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Marathon Man/The Parallax View (1976/1974)
Music by Michael Small
Marathon Man/The Parallax View Marathon Man/The Parallax View Marathon Man/The Parallax View
Click to enlarge images.
Price: $19.95
Limited #: 10000
View CD Page at SAE Store
Line: Silver Age
CD Release: April 2010
Catalog #: Vol. 13, No. 5
# of Discs: 1

FSM presents two superb Michael Small thriller scores long requested on CD: Marathon Man (1976) and The Parallax View (1974), both from the Paramount Pictures vaults—two classic works of pain and paranoia from the 1970s.

Marathon Man gave cinema one of its most iconic and frightening scenes: Laurence Olivier, as a fugitive Nazi dentist, torturing Dustin Hoffman with dental equipment while repeating the perplexing question, “Is it safe?” The film was directed by John Schlesinger from a screenplay by William Goldman (based on his book) and also starred Roy Scheider, Marthe Keller and William Devane. The film is equal parts international intrigue, historical speculation, character development and pitch-perfect suspense—a masterpiece of the genre.

The Parallax View, directed by Alan Pakula (see FSM’s CD of Klute/All the President’s Men), was a political thriller starring Warren Beatty as a quirky reporter who stumbles upon an all-powerful organization, The Parallax Corporation, recruiting assassins for nefarious ends. With its breathtaking filmmaking, paranoid conspiracy theories and downbeat implications, no film made the doom and gloom of the Watergate era so fascinating or pleasurable.

A huge part of the success of both films is their music by Michael Small, a master of the suspense and subtlety required of these pictures. Marathon Man features a melancholy main theme for Hoffman’s troubled graduate student and a foreboding anthem for Olivier’s Nazi, as well as fascinating textural ideas such as pitch-bending strings, ominous piano and piercing synthesizer. The Parallax View centers on a skewered patriotic march for the Parallax Corporation, and features a five-minute pop-rock source cue, “The Parallax Test,” for a pivotal recruitment film. Both scores feature arresting action cues that emerge perfectly from the atmospheric dissonance.

Marathon Man, although produced second, comes first on this CD as it is newly mixed from the original 16-track 2” multitrack tapes for modern stereo sound. No scoring session masters survived for The Parallax View, so its score is presented in mono (given a light stereo reverb for listenability) from the film’s edited music stem.

The booklet features incisive essays on the films by Scott Bettencourt and Jeff Bond, respectively. Expanded essays on both films, and full track-by-track commentary, can be found, for free, online at our website. 

Michael Small Scores on FSM
About the Composer

Michael Small (1939-2003) was one of the defining composers of the 1970s, crafting brilliantly creepy and evocative soundscapes for such "paranoia" thrillers such as Klute, The Parallax View and Marathon Man—finding subtle and ingenious ways to update the Hollywood film scoring vocabulary with avant garde and pop techniques. He remained active in the '80s and '90s with scores such as Jaws IV: The Revenge and Mountains of the MoonIMDB

Comments (281):Log in or register to post your own comments
Film Score Monthly presents these two classic 70’s world premieres by Michael Small!

Announced the day after the Boston Marathon!

Awesome release... Thanks!

!!!! It's actually real. Fantastic news.

Not sure if I'll get this one as I haven't seen either film, but a couple more holy grails for others on here. Way to go, FSM!

Thanks goodness Intrada didn't have any releases for today, or I would literally be drowning in a bunch of A+ scores released today. Go FSM!

Oh, my god... Fantastic news!

What a moment. I'm so thankful these two scores were paired and released. They are some of Small's finest moments of a great career. I've placed my order. Thanks, Lukas.

Marathon Man is actually much longer then i expected :-).....


Please stop releasing fantastic music.

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Track List
Click on each musician name for more credits
For more specific musician lists for the scores on this album, go here:
Marathon Man
The Parallax View

Leader (Conductor):
Michael Small

Harold Ayres, Israel Baker, Herman Clebanoff, Isabelle Daskoff, David Frisina, William Hymanson, Anatol Kaminsky, George Kast, Louis Kaufman, Marvin Limonick, Alfred Lustgarten, Jack Pepper, Mary Ann Ringgold, Ambrose Russo, Ralph Schaeffer, Ralph Silverman, Marshall Sosson, Albert Steinberg, Robert "Bob" Sushel, Dorothy M. Wade (Sushel)

Albert Falkove, Leon Fleitman, Allan Harshman, William Hymanson, Louis Kievman, Irving Manning, Sven Reher, Harry Rumpler, Barbara A. Simons (Transue)

Margaret Aue-Van Wyck, Selene Depuy-Hurford, Joseph DiTullio, Christine Ermacoff, David Filerman, Armand Kaproff, Raphael "Ray" Kramer, Nino Rosso, Eleanor Slatkin, Frances Steiner

Arni Egilsson, Edward Gilbert, Peter A. Mercurio, Ray Siegel

Louise M. DiTullio (Dissman), Susan G. Greenberg, Harry Klee, Sheridon W. Stokes

John F. Ellis

Justin Gordon

Gene Cipriano, Mahlon Clark, Harry Klee, Arthur C. Smith

French Horn:
Arthur E. Briegleb, James A. Decker, Robert E. Henderson, George W. Hyde, Richard E. Perissi

Malcolm Boyd McNab, Uan Rasey, Anthony "Tony" Terran, Graham Young

Ray Siegel

Artie Kane

Artie Kane, Michael Melvoin, Larry G. Muhoberac, Jr., Ian R. Underwood

William Pitman, Thomas "Tommy" Tedesco

Fender (electric) Bass:
James D. Hughart

Catherine Gotthoffer (Johnk), Dorothy S. Remsen

Carl Fortina

Mark Z. Stevens

Larry Bunker, Gary L. Coleman, Frank J. Flynn, Joe Porcaro, Emil Radocchia (Richards)

Jack J. Hayes

Phillip Kahgan

Gene Bren, Ralph Fera

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