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| Results: 18 articles.
Displaying articles 1 to 10.
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| Happy President’s Week! New FSM ONLINE Issue Is Now Live!
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| Posted By:
Jonathan Kaplan
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2/16/2010 - 10:00 PM |
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| The February FSM ONLINE is now live. Sorry we’re a day or so late—Mardi Gras put us behind. In this issue, you’ll find an exciting interview with CHRISTOPHER YOUNG about CREATION and temp tracks! Also in this issue are an epic audio interview with DAVID ARNOLD about his career highlights, and looking forward to NARNIA: VOYAGE OF THE DAWN TREADER; an in-depth chat and musical analysis with CHRISTOPHER GORDON on his exciting return to film music for DAYBREAKERS and MAO’S LAST DANCER; the last chapter in the INSIDE FSM VIDEO DOCUMENTARY SERIES; MARCO BELTRAMI and BUCK SANDERS on the intricate art of double-teaming and defusing bombs in their Oscar-nominated THE HURT LOCKER; a discussion with MARIO GRIGOROV, composer of the underscore in PRECIOUS; the composing twins of NCIS unleashed; Cary Wong’s final Oscar predictions; finally, another STAR WARS Score Restore; way too many reviews; more embedded audio clips, and more.
Subscribers, you’ll get notification by email as soon as the issue is live. Or, come end of day, just go here to log in. For those who want to join FSM ONLINE, go here, click on the “Subscribe” link and follow the instructions. And email us if you have any questions.
Sincerely,
Your Friends at FSM ONLINE |
| Comments: 1 (read on)
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FSM Forum
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| Posted By:
Jonathan Kaplan
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8/10/2004 - 10:00 PM |
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FSM Forum
It Takes a Village - Part One
Film music is all about
relationships. There are the relationships between the composer and the
producers, the composer and the director, the composer and the scoring
team. Relationships exist between the performing musicians, their
sections and their ensemble. The music itself relates to the film's
dialogue, sound effects and mix; to an internal sen |
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FSM Forum: Issue Two
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| Posted By:
Jonathan Kaplan
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8/3/2004 - 10:00 PM |
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FSM Forum: Issue Two
Film music is all about
relationships. There are the relationships between the composer and the
producers, the composer and the director, the composer and the scoring
team. Relationships exist between the performing musicians, their
sections and their ensemble. The music itself relates to the film's
dialogue, sound effects and mix; to an internal sense of musical
cohesion and structure; and to the drama. And yet, the |
| Comments: 0 (read on)
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| Unbreakable CD Review
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| Posted By:
Jonathan Kaplan
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12/31/2000 - 10:00 PM |
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Unbreakable CD Review
by Jonathan Kaplan
Unbreakable **** 1/2
JAMES NEWTON HOWARD
Hollywood HR-62290-2
14 tracks - 45:31
It's hard to talk about how good this music is without revealing elements
of the film's story...in fact, it's impossible. I won't go out of my way
to ruin the surprise, but if you still haven't seen Unbreakable
and you really, really want to, you shouldn't read this review.
At first |
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| CD Reviews: Clash of the Titans and Switchback
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| Posted By:
Jonathan Kaplan
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12/13/2000 - 10:00 PM |
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CD Reviews: Clash of the Titans and Switchback
Clash of the Titans (1981) *** 1/2
LAURENCE ROSENTHAL
PEG A28693
17 tracks - 47:28
Released during what some would call a Golden Age of sci fi and fantasy
pictures in the early '80s, Clash Of The Titans was Ray Harryhausen's
swan song as the master of fantasy film special effects. The period also
saw his influence being overtaken by a |
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| Results: 18 articles.
Displaying articles 1 to 10. |
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