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Film Score Monthly Online
Billy Goldenberg: Music of the Week
The Mandalorian Creed
The Incredible Shrinking Trilogy
The 2023 FSMies: Winners Revealed
Cat Composer
Counterpoint: Not Quiet on the Oscar Front
Sometimes I Think About Scoring
A Soundtrack Frenzy, Part 2
A Horse of a Different Composer
Celebrating Sir Sydney
Burt Bacharach: We Say a Little Prayer
Ear of the Month Contest: Christophe Beck
Today in Film Score History:
March 30
Alan Menken wins his third and fourth Oscars, for Beauty and the Beast's score and title song (1992)
David Bell records his score for the Star Trek: Deep Space Nine episode “In the Pale Moonlight” (1998)
Dennis McCarthy and Kevin Kiner record their score for the two-part Star Trek: Enterprise episode “In a Mirror, Darkly” (2005)
Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “Battle Lines” (1993)
Dimitri Tiomkin wins his third Oscar, for The High and the Mighty score (1955)
Ennio Morricone, inexplicably, doesn't win the Best Score Oscar for The Mission, which was pretty much the only score album anyone in Hollywood listened to during the late '80s; Herbie Hancock wins Oscar for Round Midnight score instead (1987)
Eric Clapton born (1945)
Georges Delerue begins recording his score for Rapture (1965)
John Williams begins recording his score for Jurassic Park (1993)
Kan Ishii born (1921)
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