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The February edition of FSM ONLINE is now live. In this issue, the cover story is an interview with DAVID ARNOLD and MICHAEL PRICE about their ongoing work on the highly regarded SHERLOCK series for the BBC. Also in this issue are an interview with ALEXANDRE DESPLAT on his tuneful score for George Clooney’s MONUMENTS MEN; a detailed analysis of JOHN WILLIAMS’ latest Oscar-nominated score, THE BOOK THIEF; WONG’S TURN discusses a certain BRUCE BROUGHTON issue; the final installment of our GEORGE FENTON live video series; MURRAY GOLD discusses the DOCTOR WHO 50th anniversary; RICHARD HARWOOD on his new CD of solo cello music written by film composers; an anti-Valentine’s EAR OF THE MONTH; a SCHWARZENEGGER-themed SOUNDTRACK OBSCURITIES; more embedded audio clips, and more.


 
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Today in Film Score History:
April 18
Alois Melichar born (1896)
Andrew Powell born (1949)
Buxton Orr born (1924)
Dave Grusin begins recording his score for The Goonies (1985)
Ed Plumb died (1958)
Jerry Goldsmith begins recording his score for Players (1979)
John Debney records his score for the Star Trek: Deep Space Nine episode “Progress” (1993)
Kings Row released in theaters (1942)
Maurice Jarre wins his second Oscar, for Dr. Zhivago's score; presumably decides to stick with this David Lean kid (1966)
Mike Leander died (1996)
Mike Vickers born (1941)
Miklos Rozsa begins recording his score to The King's Thief (1955)
Miklos Rozsa born (1907)
Recording sessions begin for Marco Beltrami’s score for Red Eye (2005)
Robert O. Ragland died (2012)
Tony Mottola born (1918)
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