Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 
 Posted:   Dec 17, 2013 - 2:54 PM   
 By:   vinylscrubber   (Member)

Neo, there's something about the framing and editing of the famous "jump shot" in WAIT UNTIL DARK that make ME jump even after countless viewings.

 
 
 Posted:   Jan 5, 2014 - 9:27 AM   
 By:   neotrinity   (Member)



... oui know what you mean, Vin and the intensity of its reciprocal power to shock is that - once you study the sequence - it's so damn SIMPLE in its theatrical staging and, especially, Gene Milford's exemplary editing.

Mr. Milford (1902-1991) had a long and illustrious career, having edited nearly a hundred mo'om pitchers, garnering Oscars for the original "Lost Horizon" and "On the Waterfront" (also collaborating on Mr. Kazan's "A Face in the Crowd".

Hell, he shoulda copped at least a nutritious Nomination just for THAT sequence alone ...

 
 
 Posted:   Jan 5, 2014 - 9:42 AM   
 By:   neotrinity   (Member)



Und Now for Something TOTALLY Diff'rent Department:



Howzabout an ending we wager nobody saw coming and had the audience outta its



collectively gobsmacked seats ecstatically applauding when the epiphany happened?!? smilewinkbig grin

 
You must log in or register to post.
  Go to page:    
© 2014 Film Score Monthly. All Rights Reserved.