1:37
- 14M4 1:33
Total Time: 26:19 Music From the American Television Broadcast Composed and Conducted by Stu Phillips Lyrics by Bob Stone - Solo e Triste (vocal by Eric Karl of Bodine) 2:40
- Carla/Help Me 2:32
- Partly Sunny 1:34
- Nothing 2:58
- The Beauty of Beginning (instrumental) 2:20
- Train to Milan/The Ride Back 1:46
- Beginning of Love/To the Island 3:00
- The Beauty of Beginning (vocal by Laura Creamer) 2:09
- Federico Waits/I Give You Everything/The Glasses 5:53
- Run to Emma's 2:28
- The Long Wait/Thank God Carla Dies/The Moment of Truth 4:09
Total Time: 31:48 Total Disc Time: 77:06 |
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| Instruments/Musicians |
| Click on each musician name for more credits |
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Leader (Conductor):
Stu Phillips
Violin:
Henry Arthur Brown, Bobby Bruce (aka Robt. Berg), Salvatore Crimi, Jerome Kasin, Bernard Kundell, Alfred Lustgarten, Joy Lyle (Sharp), Linda Rose, Ambrose Russo, Marshall Sosson, Heimann Weinstine, Walter S. Wiemeyer
Viola:
Cecil Figelski, Allan Harshman, Virginia Majewski, Reuben Marcus
Cello:
Lester Harris, Raphael "Ray" Kramer, Frederick R. Seykora, Gloria Strassner
Bass:
Max R. Bennett, Mario Camposano
Bassoon:
Howard P. Terry
Woodwinds:
Gene Cipriano, James R. Horn, Wilbur Schwartz
French Horn:
John W. "Jack" Cave, Vincent N. DeRosa
Trumpet:
Carroll "Cappy" Lewis
Trombone:
James R. McQuary, Richard Noel
Piano:
Douglas Clare Fischer, Lincoln Mayorga
Guitar:
Dennis Budimir, Thomas "Tommy" Tedesco
Fender (electric) Bass:
Ray Pohlman
Harp:
Gayle Levant
Accordion:
Carl Fortina
Drums:
Hal Blaine, Larry Bunker, John P. Guerin, Wallace Carl Snow
Orchestra Manager:
James C. Whelan
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