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The July edition of FSM ONLINE is now live for your reading and listening pleasure. This month’s cover story is an interview with PETER RAEBURN, composer of the Sundance Special Jury Award for Music-winning score for Thea Hvistendahl’s HANDLING THE UNDEAD. Also this issue are a new analysis Project, this time of ABEL KORZENIOSWKI’s score for the Ishana Night Shyamalan production THE WATCHERS; SCOT STAFFORD scores ULTRAMAN: RISING, the latest outing in the long-running Japanese franchise; MAC QUAYLE takes on yet another Jessica Lange project, this time in the form of THE GREAT LILLIAN HALL; GRAHAM REYNOLDS hits it big with his latest Richard Linklater collaboration, HIT MAN; DAVID FLEMING finds a sound for Jim Henson in Ron Howard’s IDEA MAN documentary; the conclusion of our detailed analysis of ANDREW LOCKINGTON’s ATLAS; a look at two books on RYUICHI SAKAMOTO and BRUNO NICOLAI; ENIS ROTTHOFF is triggered by Netflix’s new Jessica Alba actioner; JASON GRAVES dives into the survival horror of STILL WAKES THE DEEP; a chat with mixing legend DENNIS SANDS; plenty of album reviews, including YOUNG WOMAN AND THE SEA, DESPICABLE ME 4 and JURASSIC WORLD: CHAOS THEORY; plus embedded audio clips, and more. Enjoy!

 

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Your Friends at FSM ONLINE

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Today in Film Score History:
October 8
Bernard Herrmann records his score for The Alfred Hitchcock Hour episode “Consider Her Ways” (1964)
David Bell records his score for the Star Trek: Deep Space Nine episode “Take Me Out to the Holosuite” (1998)
Dennis McCarthy records his score for the Star Trek: The Next Generation episode “The Last Outpost” (1987)
Frank Skinner died (1968)
Gavin Friday born (1959)
Michael Abels born (1962)
Richard Markowitz records his score for the Mission: Impossible episode “Robot” (1969)
Toru Takemitsu born (1930)
Walter Schumann born (1913)
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