The latest release from Intrada pairs two scores from films produced by the Disney studios that can be described by the oxymoron "light-hearted films about the Vietnam War" -- the hit GOOD MORNING, VIETNAM, which earned Robin Williams his first Oscar nomination, and featured one of the final scores by the incomparable Alex North; and an expanded version of David Newman's stirring music for 1995's OPERATION DUMBO DROP.
La-La Land has announced a new slate of soundtrack CD releases, including two multi-disc sets which may be Holy Grails for many film music fans.
In the mid-1960s, when widescreen epics included slapstick spectacles like It's a Mad Mad Mad Mad World and Those Magnificent Men in Their Flying Machines, Blake Edwards directed the period action farce THE GREAT RACE, starring Jack Lemmon, Tony Curtis, Natalie Wood, Peter Falk and Jack Lemmon (that is not a typo). Since it was a Blake Edwards film not made between 1971 and 1974, the score was composed by the incomparable Henry Mancini. As was common at the time, the original soundtrack LP was a re-recording with the selections (including the film's Oscar-nominated song "The Sweetheart Tree") chosen more for commercial reasons than to highlight the film's score cues, so collectors have begged for the original Great Race score tracks for decades. La-La Land's Great Race features 114 minutes of original score tracks on two discs with the 27 minute LP re-recording cues on Disc Three, and is expected to begin shipping next week.
The turn of the 21st century was a dispiriting time in which some of the coolest and most cinematic TV series of the 1960s -- The Avengers, I Spy, The Wild Wild West -- were turned into really lousy movies. Fortunately, one can still watch the original shows on home video in all their small-screen glory, and the great musical legacy of '60s television finds new life with La-La Land's four-disc boxed set of episode scores from THE WILD WILD WEST. This series starring Robert Conrad and Ross Martin as Secret Service agents in post-Civil War America was an imaginative combination of Western, James Bond and Jules Verne, and featured one of the greatest of all TV main title themes, courtesy of Richard Markowitz. The La-La Land set features episodes scores by Markowitz as well as by Robert Drasnin, Harry Geller, Dave Grusin, Jack Pleis, Walter Scharf, Richard Shores and Fred Steiner, along with the show's unused orignial theme by Golden Age maestro Dimitri Tiomkin. The set is expected to begin shipping next week.
The commercial and critical success of Fatal Attraction in 1987 led to a subgenre of thrillers about ordinary folk menaced by mentally ill people in all walks of life, and 1992's UNLAWFUL ENTRY, directed by Jonathan Kaplan (Heart Like a Wheel, The Accused), pitted obsessed cop Ray Liotta against happily married couple Kurt Russell and Madeleine Stowe. For the music, Kaplan reunited with his Project X composer, James Horner, who provided an electronics-dominated score. Intrada released a 35-minute score CD at the time, while LLL's remastered and expanded version features 49 minutes of Horner music, shipping this week.
The latest episodic collaboration between composer Blake Neely and TV writer-producer Greg Berlanti is a revisionist version of the beloved Archie comics titled RIVERDALE, which places the popular teen characters in a mystery-soap narrative. La-La Land's CD of music from the show's first season is expected to begin shipping next week.
Composer Steve Jablonsky reteamed with director Michael Bay for their mutual fifth entry in the Transformers franchise, the recently released TRANSFORMERS: THE LAST KNIGHT, and La-La Land's Last Knight is a limited edition (3000 units) two-disc set featuring more than two hours of Jablonsky score, and is expected to begin shipping the week after next.
In the least surprising film music news of the last year or two, it was confirmed that John Williams will write the score for Steven Spielberg's upcoming journalism docudrama THE PAPERS (formerly titled The Post), with Meryl Streep as Washington Post owner Katherine Graham and Tom Hanks as editor Ben Bradlee (the role that won Jason Robards his All the President's Men Oscar).
However, in the most surprising film news of the last year or two, it was announced that since Spielberg's other upcoming film, the Willy-Wonka-meets-virtual-reality sci-fi adventure READY PLAYER ONE, would need to be scored at roughly the same time as The Papers, the film would be scored by Alan Silvestri, who has scored other Spielberg productions such as Who Framed Roger Rabbit and the Back to the Future trilogy, this will be the first time he has worked with Spielberg as a director.
The Academy of Television Arts and Sciences has announced this year's Primetime Emmy nominations, including the following music-related cateogories (below the fold):
OUTSTANDING MUSIC COMPOSITION FOR A LIMITED SERIES, MOVIE OR SPECIAL
(ORIGINAL DRAMATIC SCORE)
FARGO: Aporia - Jeff Russo
FEUD: BETTE AND JOAN: Pilot - Mac Quayle
FIVE CAME BACK: The Price Of Victory - Jeremy Turner
O.J.: MADE IN AMERICA: Part 3 - Gary Lionelli
SUITE FRANÇAISE - Rael Jones
THE WHITE HELMETS - Patrick Jonsson
OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
A SERIES OF UNFORTUNATE EVENTS: A Bad Beginning - James Newton Howard
TABOO: Episode 1 - Max Richter
VICTORIA (MASTERPIECE): Doll 123 -Martin Phipps, Ruth Barrett, Natalie Holt
OUTSTANDING ORIGINAL MAIN TITLE THEME MUSIC
FEUD: BETTE AND JOAN - Mac Quayle
GENIUS - Hans Zimmer, Lorne Balfe
THE GOOD FIGHT - John David Buckley
VICTORIA (Masterpiece) - Martin Phipps
OUTSTANDING ORIGINAL MUSIC AND LYRICS
CRAZY EX-GIRLFRIEND: When Will Josh And His Friend Leave Me Alone? - “We Tapped That Ass” – Music by Adam Schlesinger; Lyrics by Adam Schlesinger, Rachel Bloom, Jack Dolgen
DUCK THE HALLS: A MICKEY MOUSE CHRISTMAS SPECIAL - “Jing-A-Ling-A-Ling” - Music by Christopher Willis; Lyrics by Christopher Willis, Darrick Bachman, Paul Rudish
JIMMY KIMMEL LIVE: Jessica Chastain/Willie Nelson/Hunter Hayes – “The Ballad of Claus Jorstad (Devil Stool)” – Music and Lyrics by Jonathan Kimmel, Gary Greenberg
SATURDAY NIGHT LIVE: Host: Casey Affleck – “Last Christmas” - Music by Eli Brueggemann; Lyrics by Chancelor Johnathan Bennett, Kenan Thompson, Will Stephen
13TH – “Letter To The Free” – Music by Common, Robert Glasper, Karriem Riggins; Lyrics by Common
UNBREAKABLE KIMMY SCHMIDT: Kimmy’s Roommate Lemonades! – “Hell No” - Music by
Jeff Richmond; Lyrics by Tina Fey, Sam Means
OUTSTANDING MUSIC DIRECTION
AMERICAN EPIC: THE AMERICAN EPIC SESSIONS - Bernard MacMahon, Duke Erikson, Jack White, T Bone Burnett
JOSHUA BELL: SEASONS OF CUBA (LIVE FROM LINCOLN CENTER) - David Lai
STAYIN' ALIVE: A GRAMMY SALUTE TO THE MUSIC OF THE BEE GEES - Rickey Minor
SUPER BOWL LI HALFTIME SHOW STARRING LADY GAGA - Michael Bearden
TAKING THE STAGE: AFRICAN AMERICAN MUSIC AND STORIES THAT CHANGED AMERICA - Rickey Minor
TONY BENNETT CELEBRATES 90: THE BEST IS YET TO COME - Tom Scott
OUTSTANDING MUSIC SUPERVISION
BETTER CALL SAUL: Sunk Costs - Thomas Golubic
BIG LITTLE LIES: You Get What You Need - Susan Jacobs
GIRLS: Goodbye Tour - Manish Raval, Jonathan Leahy, Tom Wolfe
MASTER OF NONE: Amarsi Un Po - Zach Cowie, Kerri Drootin
STRANGER THINGS: Chapter Two: The Weirdo On Maple Street - Nora Felder
CDS AVAILABLE THIS WEEK
Black Mirror: San Junipero - Clint Mansell - Lakeshore
Finding Oscar - John Stirrat, Paul Pilot - Decor (import)
Free Fire - Geoff Barrow, Ben Salibury - Invada (import)
Good Morning, Vietnam/Operation Dumbo Drop - Alex North, David Newman - Intrada Special Collection
Lady Jane - Stephen Oliver - Quartet
Les Chevaux Du Soleil - Georges Delerue - Music Box
Liberte-Oleron/Grosse Fatigue - Rene-Marc Bini - Music Box
2:22 - Lisa Gerrard, James Orr - Varese Sarabande
Unlawful Entry - James Horner - La-La Land
IN THEATERS TODAY
Blind - Amy Lee, Dave Eggar
Chasing Coral - Dan Romer, Saul Simon MacWilliams
City of Ghosts - H. Scott Salinas, Jackson Greenberg
Endless Poetry - Adan Jodorowsky
Granny of the Dead - Jason Pesticcio
Lady Macbeth - Dan Jones
Man Underground - Zach De Sorbo
The Skyjacker's Tale - David Wall, Jamie Shields, Adam White
Swallows and Amazons - Ilan Eshkeri
Wish Upon - tomandandy
COMING SOON
July 21
American Gods - Brian Reitzell - Milan
Dunkirk - Hans Zimmer - WaterTower
The Great Race - Henry Mancini - La-La Land
Riverdale: Season 1 - Blake Neely - La-La Land
Valerian and the City of a Thousand Planets - Alexandre Desplat - Europacorp
War Machine - Nick Cave, Warren Ellis - Lakeshore
The Wild Wild West - Robert Drasnin, Harry Geller, Dave Grusin, Richard Markowitz, Jack Pleis, Walter Scharf, Richard Shores, Fred Steiner - La-La Land
July 28
The Emoji Movie - Patrick Doyle - Sony (import)
Genius - Lorne Balfe - Milan
Transformers: The Last Knight - Steve Jablonsky - La-La Land
August 4
Castlevania - Trevor Morris - Lakeshore
The Dark Tower - Tom Holkenborg - Sony
Robin Hood - George Bruns - Disney
War for the Planet of the Apes - Michael Giacchino - Sony
August 11
The Glass Castle - Joel P. West - Milan
Good Time - Oneohtrix Point Never - Warp
August 18
The Handmaid's Tale - Adam Taylor - Lakeshore
The Hitman's Bodyguard - Atli Orvarsson - Milan
September 1
Wind River - Nick Cave, Warren Ellis - Lakeshore
September 8
Bunyan & Babe - Zoe Poledouris-Roche, Angel Roche Jr. - Notefornote
Twin Peaks: The Event Series - Angelo Badalamenti - Rhino
Date Unknown
The Basil Poledouris Collection vol. 2 - Basil Poledouris - Dragon's Domain
Il Relitto - Angelo Francesco Lavagnino - Alhambra
Roma Violenta - Guido & Maurizio De Angelis - Beat
Sharkanas Women's Prison Massacre - Chuck Cirino - Kritzerland
Sky Pirates - Brian May - Dragon's Domain
THIS WEEK IN FILM MUSIC HISTORY
July 14 - Michel Michelet born (1894)
July 14 - Elliot Kaplan born (1931)
July 14 - J.A.C. Redford born (1953)
July 14 - Joe Harnell died (2005)
July 15 - H.B. Barnum born (1936)
July 15 - Geoffrey Burgon born (1941)
July 15 - Paul Sawtell begins recording his score for The Hunters (1958)
July 15 - Bill Justis died (1982)
July 15 - Dennis Wilson died (1989)
July 15 - Derek Hilton died (2005)
July 16 - Goffredo Petrassi born (1904)
July 16 - Fred Myrow born (1939)
July 16 - Stewart Copeland born (1952)
July 17 - Piero Umiliani born (1926)
July 17 - Wojciech Kilar born (1932)
July 17 - Peter Schickele born (1935)
July 17 - Stanley Wilson died (1970)
July 17 - Jerry Goldsmith begins recording his score to Babe (1975)
July 17 - Bruce Broughton begins recording his score to Eloise at Christmastime (2003)
July 18 - Barry Gray born (1908)
July 18 - James William Guercio born (1945)
July 18 - Nathan Van Cleave begins recording his score for The Lonely Man (1956)
July 18 - Abel Korzeniowski born (1972)
July 18 - David Shire records his score for the Amazing Stories episode "Hell Toupee" (1985)
July 19 - Paul Dunlap born (1919)
July 19 - Tim McIntire born (1944)
July 19 - Dominic Muldowney born (1952)
July 19 - Gerald Fried's score for the Star Trek episode "Amok Time" is recorded (1967)
July 19 - Gerald Fried's score for the Star Trek episode "The Paradise Syndrome" is recorded (1968)
July 19 - Van Alexander died (2015)
July 20 - Franz Waxman begins recording his score for Elephant Walk (1953)
July 20 - Gail Kubik died (1984)
DID THEY MENTION THE MUSIC?
DIXIELAND - West Dylan Thordson
"Despite its shortcomings, Bedford’s film -- he was an assistant to David O. Russell, Bennett Miller, and Tarsem Singh in the past -- excels at mood and occasionally even lands in a soulful moment. West Dylan Thordson‘s ('Foxcatcher') sparse score is somber and best communicates the character’s desires and longings for something more. Likewise, cinematographer Tobias Datum‘s use of natural light makes for a picture that often looks and feels dreamy and meditative."
Rodrigo Perez, IndieWire
"The handheld camerawork by Tobias Datum ('Smashed') rides a line between documentary and narrative and can be overly busy; at its best, it’s intimately in tune with the characters. Visual motifs, such as the image of birds circling overhead, start to look like filler rather than cinematic poetry, while West Dylan Thordson's winningly spare score grows more obvious and melodramatic, in parallel with the story."
Sheri Linden, Hollywood Reporter
THE GIRL IN THE BOOK - Will Bates
"While that is one mark against 'The Girl in the Book,' the film truly is excellent and Cohn’s sensitive and accomplished writing and directing belies her debut status: this seems like the product of a far more experienced storyteller. The two storylines are a lot to weave together and she does so seamlessly; her directing is fluid and creative, enhancing the themes through the film’s style. And the propulsive and anxious score by Will Bates adds to the expression of Alice’s troubled inner life. 'The Girl in the Book' is an auspicious debut for Cohn, a showcase for VanCamp’s true acting abilities, and a fascinating feminine story."
Kate Walsh, IndieWire
"The assured but unshowy package is particularly complemented by Jessica Brunetto’s editing and Will Bates’ score, among other factors that lend the film’s overall impact the alert observational intelligence of a first-rate short story."
Dennis Harvey, Variety
INGRID BERGMAN - IN HER OWN WORDS - Michael Nyman
"Directed by Bergman's countryman Stig Björkman and beautifully narrated by Alicia Vikander, another fellow Swede, it has been lovingly culled from home movies, diaries and letters to friends. The film benefits enormously from the contribution of all four of Bergman's children including, of course, Isabella Rossellini, in delightfully idiosyncratic form. Björkman and his editor Dominika Daubenbüchel have a gift for evocatively compiled montage, while the score by master composer Michael Nyman envelops proceedings with great elegance and wonderful drama."
Emma Simmonds, The List
"With so much reference material at his disposal, Björkman can’t pierce that mystery entirely, but what he does do quite elegantly is explore the mixed feelings of those four surviving children, all of whom make clear how much fun she was to be with and yet -- without any sense of 'Mommie Dearest' recrimination -- also give vent to their feelings of being left behind when she was away filming, or indeed when she had moved cities to be with a new partner. Michael Nyman’s chamber-scaled score, in part a reworking of his affecting soundtrack for 1999’s 'Wonderland,' provides a tellingly poignant undertow to the family’s to-and-fro of enduring affection and unrequited longing, all of which adds considerably to our understanding of one of the screen’s indelible icons."
Trevor Johnston, Sight and Sound
"Fortunately, the exceptional home movies, many shot by Bergman herself, are an unending source of pleasure, visually reinforcing her children’s warm-hearted reminiscences: Their mother was fun to be around. Judging from the letters she wrote to Ruth Roberts, Irene Selznick and others, she was also a good friend (seconded in several memoirs). 'In Her Own Words'” boasts solid tech credits and a Michael Nyman score whose unmistakable 'ostinatos' hark back to the composer’s best-known film music."
Jay Weissberg, Variety
"The portrait that emerges is intimate -- perhaps too intimate for film lovers who might have preferred to hear more about the star’s working methods, and fewer details about her husbands and kids. But as Isabella remarks a propos of her mother’s letters, there is surprisingly little in them about her professional life. They’re all about her children. This is perhaps how Bergman saw herself, with many inserts of her home movies and photographs she took with her numerous cameras. A romantic score by Michael Nyman completes this very appealing if non-critical bio."
Deborah Young, Hollywood Reporter
THE LETTERS - Ciaran Hope
"Riead stacks up scenes of simplistic conflict: a sniffy nun trying to keep Mother Teresa from getting her mission approved; angry Calcuttans complaining that 'this Christian woman' is going to try to convert their children; a morally questionable foreign correspondent ignoring her demands that he write about something else; and so on. Meanwhile, the near wall-to-wall uplifting synthesizer score, playing behind montages of the sick and uneducated flocking to Mother Teresa, pushes toward overkill."
Noel Murray, The Onion AV Club
"A final note: The film’s music is credited to Ciaran Hope, but unless the copy provided for review contained temp tracks, some of it seems to have been lifted directly from Hans Zimmer’s score for 'The Thin Red Line.'"
Godfrey Cheshire, RogerEbert.com
"The future Nobel laureate vomits when she first sees a man covered in sores, but she’s toughened up by the time she delivers the breech baby of a Hindu couple who had yelled at her for being nice to one of their other children. Bloodied but stoic after the difficult birth, the nun walks away in slow motion, giving the rescued woman’s husband a chance to catch up to her and thank her on his knees while inspirational music drowns out his words."
Inkoo Kang, The Wrap
THEEB - Jerry Lane
"The prophetic lines that open Naji Abu Nowar‘s debut feature-length film, 'Theeb,' speak of true depths, brotherhood, and death. And for the next hour and forty minutes, the film delicately explores these three major forces through the eyes of Theeb (Jacid Eid), a young Bedouin boy growing up in the Ottoman province of Hejaz in 1916, while the rest of the world’s attention curled towards Europe and the First World War. With the support of a beautifully composed score by Jerry Lane, and Wolfgang Thaler‘s terrific cinematography, the atmosphere that pervades 'Theeb' is one of unforced reverence. Elemental in construct and narrative, the picture breathes through the screen during Theeb’s moments of quiet reflection at his surroundings and all the cruelty the vast, all-encompassing desert has to offer.In craft and execution, the picture has zero trace of being a debut feature. Even the non-professional actors have a remarkable chemistry in front of the camera, and the dark brown buttons that are Jacid Eid’s eyes will make audience members empathetic in an instant. Lane’s score, like the song about the forsaken home near the beginning of the film that emphatically spills over into the next scene in VO, coats the film with a reverent layer. Thaler’s cinematography makes impressionable use of the vastness, and Nowar symbolically frames his characters against the mountainous backdrop -- the final shot rank among the most painterly of the year. Without a trace of forcefulness, exposition, or stilted humor, 'Theeb' is the kind of film cinephiles might choose over something like 'Beasts Of No Nation,' the more publicized coming-of-age wartime story of the year. On the flip side, though, the latter is much more accessible in terms of Western-style storytelling. In any case, 'Theeb' is an arthouse gem that celebrates world cinema through a Middle Eastern perspective, and as an unfamiliar approach to familiar themes, should be lauded and sought out by those in the mood for some serious, and seriously good, cinema."
Nikola Grozdanovic, IndieWire
"The palpable affection for each other conveyed by Eid and Salameh (real-life cousins) has a cinematic intensity that quickly wins over viewers, and the novice performers’ ease onscreen, especially young Eid, act as counterweights to the truly stunning scenery, which could so easily have stolen the show from lesser talents. As it is, the unearthly beauty of the landscape, shot in Wadi Arabeh and Wadi Rum by Ulrich Seidl’s frequent collaborator Wolfgang Thaler, will doubtless boost international interest in shooting in Jordan. Abu Nowar’s decision to film on Super 16 with an anamorphic lens pays off with glowing dividends, the format’s scope and warmth ideal for this sort of story and location. Jerry Lane’s score feels a little too Western, despite Arabic music inflections."
Jay Weissberg, Variety
"The ace cinematography, courtesy of Wolfgang Thaler (who shot Michael Glawogger's globetrotting documentaries as well as Seidl's 'Paradise' trilogy), isn’t interested so much in the beautiful landscapes as such but rather in how they can help suggest emotional states and elevate the struggles and accelerated coming-of-age of little Theeb to a higher plane. Jerry Lane’s music is equally tuned into the material, imbuing the story with grandeur where necessary but also not afraid to play it small if small means heartbreaking; a mournful strings solo when Theeb dedicates himself to a terrible task involving sand and stones is haunting exactly because it’s so bare bones."
Boyd van Hoeij, Hollywood Reporter
THE NEXT TEN DAYS IN L.A.
Screenings of older films, at the following L.A. movie theaters: AMPAS, American Cinematheque: Aero, American Cinematheque: Egyptian, Arclight, LACMA, New Beverly, Nuart, Silent Movie Theater and UCLA.
July 14
DEAR HEART (Henry Mancini), THE CATERED AFFAIR (Andre Previn) [UCLA]
DJANGO UNCHAINED [New Beverly]
EL TOPO (Alejandro Jodorowsky) [Nuart]
RAW MEAT (Will Malone, Jeremy Rose) [Silent Movie Theater]
SUBWAY (Eric Serra), LE DERNIER COMBAT (Eric Serra) [Cinematheque: Egyptian]
WESTWORLD (Fred Karlin), RUNAWAY (Jerry Goldsmith) [New Beverly]
WILD AT HEART (Angelo Badalamenti), BEYOND THE VALLEY OF THE DOLLS (Stu Phillips) [Cinematheque: Aero]
July 15
THE BIG BLUE (Eric Serra) [Cinematheque: Egyptian]
FAT CITY (Marvin Hamlisch), WISE BLOOD (Alex North) [UCLA]
INNERSPACE (Jerry Goldsmith) [New Beverly]
MIDNIGHT COWBOY (John Barry), FRITZ THE CAT (Ed Bogas, Ray Shanklin) [Cinematheque: Aero]
MY NIGHT AT MAUD'S [Silent Movie Theater]
RABID [New Beverly]
WESTWORLD (Fred Karlin), RUNAWAY (Jerry Goldsmith) [New Beverly]
July 16
THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS (Maurice Jarre), SOMETIMES A GREAT NOTION (Henry Mancini) [New Beverly]
INNERSPACE (Jerry Goldsmith) [New Beverly]
LAST TANGO IN PARIS (Gato Barbieri) [Cinematheque: Aero]
MIDDLE OF THE NIGHT (George Bassman) [UCLA]
MIRACLE IN MILAN (Alessandro Cicognini) [UCLA]
THE PROFESSIONAL (Eric Serra), LA FEMME NIKITA (Eric Serra) [Cinematheque: Egyptian]
July 17
THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS (Maurice Jarre), SOMETIMES A GREAT NOTION (Henry Mancini) [New Beverly]
THE HAPPINESS OF THE KATAKURIS (Koji Endo, Koji Makaino), TETSUO: THE IRON MAN (Chu Ishikawa) [Silent Movie Theater]
THE LORD OF THE RINGS: THE RETURN OF THE KING (Howard Shore) [Arclight Hollywood]
July 18
ALL THE PRESIDENT'S MEN (David Shire) [Silent Movie Theater]
LA STRADA (Nino Rota) [LACMA]
MAD MAX: FURY ROAD (Tom Holkenborg) [Arclight Culver City]
THE MATRIX RELOADED (Don Davis) [Arclight Santa Monica]
ROBO FORCE (Romeo Diaz), ROBOTRIX (James Wong, Siu Hung Yeung) [New Beverly]
July 19
THE FIFTH ELEMENT (Eric Serra), LUCY (Eric Serra) [Cinematheque: Egyptian]
YOUNGBLOOD (War), COOLEY HIGH (Freddy Perren) [New Beverly]
July 20
CRISS CROSS (Miklos Rozsa), BLACK ANGEL (Frank Skinner) [Cinematheque: Aero]
THE DECAMERON (Ennio Morricone), ARABIAN NIGHTS (Ennio Morricone) [Cinematheque: Egyptian]
STALKER (Edward Artemyev) [Silent Movie Theater]
YOUNGBLOOD (War), COOLEY HIGH (Freddy Perren) [New Beverly]
July 21
THE ANDROMEDA STRAIN (Gil Melle), THE TERMINAL MAN [New Beverly]
APRIL LOVE (Alfred Newman, Cyril Mockrdige) [Cinematheque: Aero]
DJANGO UNCHAINED [New Beverly]
THE HOLY MOUNTAIN (Alejandro Jodorowsky) [Nuart]
IF... (Marc Wilkinson), PERFORMANCE (Jack Nitzsche) [Cinematheque: Egyptian]
NIGHT OF THE CREEPS (Barry De Vorzon) [Silent Movie Theater]
UNDER THE VOLCANO (Alex North) [UCLA]
July 22
THE ANDROMEDA STRAIN (Gil Melle), THE TERMINAL MAN [New Beverly]
CLAIRE'S KNEE [Silent Movie Theater]
DAYS OF WINE AND ROSES (Henry Mancini), CRIME IN THE STREETS (Franz Waxman) [UCLA]
FEMALE TROUBLE, HEAVY TRAFFIC (Ed Bogas, Ray Shanklin) [Cinematheque: Egyptian]
SCANNERS (Howard Shore) [New Beverly]
SPACECAMP (John Williams) [New Beverly]
July 23
THE DEVILS (Peter Maxwell Davies) [Cinematheque: Egyptian]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [Arclight Santa Monica]
KIKI'S DELIVERY SERVICE (Joe Hisaishi) [Arclight Sherman Oaks]
MOBY DICK (Philip Sainton) [UCLA]
9 TO 5 (Charles Fox), THE BEST LITTLE WHOREHOUSE IN TEXAS (Carol Hall, Patrick Williams) [Cinematheque: Aero]
RACHEL, RACHEL (Jerome Moross), THE GLASS MENAGERIE (Henry Mancini) [New Beverly]
SERIE NOIRE [Silent Movie Theater]
SISTER ACT 2: BACK IN THE HABIT (Miles Goodman) [Silent Movie Theater]
SPACECAMP (John Williams) [New Beverly]
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