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The February edition of FSM ONLINE is now live. This month’s cover story is, finally, a breakdown of the TOP 12 SCORES BY HANS ZIMMER. Also in this issue, GEORGE FENTON scores Liam Neeson with the icy tones of COLD PURSUIT; BRIAN TYLER brings the funk for WHAT MEN WANT; JOHN DEBNEY hits a sweet note on ISN’T IT ROMANTIC; ALEX HEFFES is driven in MISS BALA; KATHRYN BOSTIC dishes on her SUNDANCE experience, including her work on CLEMENCY and TONI MORRISON: THE PIECES I AM; a walk through this season’s elephants' graveyard with WONG'S TURN; a brassy COMPOSER’S CORNER; lots of album reviews, including HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD, HARRY POTTER: THE JOHN WILLIAMS SOUNDTRACK COLLECTION, THE ORVILLE: SEASON 1 and THE THIN RED LINE: 20TH ANNIVERSARY EDITION; more embedded audio clips, and more.

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Film Score Monthly Online
The Top 12 Scores by Hans Zimmer
Fenton Scores Neeson
What Brian Tyler Wants
Loving It up With John Debney
Bala's Beats
Cleaning up at Sundance
Wong's Turn: Scores for an Elephants' Graveyard
Ear of the Month Contest
Today in Film Score History:
March 24
Alberto Colombo died (1954)
Alex North wins an Honorary Oscar, “in recognition of his brilliant artistry in the creation of memorable music for a host of distinguished motion pictures;” John Barry wins his fourth Oscar, for the Out of Africa score (1986)
Arthur B. Rubnstein begins recording his score for WarGames (1983)
Brian Easdale wins his only Oscar, for The Red Shoes score (1949)
Fred Steiner's score for the Star Trek episode "The City on the Edge of Forever" is recorded (1967)
Gabriel Yared wins the Dramatic Score Oscar for The English Patient; Rachel Portman wins the second Comedy or Musical Score Oscar, for Emma (1997)
Ira Newborn begins recording his score for Ferris Bueller’s Day Off (1986)
John Barry begins recording his score for The Deep (1977)
John Barry wins his fifth and final Oscar, for the Dances With Wolves score; Stephen Sondheim wins his first Oscar, for the song
Michael Masser born (1941)
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