CDS AVAILABLE THIS WEEK
Arsene Lupin - Debbie Wiseman - Music Box
The David Michael Frank Collection Vol. 3 - David Michael Frank - Dragon's Domain
Goliath Awaits - George Duning - Dragon's Domain [CD-R]
Le tableau vole - Alexei Aigui - Music Box
No Retreat, No Surrender - Paul Gilreath - Dragon's Domain [CD-R]
The Planets (Herrmann recording) - Gustav Holst - Quartet
The Primevals - Richard Band - Silva
Uncommon Valor - James Horner - Quartet
IN THEATERS TODAY
Adios Buenos Aires - Gerd Baumann
Aisha - Daragh O'Toole
Catching Fire: The Story of Anita Pallenberg - Will Bates
East Bay - John Welsman
Footnotes - Charles Harvey Spears
Force of Nature: The Dry 2 - Peter Raeburn
Kingdom of the Planet of the Apes - John Paesano
Lost Soulz - Adam Robl, Shawn Sutta
Mother of the Bride - Caroline Ho
Not Another Church Movie - Ainz "Brainz" PRasad, Ameya Saraf
Poolman - Andrew Bird
Slow - Irya Gmeyner, Matin Hederos, Vincent Barriere
COMING SOON
May 17
One Day - Anne Nikitin, Jessica Jones, Tim Morrish - Silva
Star Trek: The Original Series - The 1701 Collection Vol. 5 - George Duning - La-La Land
Torn Curtain - John Addison, Bernard Herrmann - La-La Land
June 7
Two Evil Eyes - Pino Donaggio - Rustblade
THIS WEEK IN FILM MUSIC HISTORY
May 10 - Max Steiner born (1888)
May 10 - Dimitri Tiomkin born (1899)
May 10 - David Lindup born (1928)
May 10 - Jay Ferguson born (1947)
May 10 - Debbie Wiseman born (1963)
May 10 - Perry Blake born (1970)
May 10 - Isaac Hayes begins recording his score for Shaft (1971)
May 10 - Laurence Rosenthal begins recording his score for The Return of a Man Called Horse (1976)
May 10 - David Shire records his score for Monkey Shines (1988)
May 10 - Dennis McCarthy records his score for the final episode of Star Trek: The Next Generation, “All Good Things…” (1994)
May 10 - Jay Chattaway begins recording his score for the Star Trek: Voyager episodes “Endgame, Parts 1 & II” (2001)
May 11 - Nathan Scott born (1915)
May 11 - Recording sessions begin for Miklos Rozsa’s score to So Proudly We Hail (1943)
May 11 - Recording sessions begin for Cyril J. Mockridge’s score for Where the Sidewalk Ends (1950)
May 11 - Elmer Bernstein begins recording his score for Hud (1962)
May 11 - Elmer Bernstein begins recording his score for Trading Places (1983)
May 11 - Michael Small begins recording his score for Kidco (1983)
May 11 - Ron Jones records his score for the Star Trek: The Next Generation episode "Up the Long Ladder" (1989)
May 11 - Georges Delerue records his score for Love Thy Neighbor (1994)
May 11 - Recording sessions begin for Elliot Goldenthal’s score for Batman Forever (1995)
May 11 - Alan Silvestri begins recording his score for Eraser (1996)
May 12 - Gordon Jenkins born (1910)
May 12 - Philip Springer born (1926)
May 12 - Burt Bacharach born (1928)
May 12 - Klaus Doldinger born (1936)
May 12 - Jacob Groth born (1951)
May 12 - Niki Reiser born (1958)
May 12 - Nitin Sawhney born (1964)
May 12 - Steven M. Stern born (1967)
May 12 - Alex Ebert born (1978)
May 12 - Ernest Gold begins recording his unused score for Used Cars (1980)
May 12 - Humphrey Searle died (1982)
May 13 - David Broekman born (1902)
May 13 - Ken Darby born (1909)
May 13 - Isaak Shvarts born (1923)
May 13 - Charles Gross born (1934)
May 13 - John Lunn born (1956)
May 13 - Alison Goldfrapp born (1966)
May 13 - Craig Safan begins recording his unused score for Wolfen (1981)
May 13 - Recording sessions begin on Basil Poledouris’ score for RoboCop (1987)
May 13 - Alan Silvestri begins recording his score to Predator (1987)
May 13 - Leon Klatzkin died (1992)
May 13 - Dennis McCarthy records his score for the Star Trek: Voyager episode “Basics, Part 1” (1996)
May 13 - Jay Chattaway records his score for the Star Trek: Enterprise episode “Zero Hour” (2004)
May 13 - Robert Drasnin died (2015)
May 14 - J.S. Zamecnik born (1872)
May 14 - Kenneth V. Jones born (1924)
May 14 - Tristram Cary born (1925)
May 14 - The Adventures of Robin Hood released (1938)
May 14 - Ken Lauber born (1941)
May 14 - Frank Churchill died (1942)
May 14 - David Byrne born (1952)
May 14 - Miklos Rozsa begins recording his score for Tip on a Dead Jockey (1957)
May 14 - Alex North begins recording his score for Hot Spell (1957)
May 14 - Raphael Saadiq born (1966)
May 14 - John Williams wins the Emmy for his Jane Eyre score, and Pete Rugolo wins for the Bold Ones episode “In Defense of Ellen McKay” (1972)
May 14 - Michael Kamen begins recording his score for Adventures in Babysitting (1987)
May 14 - Michael Kamen begins recording his score for Die Hard 2 (1990)
May 14 - Dennis McCarthy records his score for the Enterprise episode “The Expanse” (2003)
May 15 - Bert Shefter born (1904)
May 15 - Lars-Erik Larsson born (1908)
May 15 - John Lanchbery born (1923)
May 15 - Freddie Perren born (1943)
May 15 - Brian Eno born (1948)
May 15 - Mike Oldfield born (1953)
May 15 - Andrey Sigle born (1954)
May 15 - Recording sessions begin for Bronislau Kaper's score for Somebody Up There Likes Me (1956)
May 15 - Gordon Parks begins recording his score for Shaft's Big Score! (1972)
May 15 - David Munrow died (1976)
May 15 - Jerry Goldsmith wins his third Emmy, for Babe; Alex North wins his only Emmy, for Rich Man, Poor Man (1976)
May 15 - Rob aka Robin Coudert born (1978)
May 15 - Billy Goldenberg records his score for the Amazing Stories episode "Secret Cinema" (1985)
May 15 - John Green died (1989)
May 15 - Jay Chattaway records his score for the Star Trek: Voyager episode “Learning Curve” (1995)
May 15 - Dennis McCarthy records his score for the Enterprise episode “Shockwave, Part 1” (2002)
May 15 - Marius Constant died (2004)
May 15 - Alexander Courage died (2008)
May 16 - Jonathan Richman born (1951)
May 16 - Elmer Bernstein begins recording his score to Hawaii (1966)
May 16 - Alan Silvestri begins recording his score for Back to the Future (1985)
May 16 - Jerry Goldsmith begins recording his score for The Shadow (1994)
May 16 - Recording sessions begin for David Arnold’s score for Shaft (2000)
DID THEY MENTION THE MUSIC?
CIVIL WAR - Ben Salisbury, Geoff Barrow
"What’s inarguable is Garland’s technical prowess behind the camera because 'Civil War' is jaw-droppingly beautiful despite its despicable depictions. Cinematographer Rob Hardy’s immaculate camera work shoots a bevy of styles, from chaotic dystopian battle footage with attack helicopters to indie-spirited road trip wanderlust. He remains at the top of his game. Composers Ben Salisbury and Geoff Barrow borrow from twangy American folk songs for acoustic guitar plucks and country-lovin’ instrumental rambles as Lee’s journalists pass by a broken country. Hardy’s precision framing as Civil War rips your guts out is almost like a magic trick, turning rebellion-sparked forest fires into scenic settings where embers flutter like fireflies or assault rifle shootouts are brightened with colored smoke and chalk. The grandiosity of what’s on-screen feels like how Chloé Zhao might capture civilization’s worst impulses, as Garland oversees deplorable inhumanity with such prestige. These little moments where Lee stops and smells the flowers while hiding from sniper bullets are everything, staging melancholy and disaster like Lars von Trier took the reins."
Matthew Donato, Collider
"Garland, who also wrote the script, shoots incredibly intense battle scenes. I saw the film in an IMAX theater and recommend it. The sound enveloped the audience, percussive, disturbing. Between the galloping pace of the action and the percussive soundtrack and sound editing, you remain tense the entire time. Garland just won’t let you relax."
Bill Goodykoontz, Arizona Republic
HARD MILES - Andrew Brick Johnson
"'Hard Miles' is standard fare, but it is well-made. The cinematography is fantastic, capturing the rush of freedom a bike can offer. The score is also a great addition. The cast is solid, and the story is a sweet, engaging affair. Standout moments include the team’s first successful ride in the proper timeframe, the heartwarming interactions between the troubled youth and their mentors, and the breathtaking scenery along the to the Grand Canyon."
Bobby LePire, Film Threat
LATE NIGHT WITH THE DEVIL - Glenn Richards (score), Roscoe James Irwins ("Night Owls" music)
"Hooke’s costumes get the era’s aesthetics of Middle American taste down pat; ditto cinematographer Matthew Temple and the Cairnes’ own editing its technical presentation. Eventually the lines blur between Roscoe James Irwins’ theme music for the show-within-the-movie (Rhys Auteri plays Jack’s onstage band conductor/sidekick) and Glenn Richards’ original score, just as the characters grow unsure whether what’s transpiring is mere “entertainment” or living nightmare."
Dennis Harvey, Variety
SASQUATCH SUNSET - The Octopus Project
"For the midnight movie crowd, who will likely spend the most time with 'Sasquatch Sunset,' vibes are paramount, and they deliver. Observing the actors as they explore the untouched serenity of nature in remarkably lifelike prosthetics qualifies as a form of green therapy. Set to the lyrical guitars of Octopus Project’s score, the movie maintains a tranquil and leisurely atmosphere for large swaths of its brief runtime. Easy jokes could be made comparing the film to 'Harry And The Hendersons' or the Geico Cavemen. But the tactility of the make-up and performance is closer to the opening section of '2001: A Space Odyssey.'"
Matt Schimkowitz, The Onion AV Club
"Featuring a contemplative score by locals the Octopus Project and shot among the towering redwoods of Humboldt County, 'Sasquatch Sunset' offers some of the same draws of a first-rate nature doc -- stunning vistas, intimate access to creatures picking nits and other preverbal cooperative behavior, an unprecious attitude about the cycle of life. That gets goosed pretty regularly by a puerile delight in bodily functions. (There was never this much fluid in a Sir David Attenborough joint, that’s for sure.)"
Kimberley Jones, The Austin Chronicle
"'Sasquatch Sunset' is a big swing and an unfortunate miss. The film starts out strong with sweeping landscapes filled with lush green forests overlaid by mystical music from the Austin-based indietronica band The Octopus Project. But the music turns haunting as elements in the Sasquatches’ (Sasquatchi?) world turn upside down in stunning and horrific manner."
Matthew Creith, The Wrap
"'Sasquatch Sunset' premiered in January at the Sundance Film Festival, where its gruesome and gross body-comedy sent audiences out the door. The movie could resemble a nature documentary, considering it’s set against a background of breathtaking scenery and scored by The Octopus Project’s melodious instrumental refrains."
Felicia Reich, Paste Magazine
"Because there’s not a drop of dialogue in 'Sasquatch Sunset,' our mind is free to roam the forest with these big-footed creatures, take in the early morning sun streaming through the tree leaves, marvel at the fog twisting through the mountains, look at other critters who call the forest home, vibe to sounds of The Octopus Project, the Austin-based band that provides the chill synth notes that accompany this strange trip. Mike Gioulakis’ enchanting sun-soaked cinematography could easily double for a tourism ad, but it seems as if this film is pleading for humans to leave these natural spaces alone."
Monica Castillo, RogerEbert.com
"Shot on digital, but lit to look like a classic Disney nature feature -- in a nod to an era when studios were routinely making movies about wild animals -- the widescreen film manages to be achingly beautiful at times. That’s a feeling keenly enhanced by Austin-based experimental band The Octopus Project’s sublime atmospheric score, which lands somewhere between folk guitars around a campfire and the trippy cosmic stylings of Werner Herzog collaborators Popol Vuh."
Peter Debruge, Variety
THE NEXT TEN DAYS IN L.A.
Screenings of older films in Los Angeles-area theaters.
May 10
DONNIE DARKO (Michael Andrews) [Academy Museum]
FORCE MAJEURE [Alamo Drafthouse]
GOLDEN GATE GIRLS (Robert Ellis-Geiger, Manh Tuan Tran) [UCLA/Hammer]
HOLLYWOOD SHUFFLE (Patrice Rushen, Udi Harpaz) [Egyptian]
I'M GONNA GIT YOU SUCKA (David Michael Frank) [Egyptian]
KILL BILL VOL. 1 (RZA) [New Beverly]
LAWRENCE OF ARABIA (Maurice Jarre) [Vista]
MANK (Trent Reznor, Atticus Ross) [Los Feliz 3]
MOTHER'S DAY (Phil Gallo, Clem Vicari) [Vista]
NIGHT ON EARTH (Tom Waits) [BrainDead Studios]
NO COUNTRY FOR OLD MEN (Carter Burwell) [Bay]
POSTCARDS FROM THE EDGE (Carly Simon) [Vidiots]
PULP FICTION [Egyptian]
REPO MAN (Steven Hufsteter, Humberto Larriva) [Nuart]
SCANNERS (Howard Shore) [Vidiots]
SERIAL MOM (Basil Poledouris) [Alamo Drafthouse]
SLEEPING BEAUTY (George Bruns), CINDERELLA (Oliver Wallace, Paul J. Smith) [New Beverly]
WILD AT HEART (Angelo Badalamenti) [New Beverly]
YOUNG FRANKENSTEIN (John Morris) [Egyptian]
May 11
AMERICAN PIE (David Lawrence) [Egyptian]
BLACK GOD, WHITE DEVIL (Sergio Ricardo) [Los Feliz 3]
THE BLOODETTES (Joelle Esso, Adam Zanders), NAKED REALITY (Kimyan Law) [UCLA/Hammer]
CARS (Randy Newman) [New Beverly]
CINEMA PARADISO (Ennio Morricone) [Vidiots]
THE CROW (Graeme Revell) [BrainDead Studios]
CRUEL INTENTIONS (Edward Shearmur) [Alamo Drafthouse]
DEAD MEN DON'T WEAR PLAID (Miklos Rozsa) [Vista]
DOUBLE INDEMNITY (Miklos Rozsa) [Vidiots]
EASTERN PROMISES (Howard Shore) [Los Feliz 3]
THE FINAL DESTINATION (Brian Tyler) [Landmark Westwood]
GLEN OR GLENDA [Academy Museum]
THE JUNGLE BOOK (George Bruns) [BrainDead Studios]
KEDI (Kira Fontana) [Academy Museum]
LAWRENCE OF ARABIA (Maurice Jarre) [Vista]
MIND GAME (Fayray, Saiichi Yamamoto) [BrainDead Studios]
MEET THE FOCKERS (Randy Newman) [Egyptian]
MOTHER'S DAY (Phil Gallo, Clem Vicari) [Vista]
MUTINY ON THE BOUNTY (Bronislau Kaper) [Academy Museum]
PSYCHO (Bernard Herrmann) [Alamo Drafthouse]
PURPLE RAIN (Prince, Michel Colombier) [Egyptian]
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Nuart]
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Vidiots]
SAW (Charlie Clouser) [New Beverly]
SERIAL MOM (Basil Poledouris) [Alamo Drafthouse]
SLEEPING BEAUTY (George Bruns), CINDERELLA (Oliver Wallace, Paul J. Smith) [New Beverly]
THE SWORD IN THE STONE (George Bruns) [Vidiots]
TELL ME A RIDDLE (Sheldon Shkolnik) [Los Feliz 3]
May 12
BRINGING UP BABY (Roy Webb) [UCLA/Hammer]
CARS (Randy Newman) [New Beverly]
DARKEST HOUR (Dario Marianelli) [Los Feliz 3]
DEAD MEN DON'T WEAR PLAID (Miklos Rozsa) [Vista]
DIAL M FOR MURDER (Dimtri Tiomkin) [Bay]
EVERYTHING EVERYWHERE ALL AT ONCE (Son Lux) [Academy Museum]
FREAKY FRIDAY (Rolfe Kent) [Egyptian]
LAWRENCE OF ARABIA (Maurice Jarre) [Vista]
LIMELIGHT (Charles Chaplin, Raymond Rasch, Larry Russell) [Los Feliz 3]
MAMMA MIA! [Alamo Drafthouse]
MOMMIE DEAREST (Henry Mancini) [Egyptian]
A NEW LEAF, CROSSING DELANCEY (Paul Chihara) [Academy Museum]
QUARTIER MOZART, ARISTOTLE'S PLOT [UCLA/Hammer]
RAMBLING ROSE (Elmer Bernstein), INTRODUCING DOROTHY DANDRIDGE (Elmer Bernstein) [Aero]
SERIAL MOM (Basil Poledouris) [Vidiots]
SLEEPING BEAUTY (George Bruns), CINDERELLA (Oliver Wallace, Paul J. Smith) [New Beverly]
THE SOUND OF MUSIC (Richard Rodgers, Irwin Kostal) [Vidiots]
SPACEBALLS (John Morris) [Fine Arts]
TERMINATOR 2: JUDGMENT DAY (Brad Fiedel) [Egyptian]
TIME OF THE HEATHEN (Lejaren A. Hiller Jr.) [Los Feliz 3]
TROOP BEVERLY HILLS (Randy Edelman) [Alamo Drafthouse]
May 13
BURN! (Ennio Morricone) [Academy Museum]
GROSSE POINT BLANK (Joe Strummer) [Egyptian]
IRMA VEP (Philippe Richard) [Vidiots]
MAC AND ME (Alan Silvestri) [Los Feliz 3]
NO COUNTRY FOR OLD MEN (Carter Burwell) [Egyptian]
SATURN 3 (Elmer Bernstein), DEATH WATCH (Antoine Duhamel) [New Beverly]
SERIAL MOM (Basil Poledouris) [Alamo Drafthouse]
13 ASSASSINS (Koji Endo) [Bay]
May 14
MURDER BY CONTRACT (Perry Botkin) [Egyptian]
PRIZZI'S HONOR (Alex North) [Egyptian]
THE SWEET EAST (Paul Grimstad), RED ROCKET [New Beverly]
THIS GUN FOR HIRE (David Buttolph) [Bay]
TINKER TAILOR SOLDIER SPY (Alberto Iglesias) [Aero]
TROOP BEVERLY HILLS (Randy Edelman) [Alamo Drafthouse]
May 15
FALLEN ANGELS (Frankie Chan, Roel A. Garcia) [Egyptian]
FORCE MAJEURE [Alamo Drafthouse]
GHOST DOG: THE WAY OF THE SAMURAI (RZA) [Bay]
IN BRUGES (Carter Burwell) [Egyptian]
NO COUNTRY FOR OLD MEN (Carter Burwell) [BrainDead Studios]
ROCCO AND HIS BROTHERS (Nino Rota) [Academy Museum]
SERIAL MOM (Basil Poledouris) [Vidiots]
THE SWEET EAST (Paul Grimstad), RED ROCKET [New Beverly]
TROOP BEVERLY HILLS (Randy Edelman) [Alamo Drafthouse]
May 16
C'MON C'MON (Bryce Dessner, Aaron Dessner) [BrainDead Studios]
COLLATERAL (James Newton Howard) [Bay]
DUNE (Toto) [Vidiots]
THE PRINCE & ME (Jennie Muskett) [Los Feliz 3]
SATURDAY NIGHT FEVER (David Shire) [New Beverly]
May 17
THE BIG LEBOWSKI (Carter Burwell) [BrainDead Studios]
THE 'BURBS (Jerry Goldsmith) [Alamo Drafthouse]
DANCER IN THE DARK (Bjork) [New Beverly]
THE FALL (Krishna Levy) [Vidiots]
GOODNIGHT MOMMY (Olga Neuwirth) [Alamo Drafthouse]
THE HEARTBREAK KID (Garry Sherman) [Alamo Drafthouse]
THE HOLY MOUNTAIN (Alejandro Jodorowsky) [Egyptian]
KILL BILL VOL. 1 (RZA) [New Beverly]
KILLER ELITE (Reinhold Heil, Johnny Klimek) [Bay]
MINARI (Emile Mosseri) [Academy Museum]
MORTAL KOMBAT (George S. Clinton) [Vidiots]
REALITY BITES [Nuart]
SATURDAY NIGHT FEVER (David Shire) [New Beverly]
May 18
ALPHAVILLE (Paul Misraki) [BrainDead Studios]
AMAZING GRACE [Vidiots]
BATMAN (Danny Elfman) [Alamo Drafthouse]
BEFORE SUNRISE, BEFORE SUNSET, BEFORE MIDNIGHT (Graham Reynolds) [Aero]
BRAM STOKER'S DRACULA (Joe Hisaishi) [Egyptian]
BROTHER (Joe Hisaishi) [Los Feliz 3]
CHICKEN RUN (Harry Gregson-Williams, John Powell) [Vidiots]
CLERKS, MALLRATS (Ira Newborn) [New Beverly]
THE COOK, THE THIEF, HIS WIFE & HER LOVER (Michael Nyman) [New Beverly]
DONNIE DARKO (Michael Andrews) [Landmark Westwood]
GOOD NIGHT, AND GOOD LUCK [UCLA/Hammer]
THE HEARTBREAK KID (Garry Sherman) [Alamo Drafthouse]
IN BRUGES (Carter Burwell) [Bay]
THE LONG GOODBYE (John Williams) [BrainDead Studios]
MONSIEUR HULOT'S HOLIDAY (Alain Romans) [New Beverly]
THE ROCKY HORROR PICTURE SHOW (Richard O'Brien, Richard Hartley) [Nuart]
SCARFACE (Giorgio Moroder) [Vidiots]
THE SPIRIT OF THE BEEHIVE (Luis de Pablo) [Academy Museum]
UNCLE BUCK (Ira Newborn) [Alamo Drafthouse]
WOMAN OF FIRE [Academy Museum]
May 19
THE BALLAD OF GREGORIO CORTEZ (W. Michael Lewis, Edward James Olmos) [Vidiots]
BEDKNOBS AND BROOMSTICKS (Richard M. Sherman, Robert B. Sherman, Irwin Kostal) [Vidiots]
BLOOD SIMPLE (Carter Burwell) [BrainDead Studios]
CANOLA [Academy Museum]
CLERKS, MALLRATS (Ira Newborn) New Beverly]
DOUBLE INDEMNITY (Miklos Rozsa) [UCLA/Hammer]
EL TOPO (Alejandro Jodorowsky) [Egyptian]
THE GOOD, THE BAD AND THE UGLY (Ennio Morricone) [Bay]
THE HEARTBREAK KID (Garry Sherman) [Alamo Drafthouse]
I SAW THE DEVIL (Mowg) [BrainDead Studios]
MONSIEUR HULOT'S HOLIDAY (Alain Romans) [New Beverly]
OASIS (Jae-Jin Lee) [Los Feliz 3]
ON DANGEROUS GROUND (Bernard Herrmann) [Los Feliz 3]
RRR (M.M. Keeravaani) [Academy Museum]
SANTA SANGRE (Simon Boswell) [Egyptian]
SEX, LIES AND VIDEOTAPE (Cliff Martinez) [Alamo Drafthouse]
STAND AND DELIVER (Craig Safan) [Vidiots]
TOY STORY (Randy Newman) [BrainDead Studios]
UNCLE BUCK (Ira Newborn) [Alamo Drafthouse]
THINGS I'VE HEARD, READ, SEEN OR WATCHED LATELY
Heard: The Flash (Wallfisch); Rosewood (Marsalis); The Salieri Album (Bartoli); Spider-Man: Across the Spider-Verse (Pemberton); Hellraiser (Young); The Leopard (Rota); Village of 8 Gravestones (Akutagawa); Unexpected News (Muhly/Glass); Hellbound: Hellraiser II (Young); Sweeney Todd: The Demon Barber of Fleet Street (Sondheim); Pulse (Haketa); Kiss the Girls (Burwell); Hellraiser III: Hell on Earth (Miller)
Read: Harry and Walter Go to New York by Sam Stewart, aka Linda Stewart; based on the screenplay by John Byrum and Robert Kaufman, story by Don Devlin and John Byrum
Seen: Hundreds of Beavers; Tarot; The Idea of You; Rogue One: A Star Wars Story; The Fall Guy; The Great Ziegfeld; What's Up, Doc?; Clue; I Saw the TV Glow; Abigail
Watched: Legion ("Chapter 6"); Silicon Valley ("Bachmanity Insanity"); Star Trek III: The Search for Spock; The Mandalorian ("The Child"); 30 Rock ("Klaus and Greta"); A Dandy in Aspic; Masters of Sex ("The Excitement of Release")
| 
