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		2018 in Review Volume 24, No. 1 | January 2019 2018 in Review: Film Composers and Scores That Made a Difference 2018 in Review: The Superhero Movie Comes of Age 2018 in Review: Wong's Turn 2018 in Review: Ear of the Month Contest Heart of Glass Segun to None Counterpoint: Film Music in Context Gold Rush: The First Original Soundtrack

		If Nicholas Britell Could Talk About Vice Volume 23, No. 12 | December 2018 The Mean Green Music Machine Rupert Gregson-Williams: Fish Scales A Film Music Homecoming Counterpoint: A Film Music Homecoming Richter and the Queen Kidman the Destroyer The Truth About Ruth Ludwig's Big Year Wong's Turn: 2018 Memo to the Academy Music Branch Scoring Session: King of Kings Ear of the Month Contest: Merry Christmas, Ho-Ho-Ho! Vol. 2

		The 12 Best Scores From Remote Control/Media Ventures Volume 23, No. 11 | November 2018 The Ballad of Carter Burwell Stan & Ollie & Rolfe Simonsen Says Finding Love in Hate Yared: The Happy Composer The Music of Game of Thrones, Part 2 Revisiting Shadowlands Wong's Turn: 2018 Holiday Gift Guide Ear of the Month Contest: Going Back to the Burwell, Vol. 2

		The Music of Game of Thrones Volume 23, No. 10 | October 2018 Concert Review: Game of Thrones Live Concert Experience Justin Hurwitz: First and Foremost Notable Scores at the 56th Annual NYFF Dominic BOO!-is Film Scores With Unusual Instrumentation Ear of the Month Contest The Post-Post-Rozsa Memoirs: A Plethora of Rozsa

		2001: A Space Odyssey - Live to Film Volume 23, No. 9 | September 2018 The Nun: Cloistered Chords Simply Shapiro The Studio With a Wurlitzer in Its Walls Blanchard: Scoring the Struggle Wong's Turn: The MCU - Phase One Ear of the Month Contest: The MCU - Phase One Shadow of the Tomb D'Oliveira-ider Gold Rush: The British Golden Age, Part 4 Rock-ing the Boat Kraemer Goes Silent for Sunrise

		Back Again: A Retrospective on the Hobbit Scores Volume 23, No. 8 | August 2018 A Harry Situation Crazy Brian Tyler Get Happy James Newton Howard Buyer's Guide, Part 3 Ear of the Month Contest: James Newton Howard, Vol. 3 How the West Was Won: Still the Most Americana of Film Scores Wong's Turn: Broadway Musical Round-Up 2017-2018

		Ant-Man: Upping the Ant(e) Volume 23, No. 7 | July 2018 Scaling the Tower James Newton Howard Buyer's Guide, Part 2 Are We Not Entertained? Concert Review: Gladiator at Royal Albert Hall The Bergman Centenary: The Music of the Works of Ingmar Bergman, Part 2 Wong's Turn: The 2018 Academy Music Branch Invitees Gold Rush: The British Golden Age, Part 3 Ear of the Month Contest: James Newton Howard, Vol. 2

		James Newton Howard Buyer's Guide: Part 1 Volume 23, No. 6 | June 2018 Sirens Songs The Bergman Centenary: The Music of the Works of Ingmar Bergman, Part 1 Germaine Franco Is It Counterpoint: Lock Him Up and Throw Away Giacchi? No! On Jones Beach Mark and Me Wong's Turn: The Original Original Soundtrack of Star Wars Ear of the Month Contest: James Newton Howard, Vol. 1 Peter Boyer's Dream of America Concert Review: Star Trek Beyond at Royal Albert Hall Concert Review: Close Encounters of the Third Kind in Concert

		The Solo Duet Volume 23, No. 5 | May 2018 Film Music at TriBeCa Film Festival 2018 Killer Klowns Live! Muppets, Baby! (Jan) A.P. Studies Ear of the Month Contest: John Powell Gold Rush: The British Golden Age, Part 2 Wong's Turn: Playing the Part Shadow of the Vampyr

		Marco Beltrami: Quiet Notes Volume 23, No. 4 | April 2018 Frank Ilfman's Ghost Stories “Danger!” Motifs The Chords of Krypton Rise of The Looming Tower of The Magicians Ear of the Month Contest: Great Rejected Scores

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