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The December edition of FSM ONLINE is live! This month’s cover story wraps up the end of 2019 in style: HOWARD SHORE discusses cantorial tradition and his music for THE SONG OF NAMES; NATHAN JOHNSON gets in on cousin Rian Johnson's KNIVES OUT; CARTER BURWELL scores Bill Condon's THE GOOD LIAR, then takes a crash course in television for THE MORNING SHOW; and MARCELO ZARVOS swims through DARK WATERS with Mark Ruffalo. Also in this issue, DANIEL LOPATIN polishes the new Adam Sandler drama UNCUT GEMS; the last half of Erik Heine’s EMERGING COMPOSERS OF THE 2010s, including MAX RICHTER and LUDWIG GÖRANSSON; a new COUNTERPOINT debate pits complete score albums against curated cues; WONG'S TURN delivers an ode to the maestro, JOHN WILLIAMS; Downbeat gets to know JOHN KOUTSELINIS; a new EAR OF THE MONTH CONTEST; lots of album reviews, including THE MANDALORIAN: CHAPTER 1 and CHAPTER 2, KNIVES OUT, THE AERONAUTS and MARRIAGE STORY; more embedded audio clips, and more. Enjoy!

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Your Friends at FSM ONLINE

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Film Score Monthly Online
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The Unbearable Weight of Musical Talent
The Gregson-Williams Age
Inside Gordon's Chamber
Space Station Eshkeri
Cronen-Shore: A Collaboration of Nightmares, Part 2
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Kraft Film Music Services, Part 2
It's Samurai Rabbit Season
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Ear of the Month Contest: John Addison
Moon Note
Today in Film Score History:
May 26
Alfred Newman begins recording his score for Man Hunt (1941)
Bruno Nicolai born (1926)
David Torn born (1953)
Earle Hagen died (2008)
George Greeley died (2007)
Howard Goodall born (1958)
Jerry Goldsmith begins recording his score for The Satan Bug (1964)
Miles Davis born (1926)
Nicola Piovani born (1946)
Sonny Sharrock died (1994)
William Bolcom born (1938)
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