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The September edition of FSM ONLINE is now live. This month's cover story is an examination of the latest rage in movie music concerts: live-to-screen productions of entire scores played to their respective feature-length films. DAVID NEWMAN, MICHAEL GIACCHINO and others discuss where they see the trend going. Also this issue, DARIO MARIANELLI reaches for new heights with his score to EVEREST; violinist ANNE AKIKO MEYERS talks about her new release, Serenade: The Love Album; Kyle Renick's in-depth look at the scores from 1965 comes to a close; SEAN CALLERY chats about his work on HOMELAND, JESSICA JONES and MINORITY REPORT; KEVIN KLIESCH discusses the Disney Junior princess program SOFIA THE FIRST; the truly weird THE CREEPING TERROR is unmasked by documentarians PETE and JOHN SCHUERMANN; Soundtrack Obscurities dusts off some HANS ZIMMER gems; Score Restore compares the two scores of K2, by ZIMMER and CHAZ JANKEL; Gold Rush’s look at MAX STEINER reaches its end; more embedded audio clips, and more.

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Today in Film Score History:
January 19
Bjorn Isfalt died (1997)
David Shire records his score for the Amazing Stories episode "Moving Day" (1987)
Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Life Support” (1995)
Don Costa died (1983)
Gerard Schurmann born (1924)
Jerome Moross begins recording his score to The Adventures of Huckleberry Finn (1960)
Jerry Goldsmith begins recording electronic cues for Logan's Run (1976)
John Williams records his score for The Ghostbreaker (1965)
Michael Boddicker born (1953)
Recording sessions begin for Cyril Mockidge’s score to The Man Who Shot Liberty Valance (1962)
Stu Phillips born (1929)
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