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Cimarron (1960)
Music by Franz Waxman
Cimarron Cimarron
Click to enlarge images.
Price: $32.95
Limited #: 3000
View CD Page at SAE Store
Line: Golden Age
CD Release: August 2004
Catalog #: Vol. 7, No. 11
# of Discs: 1

Released by Special Arrangement with Turner Classic Movies Music

M-G-M's Cimarron (1960)—the second screen adaptation of Edna Ferber's novel of the same name—was an epic western telling the history of Oklahoma settlers through the lives of newspaper publisher Yancey "Cimarron" Cravat (Glenn Ford) and his wife, Sabra (Maria Schell). While the film is known for its massive depiction of the Oklahoma Land Rush, one element stands above all others: Franz Waxman's classic music.

By the time he scored Cimarron in 1960, Waxman was nearing the conclusion of a brilliant career as one of the undisputedly great composers of Hollywood's Golden Age. After stints under contract to Universal and Warner Bros., and a period as highly respected freelancer, Waxman was able to pick and choose his projects. Cimarron provided an opportunity to work once again with director Anthony Mann, with whom he had collaborated on The Furies (1950).

Franz Waxman's stirring title song for Cimarron, which figures prominently through the course of his score, features lyrics by Paul Francis Webster and is sung by the Roger Wagner Chorale. Waxman also employs a European folk song (which Sabra sings to Yancey early in the film) as a love theme for the two principals, and supplies colorful themes for various supporting characters. The film's great set-piece, the Land Rush sequence, benefits from one of Waxman's most exciting action cues, rivaling his own "Ride to Dubno" from Taras Bulba. Another highlight is Waxman's moving setting of the spiritual "O Redeemed," a cue omitted from the film entirely.

This CD features Franz Waxman's complete underscore to Cimarron, remixed from the original 35mm three-track stereo masters. In addition to a suite comprising alternate versions of three cues, many tracks include music that was either mixed at a very low level or severely truncated in the finished film. Christopher Husted's liner notes reveal details of the film's production and Waxman's involvement in the project. After a four-decade wait, one of Waxman's greatest scores is finally available in definitive form.

Franz Waxman Scores on FSM
About the Composer

Franz Waxman (1906-1967) was one of the greatest composers of Hollywood's Golden Age, having fled his native Germany to escape the Nazis. Jerry Goldsmith—no slouch himself—admired Waxman for the great versatility of his accomplishments; for example, Waxman created lasting efforts for horror (The Bride of Frankenstein), biblical epics (Demetrius and the Gladiators), Americana (Peyton Place), biopics (The Nun's Story) and westerns (Cimarron)—to say nothing of his back-to-back Oscar wins for Sunset Boulevard and A Place in the Sun. He was a master dramatist and a distinguished, modern composer who pushed the envelope of the symphonic score. IMDB

Comments (9):Log in or register to post your own comments
Hands down, this is one of Waxman's greatest scores and one of the best Western scores of all time. I know that for a fact, because I'm listening to it right now. Thanks to Lukas et al. for this wonderful release.

Hands down, this is one of Waxman's greatest scores and one of the best Western scores of all time. I know that for a fact, because I'm listening to it right now. Thanks to Lukas et al. for this wonderful release.[/endquote]

Thanks for the reminder, Josh. I've had CIMARRON for years but have not listened to it for a long time. I'll give it a new spin this weekend. I've also pulled out RAINTREE COUNTY for another listen. I can't remember anything but the main titles (and in the case of RAINTREE, the overture) from either one. Gotta be more good stuff there than just those tracks, right?

I've tried this score multiple times and while I certainly wouldn't call it bad...among Waxman's output it's one that I must confess I have more trouble warming up to. And I'm usually a real sucker for western scores.

Yavar

I've tried this score multiple times and while I certainly wouldn't call it bad...among Waxman's output it's one that I must confess I have more trouble warming up to. And I'm usually a real sucker for western scores.

Yavar[/endquote]

I think it's a solid score, but it's not one of my favorites of Waxman. I believe he only scored one other western besides Cimarron, a film called The Furies. I played the CD a few times after I purchased it, but it's been years since I've listened to it. The film itself pales against the '31 original.

I've avoided CIMARRON up till now, and may continue avoiding it. I might end up loving it but it's a bit of a risk when there are still so many sure-fire winners to get, CD wise. At my slow purchase rate (about 10 new CDs per year), I'm still crossing off titles from the "to get" list I made about fifteen years ago. From the FSM label alone I only yesterday ordered THE WORLD THE FLESH AND THE DEVIL and THE STRIPPER - and Rózsa and Goldsmith are among my favourite composers.

My finger did hover for a while over Waxman's THE SILVER CHALICE, but I ended up putting the decision off for another year. I may have made a mistake there. I'm pretty convinced I'd like that one. The thing with Waxman is that there are a good number of his scores which just don't click with me, and I can't explain why. I know I SHOULD like more of his stuff, but there's a kind of barrier there. Wasn't there an old thread about this? Something rings a bell...

I think it's a solid score, but it's not one of my favorites of Waxman. I believe he only scored one other western besides Cimarron, a film called The Furies. I played the CD a few times after I purchased it, but it's been years since I've listened to it. The film itself pales against the '31 original.[/endquote]

Interesting, I didn't know The Furies was a remake. I didn't care for the film much, save for the lead performances and the (brief, as I recall) Waxman score.

I think it's a solid score, but it's not one of my favorites of Waxman. I believe he only scored one other western besides Cimarron, a film called The Furies. I played the CD a few times after I purchased it, but it's been years since I've listened to it. The film itself pales against the '31 original.[/endquote]

Interesting, I didn't know The Furies was a remake. I didn't care for the film much, save for the lead performances and the (brief, as I recall) Waxman score.[/endquote]

The remake comment was in reference to Cimarron. Honestly, I cannot judge as I have never seen the original and have only seen bits and pieces of this version.

The film is not very good, but the score is wonderful.

The film is not very good, but the score is wonderful.[/endquote]

Agreed. Waxman also composed scores for the Westerns Only the Valiant, Red Mountain, Indian Fighter and the semi-Western Sutter's Gold.

Track List
Instruments/Musicians
Click on each musician name for more credits

Leader (Conductor):
Franz Waxman

Violin:
Israel Baker, Joachim Chassman, Sam Fiedler, Werner L. Gebauer, James Getzoff, Mort Herbert, Arnold T. Jurasky, Anatol Kaminsky, Bernard Kundell, Alfred Lustgarten, Joy Lyle (Sharp), Thomas C. Mancini, Lisa Minghetti, Irving Prager, Lou Raderman, Sally Raderman (aka Sarah Kreindler), Albert Saparoff, Herman Seidel, Gerald Vinci, Dorothy M. Wade (Sushel), Heimann Weinstine, Byron Williams

Viola:
Cecil Figelski, Allan Harshman, Virginia Majewski, Reuben Marcus, Sanford Schonbach, Milton Thomas

Cello:
Alexander Borisoff, Ossip Giskin, Julian Kahn, Raphael "Ray" Kramer, Michel Penha, Kurt Reher

Bass:
George F. Boujie, Richard D. Kelley, Richard F. Kelley, Sr., Arthur Shapiro, Ray Siegel

Flute:
Arthur Gleghorn, Luella Howard

Oboe:
Bert Gassman, Arnold Koblentz

Clarinet:
Gus Bivona, Alex Gershunoff, Don Lodice (Logiudice), Hugo Raimondi

Bassoon:
Charles A. Gould, Ray Nowlin

French Horn:
John W. "Jack" Cave, Herman Lebow, Sinclair Lott, Arthur Maebe, Jr.

Trumpet:
Robert Divall, Joe Triscari, James C. Zito

Trombone:
Robert Marsteller, Richard Noel, Herb Taylor

Piano:
Milton Raskin

Harp:
Catherine Gotthoffer (Johnk)

Harmonica:
George Fields

Drums:
Frank L. Carlson, Mel Pedesky, D. V. Seber

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