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The August edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is coverage of the phenomenon known as BARBENHEIMER; orchestrator MATT DUNKLEY takes us through the underscore for Greta Gerwig’s uber-blockbuster, while Jon Brown and Sean Wilson check in with LUDWIG GORANSSON about Christopher Nolan’s record-shattering OPPENHEIMER. Also this issue are an interview with SOFIA HULTQUIST (DRUM & LACE) about her horrifying work on the thriller COBWEB; take a moment to cast your vote for THE RETRO FSMIES: 1983, which allows for the face-off of classic scores including RETURN OF THE JEDI, TWILIGHT ZONE: THE MOVIE and WARGAMES; ANDREW LOCKINGTON reteams with Taylor Sheridan for Paramount+’s SPECIAL OPS: LIONESS; a new SCORE RESTORE column features three restored sequences from JERRY GOLDSMITH’s score for CITY HALL; DOYLE DONEHOO scores the new video game ALIENS: DARK DESCENT, diving into the sound world of the film series; a concert review of this year’s MAESTRO OF THE MOVIES at the Hollywood Bowl; checking in with composer RYAN AMON (ELYSIUM, BLOODBORNE); an audio tribute to the late CARL DAVIS; lots of album reviews, including ASTEROID CITY, TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM and THE LEE HOLDRIDGE COLLECTION, VOL. 3; plus embedded audio clips, and more. Enjoy!

 

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Film Score Monthly Online
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Today in Film Score History:
June 20
Carmen Dragon begins recording his score for Invasion of the Body Snatchers (1955)
Fred Karlin begins recording his score to Westworld (1973)
Jaws opens in New York and Los Angeles (1975)
Jeff Beal born (1963)
Jerry Goldsmith begins recording his score for Night Crossing (1981)
Recording sessions begin for Elmer Bernstein’s score to The Buccaneer (1958)
Robert Rodriguez born (1968)
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