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The December edition of FSM ONLINE is live! This month’s cover story wraps up the end of 2019 in style: HOWARD SHORE discusses cantorial tradition and his music for THE SONG OF NAMES; NATHAN JOHNSON gets in on cousin Rian Johnson's KNIVES OUT; CARTER BURWELL scores Bill Condon's THE GOOD LIAR, then takes a crash course in television for THE MORNING SHOW; and MARCELO ZARVOS swims through DARK WATERS with Mark Ruffalo. Also in this issue, DANIEL LOPATIN polishes the new Adam Sandler drama UNCUT GEMS; the last half of Erik Heine’s EMERGING COMPOSERS OF THE 2010s, including MAX RICHTER and LUDWIG GÖRANSSON; a new COUNTERPOINT debate pits complete score albums against curated cues; WONG'S TURN delivers an ode to the maestro, JOHN WILLIAMS; Downbeat gets to know JOHN KOUTSELINIS; a new EAR OF THE MONTH CONTEST; lots of album reviews, including THE MANDALORIAN: CHAPTER 1 and CHAPTER 2, KNIVES OUT, THE AERONAUTS and MARRIAGE STORY; more embedded audio clips, and more. Enjoy!

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Today in Film Score History:
January 19
Bjorn Isfalt died (1997)
David Shire records his score for the Amazing Stories episode "Moving Day" (1987)
Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Life Support” (1995)
Don Costa died (1983)
Gerard Schurmann born (1924)
Jerome Moross begins recording his score to The Adventures of Huckleberry Finn (1960)
Jerry Goldsmith begins recording electronic cues for Logan's Run (1976)
John Williams records his score for The Ghostbreaker (1965)
Michael Boddicker born (1953)
Recording sessions begin for Cyril Mockidge’s score to The Man Who Shot Liberty Valance (1962)
Stu Phillips born (1929)
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