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Star Trek III: The Search for Spock (1984)
Music  Composed by James Horner
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Price: $24.95
Limited #: N/A
Line: Retrograde
CD Release: May 2010
Catalog #: Retrograde
FSM-80129-2
# of Discs: 2

When FSM released the long-awaited expanded edition of James Horner’s Star Trek II: The Wrath of Khan (1982) in 2009, it didn’t take a Vulcan scientist to assume that the score’s companion piece, Star Trek III: The Search for Spock (1984), might also see the light of day. FSM delivers—thanks to the good graces of Paramount Pictures and Capitol Records.

James Horner’s Star Trek III continues his superlative work for the Final Frontier, with emotional developments of the B-theme (the “Enterprise theme”) and Spock’s theme from the earlier film, as well as exotic atmospheres for the all-important Vulcan mysticism that drives the story. The film’s villains, the Klingons, receive a new theme with exciting barbaric instrumentation. From the grand “space opera” setpieces (“Stealing the Enterprise,” “Bird of Prey Decloaks”) to intimate, spiritual moments (“The Mind-Meld,” “Returning to Vulcan”), Horner’s Star Trek III is one of the finest scores in the Star Trek canon.

The Star Trek III soundtrack has been available before but only in a 43-minute LP sequence. FSM’s 2CD set features two programs, both newly mastered from recording engineer Dan Wallin’s first-generation digital film mixes: Disc one features the complete score as intended for the film itself, including such long-desired cues as “Grissom Destroyed,” “A Fighting Chance to Live” (featuring the Enterprise’s self-destruct countdown and immolation in Genesis’s atmosphere) and “Genesis Destroyed.” In addition, previously unreleased film versions of cues such as “Klingons” and “Stealing the Enterprise” make their premiere, with differences that are subtle but noticeable to devoted fans. Disc two features a recreation (in better sound quality) of the familiar LP sequence—complete with Group 87’s pop version of “The Search for Spock.”

The 20-page booklet features liner notes by Jeff Bond and Lukas Kendall and colorful art direction by Joe Sikoryak. Climb the steps of Mount Seleya today!

James Horner Scores on FSM
Homecoming: A Christmas Story/Rascals and Robbers, The
Star Trek II: The Wrath of Khan
Star Trek III: The Search for Spock
Testament
About the Composer

James Horner (b. 1953) is one of the most successful and in-demand composers of the modern era, capable of everything from traditional symphonic scores (Star Trek II, Aliens, Willow) to off-beat, ethnic and atmospheric approaches (Patriot Games, Sneakers)—often blending the two, as on the record-breaking and double-Oscar-winning Titanic. Classically trained, he originally intended to be a concert composer, before the realities of that field led to film assignments in the B-movie world of Roger Corman—and a rapid ascension through the Hollywood ranks. His credits read like a history of the modern-day blockbuster: 48 Hrs., Cocoon, An American Tail, Field of Dreams, Glory, Legends of the Fall, Apollo 13, The Mask of Zorro, The Perfect Storm, Troy and Avatar—to name but a few. IMDB


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