 |
|
| View Mode |
| Regular | Headlines |
|
| All times are
PT (Pacific Time), U.S.A.
|
|
|
|
|
|
|
| Results: 1167 articles.
Displaying articles 1 to 10.
|
| Aisle Seat 4-16: Spring Rundown Edition
|
|
| Posted By:
Andy Dursin
|
4/15/2024 - 10:00 PM |
|
| With a pair of tremendous debut titles already under its belt (the 1980 Paramount hit “Little Darlings” and Nicolas Cage noir fave “Red Rock West”), Cinematographe returns this month with another 4K restoration for a film with a big star whose very infrequent directorial sojourns ran into difficulty: Jack Nicholson’s GOIN’ SOUTH (105 mins., 1978, PG), a “comic western” looked upon as a missed opportunity when it was first released in 1978. Sure enough, the years have been equally unkind to this oddball Paramount release – written by John Herman Shaner, Al Ramrus, Charles Shyer and Alan Mandel – that pairs Nicholson’s maniacal outlaw with virginal Mary Steenburgen (her first major role), who opts to marry Nicholson’s Henry Moon just as sheriff Christopher Lloyd and deputy John Belushi are about to hang him in the town square. |
| Comments: 0 (read on)
|
|
|
|
| Aisle Seat 4-2: Kino Lorber Discs, GHOSTBUSTERS New & Revisited
|
|
| Posted By:
Andy Dursin
|
4/1/2024 - 10:00 PM |
|
| While long regarded as one of those extravagantly budgeted musicals that doomed the genre in the late ‘60s, there’s always been something appealing about the widescreen grandeur of PAINT YOUR WAGON (171 mins., 1969, PG-13), the Joshua Logan-Paddy Chayefsky “re-thinking” of the classic Lerner-Lowe musical which added a whole new book to augment its masterful songs. Now on 4K UHD from Kino Lorber, this uneven yet watchable, infamous box-office failure receives a beautiful Dolby Vision HDR master from the original camera negative, restoring the visual impact of Logan’s admittedly-bloated production. |
| Comments: 1 (read on)
|
|
|
|
| Aisle Seat 3-26: Spring Arrival Edition
|
|
| Posted By:
Andy Dursin
|
3/25/2024 - 10:00 PM |
|
| The 1941 New England folk fantasy THE DEVIL AND DANIEL WEBSTER, also known (among other titles) as has long held a special place in the Criterion Collection. Initially released at 106 minutes then shorn of over 20 minutes for subsequent re-issues, Criterion first restored director William Dieterle’s independent production for laserdisc in the 1990s from the best elements they could find at the time. A subsequent DVD edition improved upon that release, but neither can compare to the movie’s spectacular new 4K restoration, courtesy of the UCLA Film & Television Archive’s Scott MacQueen, The Film Foundation and Criterion, which is now available for viewers on Blu-Ray. |
| Comments: 1 (read on)
|
|
|
|
| Aisle Seat 3-12: Shatner’s Hysterical IMPULSE Restored
|
|
| Posted By:
Andy Dursin
|
3/11/2024 - 10:00 PM |
|
| The early ‘70s were a lean time for William Shatner. While “Star Trek” was still omnipresent in pop culture via syndicated reruns, Shatner found lead roles sometimes hard to come by as he appeared in a bevy of TV movies and some sketchy independent features that were sometimes funnier than they were frightening. One of the “best” – or is the worst? — of the lot was IMPULSE (87 mins., 1974, PG; Grindhouse), a wacky, Florida-lensed thriller that finds Shatner in “Evil Captain Kirk” mode right from the opening credits as a suave con man/psycho who preys upon wealthy women. Fully embracing the maniacal tendencies of his character, Shatner goes full “Shat” in this at-times uproarious William Grefe-directed feature, supported by none other than former 007 nemesis Harold Sakata (“Oddjob” from “Goldfinger”) for good measure. |
| Comments: 0 (read on)
|
|
|
|
| Aisle Seat 2-27: Imprint’s Brando Box, MGM Wrap
|
|
| Posted By:
Andy Dursin
|
2/26/2024 - 10:00 PM |
|
| Finally restored in 2016 after falling into the public domain, Marlon Brando’s troubled western ONE-EYED JACKS (141 mins., 1961) headlines Imprint’s lovely new FILM FOCUS: MARLON BRANDO VOLUME 1 six-film Blu-Ray retrospective. The most revelatory component to the movie’s resurrection is that, unlike, say, Michael Cimino’s gorgeous but flaccid “Heaven’s Gate,” “One-Eyed Jacks” is a compulsively watchable film, gorgeously shot and intriguing from start to finish. |
| Comments: 0 (read on)
|
|
|
|
| Aisle Seat 2-20: Monsters, Darkman, 4K & Catalog Wrap
|
|
| Posted By:
Andy Dursin
|
2/19/2024 - 10:00 PM |
|
| No series in horror cinema has endured as long as the Universal Monster classics of the 1930s and ’40s – a time marked by the Great Depression, the rise of Hitler’s Germany and America’s eventual involvement in WWII. At the outset, the Universal films were hugely successful with audiences seeking an escape, but by the time the U.S. became embroiled in the conflict, the popularity of the studio’s trademark monsters became less inviting to viewers, who turned their attention to war-time enemies as the cinematic nemesis of choice. Before that happened, however, Universal established a litany of Monster Classics that would inspire long-running franchises and become favorites of viewers for generations to come. |
| Comments: 1 (read on)
|
|
|
|
| Aisle Seat 2-13: Kino Lorber Mid-Winter Rundown
|
|
| Posted By:
Andy Dursin
|
2/12/2024 - 10:00 PM |
|
| Back when THE OUTSIDE MAN (112 mins., 1972, PG; Kino Lorber) was released, its straightforward study of a French assassin (Jean-Louis Trntignant) who comes to Los Angeles to execute a hit for a mob boss’ son and his wife (Angie Dickinson) was as much interested in serving as a depiction of time and place as it was a crime thriller. An American-shot, French-made picture, director Jacques Deray’s film – long forgotten but thankfully restored here in a Gaumont 4K scan – is packed with scenes of a Los Angeles marked by roller derbies, public “TV viewing chairs” where quarters could be used either there or for a quick shave (via an “auto sterilized” public razor) in a nearby rest room, and murders could be carried out while turning up the sound on an episode of “Zoom!” airing on afterschool TV. Not only will this world seem as foreign to any contemporary viewer but add in a fascinating cast and you have a must-view that marks Kino Lorber’s most exciting release of the new year to date. |
| Comments: 2 (read on)
|
|
|
|
| Aisle Seat 2-6: Cinematographe, JENNIFER 8, Early Feb Rundown
|
|
| Posted By:
Andy Dursin
|
2/5/2024 - 10:00 PM |
|
| Vinegar Syndrome has launched a new imprint, Cinematographe, whose first two releases impressively restore a pair of cult favorites – one of which has long been absent from home video. In fact, the last time LITTLE DARLINGS (94 mins., 1980, R) appeared on a legitimate format came via a Paramount VHS release with “some music” having been altered on the soundtrack. Those pricey song licenses, alas, were the reason this box-office hit from 1980 never made it to DVD or Blu-Ray, making this inaugural Cinematographe release a sensational restoration that preserves on both 4K UHD and Blu-Ray a highly entertaining coming-of-age picture with a sensational premise that’s sensitively handled. |
| Comments: 0 (read on)
|
|
|
|
| Results: 1167 articles.
Displaying articles 1 to 10. |
NEXT 10 >>
|
|
|
|
|
|
 |
|
|
|
|
|
Today in Film Score History:
April 19 |
|
| Alan Price born (1942) |
|
| Alfred Newman begins recording his score for David and Bathsheba (1951) |
|
| Dag Wiren died (1986) |
|
| David Fanshawe born (1942) |
|
| Dudley Moore born (1935) |
|
| Harry Sukman begins recording his score for A Thunder of Drums (1961) |
|
| Henry Mancini begins recording his score for The Great Race (1965) |
|
| Joe Greene born (1915) |
|
| John Addison begins recording his score for Swashbuckler (1976) |
|
| John Williams begins recording his score for Fitzwilly (1967) |
|
| Jonathan Tunick born (1938) |
|
| Lord Berners died (1950) |
|
| Michael Small begins recording his score to Klute (1971) |
|
| Paul Baillargeon records his score for the Star Trek: Deep Space Nine episode “When It Rains…” (1999) |
|
| Ragnar Bjerkreim born (1958) |
|
| Ron Jones records his score for the Star Trek: The Next Generation episode "We'll Always Have Paris" (1988) |
|
| Sol Kaplan born (1919) |
|
| Thomas Wander born (1973) |
|
| William Axt born (1888) |
|
|
|
|
|
|
