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The April issue of FSM ONLINE is now live. On the cover this month is TOM HOLKENBORG (aka Junkie XL), talking about his music for blockbusters ZACK SNYDER’S JUSTICE LEAGUE and GODZILLA VS. KONG; plus THE INCREDIBLE HOLK drops by to smash things up. Also in this issue, EMILE MOSSERI discusses his Oscar-nominated score for MINARI; GARETH COKER rises to the challenge of the IMMORTALS FENYX RISING video game and MYTHS OF THE EASTERN REALM DLC; speaking of Oscar, check out the conclusion to our AM-PAS OR FAIL? Counterpoint column; STEFAN GREGORY gets his hands dirty with Netflix’s THE DIG, starring Ralph Fiennes and Carey Mulligan; Soundtrack Obscurities reveals the film music of YURI POTEYENKO; WONG’S TURN looks at music in the time of Covid-19; ELIZABETH PHILLIPSON-WEINER gets productive with the short film GETS GOOD LIGHT; plus reviews, CONCERTS ARE BACK (!!!), a bunch of embedded audio clips, and more.

Lastly, in the issue’s editorial column, FSMO’s amazing managing editor, KRISTEN ROMANELLI, bids us adieu as she moves on to all kinds of new and exciting endeavors.


Subscribers, go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link in the upper right, and follow the instructions. And email us if you have any questions.

Sincerely,

Your Friends at FSM ONLINE 

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Today in Film Score History:
March 26
Alan Menken wins his first Oscars, for The Little Mermaid score and its song "Under the Sea" (1990)
Alan Silvestri born (1950)
Bernard Herrmann begins recording his score for White Witch Doctor (1953)
Charles Dumont born (1929)
Fred Karlin died (2004)
Harry Rabinowitz born (1916)
John Corigliano wins his first Oscar, for The Red Violin score (2000)
Larry Morey born (1905)
Leigh Harline born (1907)
Louis Silvers died (1954)
Malcolm Arnold wins his only Oscar, for The Bridge on the River Kwai score (1958)
Noel Coward died (1973)
Recording sessions begin for Miklos Rozsa’s score for Five Graves to Cairo (1943)
The Fall of the Roman Empire opens in New York (1964)
Victor Young begins recording his score for Little Boy Lost (1953)
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