|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
can't think of any right now.....
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Feb 3, 2014 - 12:25 PM
|
|
|
By: |
fommes
(Member)
|
I guess I got rather unlucky with Volume 2, because virtually nothing from my long request list was included, unfortunately. So here are my requests for Volume 3: - the episodes and tracks are listed in order of priority/preference. - the cues in capital letters are 'must-haves' for me personally, the ones in non-capital letters are certainly worth checking out, too, but are just slightly less of a priority I think. I would like to encourage LLL and Mr Joffe for taking an extensive look at season 6 (and to a lesser extent season 7), where I feel Mark Snow was on top of his form. I would also add a vote to have the rest from “The Truth and the Light” included dialogue-free - at least the tracks that had dialogue. Including the tracks especially composed for the CD? From episodes not featured on Volumes 1 and 2: Drive - FINALE (5min30): climactic drive music and Mulder looking over sea - GAS STATION SCENE (1min30) - EPISODE MOTIF: Opening scene with Mulder & Scully in Southern Idaho (0min45) I think it’s necessary to include this, as the pay-off of the episode theme would then be bigger in the finale. The horn ending is nice too. Or, you could also include the following cue instead: - Episode motif: Kersh calls Scully – I think this one ends after Scully has a breakthrough idea and we go back to Mulder and Crump (2min) - PROLOGUE (1min50) - the 'haunting' motif, with Scully investigating the Crump residence for instance, would be nice too, but I don't know if it holds up on CD? Field Trip - MULDER ARRIVES IN THE FIELD (0min55) (or: Mulder in the Field/Chasing Wallace Schiff (1min30)) - Final cue: Mulder & Scully are found (1min50) Deep Throat - DRIVE FROM CAFÉ TO AIRBASE FENCE (piano motif) (1min) (or: Drive from Café to Fence/Car Window Blown Out 1min30). A very famous early motif for X-Files viewers. - The exact same piano motif is also heard later on when Mulder is trespassing on the Airbase’s grounds. - Opening Shot of Washington DC (0min30) The Pine Bluff Variant - SCULLY SEARCHES FOR MULDER’S BANK ROBBERY / MULDER’S EXECUTION 3min50 Everybody always asks for the prologue music, but this one actually contains the same thematic material but is way better! - Prologue 4min20 Synchrony - OLD MAN FOLLOWS LISA 1min40 (or: Old Man Follows Lisa / Lisa Confronts Old Man 2min20) Darkness Falls - Night to Day / Mulder Lets Spinney Go 2min10 - Rescue Arrives / In the Hospital Centre 1min35 Apocrypha - Car Rental Papers / North Dakota Finale 6min50 - Melissa’s Grave 1min30 - Ending: Krycek Locked Up 1min Monday - “I Don’t Want to Tempt Fate” / Conversation with Pam 3min45 (esp. the short moving strings fragment with Mulder outside the bank is a highlight of the episode) - "First Hold-Up (after main titles) / Talking with Steve/Bernard" 5min45 (This is mostly for the action music during the hold-up; I don't know if the entire track would hold up on CD?) Trust No1 - Travelling motif in the episode – e.g. Scully following instructions Per Manum - Ending: Never Give Up on a Miracle (Extended Scully Theme) Unrequited - Prologue (3min10)
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Feb 21, 2014 - 11:19 AM
|
|
|
By: |
fommes
(Member)
|
This is the music from "The Truth and the Light" CD that is still unreleased: The following tracks have SFX/dialogue on "The Truth and the Light": - first cue/section of OST 3, "Raptus": this is the first cue in the Pilot and hence of The X-Files in general (The other two cues in "Raptus" have been released.) - OST 11, from Ghost in the Machine. The ending of the track (2:12-end) is from another cue, but assuming it's from this episode, it's unused. (Perhaps MV or Mr Joffe could shed any light on what this cue was written for?) - OST 18, from The Erlenmeyer Flask. Unfortunately, the beginning and ending are not clean. - OST 19, the finale from Oubliette: the last 25 seconds or so have dialogue - the first part of OST 20, "Kyrie" (except the first 10 seconds, which is in fact the ending of the previous track from Oubliette): however, this was written for the CD by Charbonneau - OST 1, also written for the CD by Charbonneau The following are partially clean on "The Truth and the Light", but not entirely: - OST 7, from Gender Bender - OST 14, from 3 - OST 16, from The Calusari - The two cues on OST 9, from Oubliette: the second cue has some SFX over the cue - the first 30 seconds on OST 8, from Roland: this is only a part of the original cue, and doesn't have a clean opening or ending The following can be made clean of the SFX/dialogue, at least more or less (usually not entirely), but only by editing them with the Jeff Beal suite: OST 10, from Conduit OST 16, from Shapes OST 15, from Humbug OST 5, from F. Emasculata Note: OST 4 (which has been released in its original form by LLL) and OST 15 have an additional overlay made for the album. I don't suppose these album mixes can be made available clean, too?
|
|
|
|
|
|
I'd love an SFX free version of The Truth and the Light by itself (iincluding the bonus track). And you know what, I know it isn't quite right, but I'd love one extra cue thrown in. Right after the cue "Kyrie", throw in John Beal's interpetation of "Jose Chung's From Outerspace" cue (from the CD The Snow Files), and you'd end the CD PERFECTLY! But leave some dead air before the bonus cue, so the mood isn't borken and there's tiem to stop the CD if one doesn't wish to hear the bonus.
|
|
|
|
|
|
|
|
|
|
Posted: |
Sep 13, 2014 - 11:51 AM
|
|
|
By: |
Nightwalker
(Member)
|
While there are not any news about the 3rd Volume of the X Files at LaLaLand, I'm assuming it's still being worked on. So here are some more suggestions, request or ideas for what could or should be included 2x06 Ascension 0:00 - 2:40 = 2:40 Opening. Mulder hears Scullys Phonecall on his answerphone. Gets to Scully's Aparment which is already closed by Police. He see's in his mind what happened to Scully. 3:25 - 6:19 = 2:54 Mulder talks to Scullys mother in Scullys Appartment. Afterwards there's a briefing at the FBI, where Mulder asks how Duane Barry could've gotten to Scully. Skinner wants him to go home and tells Krycek to make sure that Mulder is going home. *** 14:06 - 22:33 = 8:27 *** PERSONAL REQUEST Mulder and Krycek drive to Skyland Mountain. Mulder starts to ascend with a tram while Duane Barry is driving with his car and the kidnapped Scully in the rear trunk. The Scenes are intercut until Mulder arrives the top of the mountain, finds the deserted car that Duane Barry stole and some moments later finds a hysterically laughing Duane Barry while a bright light disappears. 22:35 - 29:31 = 6:56 Mulder interrogates Duane Barry, then has a vision about the test that are possible done with Scully. He finds Krycek interrogating Duane Barry and confronts him. Skinner and some FBI Agents arrive at Skyland Mountain, they get alarmed and find Duane Barry struggeling and dying while some paramedics try to save him. 33:38 - 36:37 = 2:59 Mulder meets the first Time with Mr.X at Senatro Richard Mathesons Office. *** 37:04 - 42:49 = 5:45 *** PERSONAL REQUEST Mulder discusses with Director Skinner what he got about Krycek. A Call informs Skinner that Krycek didn't show up at work that morning. Skinner reopens the X - Files. Afterwards Mulder meets with Scullys mother, talks to her about Scully. The End of the Episode shows Mulder standing at Skyland Mountain an looking up to the stars. 3x21 Avatar 16:00 - 19:27 = 3:27 Scully show Mulder a video with a patient that suffers form REM sleep behaviour disorder and explains that skinner dreams about an old woman that straddles his chest suffocating him. Mulder then remembers an old ancient story about the succubus. The Scene switches to the morgue, where Scully wants to show some luminous leftovers on the victim. *** 23:28 - 27:21 = 3:53 *** PERSONAL REQUEST Mulder visits Skinner in the interrogation cell. Skinner tells Mulder about his near-death experience during vietnam war. Scene switches to Mulder and Scully observing skinners crashed car and collecting evidence. 33:08 - 37:16 4:08 Mulder and Scully make Judy the employee call the real killer and arrange a meeting in a hotel bar. The Sceen switches to Skinner visiting his wife in hospital and confessing to her, that he won't sign the divorce. At the End he see's the old woman again. *** 40:55 - 42:22 = 1:27 *** PERSONAL REQUEST Mulders asks Skinner to tell him why Skinner went to the Ambassador Hotel off the Record but Skinner refuses. When Mulder and Scully have left the office, Skinner finds his wedding ring and puts it on!
|
|
|
|
|
|
The last news, that I saw, was an approximate release date of Spring 2015.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|