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 Posted:   Nov 18, 2016 - 6:42 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

With rights and availability and different labels and the complex spaghetti that is CD releasing, not to mention the varying lengths of scores, i would imagine that its quite difficult to find two halves of a dollar bill that match? Even more impossible if you are hamstrung by it being the same composer?

 
 Posted:   Nov 18, 2016 - 7:00 AM   
 By:   Bespin   (Member)

Artistic compromises made on economic aspects = bad bad bad :-)

 
 Posted:   Nov 18, 2016 - 7:07 AM   
 By:   Nicolai P. Zwar   (Member)


I hate when labels do that!


Fear leads to anger…anger leads to hate…hate leads to suffering.

 
 Posted:   Nov 18, 2016 - 7:41 AM   
 By:   Solium   (Member)

You can always cut the CD in half.

 
 Posted:   Nov 18, 2016 - 7:50 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Or buy two copies - that also calms the OCD librarians, right? wink

 
 Posted:   Nov 18, 2016 - 9:12 AM   
 By:   Bespin   (Member)

Dear customers,

For their next albums, featuring rare and previously unreleased tracks, Coldplay and the Chemical Brothers will release their respective albums together on a single CD, as a sort of "2 album on 1 CD" bargain-promo.

This way we will save money! Hey we got a super deal with Parlophone to do this!

Thanks!
___

Ri-di-cu-lous.

Stop doing that with Film music.

Period.

 
 Posted:   Nov 18, 2016 - 10:51 AM   
 By:   Sirusjr   (Member)

Dear customers,

For their next albums, featuring rare and previously unreleased tracks, Coldplay and the Chemical Brothers will release their respective albums together on a single CD, as a sort of "2 album on 1 CD" bargain-promo.

This way we will save money! Hey we got a super deal with Parlophone to do this!

Thanks!
___

Ri-di-cu-lous.

Stop doing that with Film music.

Period.


Terrible comparison.

Maybe if someone was releasing archival LPs from the 60s of lesser known artists it would make perfect sense to combine two artists. Same reason that it makes sense for labels to put out two composers on one CD. You double the chances of someone buying the CD. I'm at a loss how your inability to decide how you should organize your collection means that the label is compromising on artistic choices to combine them.

 
 Posted:   Nov 18, 2016 - 7:21 PM   
 By:   Ray Worley   (Member)

This is a ridiculous argument. All of us should pay more money to have CDs released only with single composers? Or alternatively, labels should hold up releases until they can find an appropriate title by the same composer to license, re-master, and prepare for release with it? Just so some anal-retentive bottle cap collectors won't get their panties in a wad trying to decide where to put it on the shelf? No.

First world problems.

I'm all for getting the music out ASAP for the best price. Do I get a little frustrated when I have to decide where to shelve a two or more composer CD? Sure, but I keep perspective. I have the music and it didn't cost double.
Making a choice as to which composer to shelve it with and then a double database entry solves the completely unimportant problem easily.

 
 
 Posted:   Nov 18, 2016 - 8:02 PM   
 By:   OnyaBirri   (Member)

Dear customers,

For their next albums, featuring rare and previously unreleased tracks, Coldplay and the Chemical Brothers will release their respective albums together on a single CD, as a sort of "2 album on 1 CD" bargain-promo.


Back catalog film music releases do not sell as many copies as contemporary pop music albums.

A CD release of a 26-minute album of an obscure film score would have a limited audience.

When combining short albums on a single CD, licensing agreements may limit a record label's choices of what can legally be paired.

Sometimes the pairing of two film scores by two different composers may offer more stylistic consistency than two scores by the same composer, depending on the style of the music, the era, the content of the films, and the aesthetic of the studio.

You have every right to not like these kind of pairings, but they make economic sense; and comparing them to contemporary pop releases is constructing a false analogy.

 
 Posted:   Nov 19, 2016 - 5:47 AM   
 By:   Solium   (Member)

I think it boils down to a label wanting to release a short score, but can't justify it without pairing it with something else available from the licensee. So options are probably pretty limited.

 
 Posted:   Nov 21, 2016 - 7:21 PM   
 By:   Sir David of Garland   (Member)

I'm at a loss how your inability to decide how you should organize your collection means that the label is compromising on artistic choices to combine them.

Well put, Sirus.

 
 Posted:   Nov 22, 2016 - 3:11 AM   
 By:   Bespin   (Member)

If you read carefully my posts, you will notice that my concerns are more about the legacy of an artist recorded work and the organization of written discographies.

You can consult my John Williams discography. I think I managed it well, despite all.

http://www.goplanete.com/johnwilliams/music/disco/albums.htm

 
 Posted:   Nov 22, 2016 - 4:27 AM   
 By:   judy the hutt   (Member)

would take a two score 1 CD anytime of Sugarland Express and The Secret Ways (I know they were never released on LPs

 
 
 Posted:   Nov 22, 2016 - 5:20 AM   
 By:   OnyaBirri   (Member)

If you read carefully my posts, you will notice that my concerns are more about the legacy of an artist recorded work and the organization of written discographies.

I fail to see how pairing albums by different artists affects either of these.

 
 
 Posted:   Nov 22, 2016 - 6:52 AM   
 By:   TerraEpon   (Member)


I fail to see how pairing albums by different artists effects either of these.


It doesn't.

 
 Posted:   Nov 22, 2016 - 11:43 AM   
 By:   Nicolai P. Zwar   (Member)

This is indeed no big issue for me either. I archive the 'combo' disc by my favourite composer (i.e. the reason I bought it in the first place). In my iTunes, it's even less of a problem, because they can be organized separately.

The important thing is getting the music out there in the first place.


That's exactly where I stand on this issue.

Also, I found it neat to discover scores I never had on my radar and probably would not have bought otherwise (like Shire's RAID ON ENTEBBE) by having it on the same CD as a score that I wanted (Goldsmith's MORITURI). Why should I find this better to have these two soundtracks on two separate CDs (and pay for each of them)?

 
 Posted:   Nov 22, 2016 - 1:25 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Bespin just joined this board and he is this close to being put on my "ignore list"

 
 Posted:   Nov 22, 2016 - 1:26 PM   
 By:   'Lenny Bruce' Marshall   (Member)

You can consult my John Williams



Nah, I think i'll wait on that

 
 
 Posted:   Nov 22, 2016 - 10:17 PM   
 By:   OnyaBirri   (Member)

Bespin just joined this board and he is this close to being put on my "ignore list"

His favorite/only composer listed is John Williams, so there must be some weird fetish involved.

 
 
 Posted:   Nov 23, 2016 - 2:14 AM   
 By:   Graham Watt   (Member)

C'mon people! As I said before, it's a sad day when us film music nerds can't actually proclaim our weirdness and fetishes on a film music message board! We do enough covering-up in real life.

 
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