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Posted: |
Dec 10, 2014 - 9:20 AM
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By: |
misterkane
(Member)
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Saimel Records has released Ennio Morricone "La Gabbia" with extra music, and another two CDs "Miss Arizona" (Armando Trovaioli) and "Messi de Alex de la Iglesia" (Joan Valent).
LA GABBIA
Music composed, orchestrated and conducted by ENNIO MORRICONE
Barcode: 8436548730192
SAIMEL 3998971
In 1985 Ennio Morricone was commissioned to compose the music for “La Gabbia”, erotic film, with dramatic notes, which was directed by Giuseppe Patroni Griffi ("Addio Fratello Crudele", "Metti, una sera a cena").
Ennio Morricone composed music in which dominates the melodic character. The Roman composer makes use of a wide sound spectrum, creating eclectic themes with musical influences from contemporary music to pop, to rock or jazz.
With more than 52 minutes in length, this edition of Saimel contains three unpublished themes and additional music, never before published, in other two tracks.
"La Gabbia" becomes another clear example of the inexhaustible talent of Ennio Morricone, an essential composer.
Complete Track list, cover and comments:
http://www.saimelrecords.com/SALAGABBIA.HTM
MISS ARIZONA
Music composed and conducted by ARMANDO TROVAIOLI
Barcode: 8436548730154
SAIMEL 3998967
Limited Edition of 300 copies. First Time on CD
Directed in 1987 by the Hungarian filmmaker Pál Sándor, "Miss Arizona" is a melodrama inspired by true events starring a couple of cabaret artists during the convulsed interwar years.
For the music was not only necessary to compose a dramatic score, but also to find the handful of songs that stars would perform in the Arizona club. Armando Trovaioli chose to write new compositions, whose lyrics were further related to the story itself. Given the experience of Trovaioli in the genre of varieties, the musician readily resolved the challenge and composed half a dozen songs, performed by Hanna Schygulla herself in English. The songs worked very well in the story. The rest of the score composed by Armando Trovaioli is a little jewel, practically unknown and mistreated in attempting to shorten the film length. He was faithful to his sensibility and to his preference for the piano as a solo instrument.
As the Main theme, he adapted the melody of One Day in May in Budapest, converting it into a nostalgic leitmotiv, which acquires its greatest expression in the beautiful suite that opens up the disc, Accadde a Budapest and in the epilogue. Trovaioli also wrote sad and intimate parts, associated with the character of Sándor, alongside incidental music, dark and gloomy, used in the most dramatic moments of the story, which had to do with the Jewish persecution. Moreover, he expressly composed an innocent love theme with an orchestra and synthesizer for the brief romance of András. And another motif for the moment in which the main characters see their destiny improved thanks to the diamonds, in which, as a curiosity, Trovaioli wanted to wink at Mastroianni, recovering a part of the melody that he had composed seventeen years ago for another film starring him, "Dramma della gelosia”.
Some tracks in the original master tapes had some imperfections which we tried to correct as best as possible during the mastering process in the way to offer the best possible listening.
Complete Track list, cover and comments:
http://www.saimelrecords.com/SAMISSARIZONA.HTM
MESSI de ALEX DE LA IGLESIA
Music composed by JOAN VALENT
Barcode: 8436548730178
SAIMEL 3998969
Screenplay by JORGE VALDANO
With participation of Johan Cruyff, Andrés Iniesta, Diego Armando Maradona, Javier Mascherano, César Luis Menotti, Gerard Piqué, Alejandro Sabella, Jorge Valdano
In his new collaboration with director Alex de la Iglesia (“Las brujas de Zugarramurdi / Witching and Bitching”), composer Joan Valent has created music to accompany the trajectory of Messi, an icon in sport today and a media figure as there are few today. The soundtrack has a central theme that brings an epic component to define the character and his extraordinary personal and professional journey. It is a powerful music, brass and percussion transmit a great tone.
Along with that epic sound also found soft music, which has a melodic and delicate tone. Describe Messi, especially his childhood and youth. Provides warmth and closeness to the character and transmits a gentle character.
We are therefore faced with a singular work, a music that contributes to the discourse of the film, creating sensations that reinforce the images and, at the same time is nice in its isolated listening. A perfect musical combination.
Complete Track list, cover and comments:
http://www.saimelrecords.com/SAMESSI.HTM
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Finally disc Messi seems to me a very pleasant surprise as the composer has created a variety of topics combining stunning epic themes and powerful with other radiating an impressive lyricism and truly excited as when you cut that out in Grandma documentary soccer player.
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wonderful. Funniest paragraph ever written on fsm!
Is it possible somebodys translation app wasnt quite working right??!
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"made in morricone"
even better.
Makes more sense than Fuiano liner notes!
My hovercraft is full of eels.
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Makes more sense than Fuiano liner notes!
Hey, Bill, I think Fuiano is better than some others. Have you read Ivanna Mattei's notes in some of the Cometa releases?
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Not no reads them ones zaradoz. Will see for them. Sound wonderful and submarine. Django live happily after. Friendly, Bill.
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...and another two CDs "Miss Arizona" (Armando Trovaioli) and "Messi de Alex de la Iglesia" (Joan Valent).
MISS ARIZONA
Music composed and conducted by ARMANDO TROVAIOLI
Barcode: 8436548730154
SAIMEL 3998967
Limited Edition of 300 copies. First Time on CD
Directed in 1987 by the Hungarian filmmaker Pál Sándor, "Miss Arizona" is a melodrama inspired by true events starring a couple of cabaret artists during the convulsed interwar years.
For the music was not only necessary to compose a dramatic score, but also to find the handful of songs that stars would perform in the Arizona club. Armando Trovaioli chose to write new compositions, whose lyrics were further related to the story itself. Given the experience of Trovaioli in the genre of varieties, the musician readily resolved the challenge and composed half a dozen songs, performed by Hanna Schygulla herself in English. The songs worked very well in the story. The rest of the score composed by Armando Trovaioli is a little jewel, practically unknown and mistreated in attempting to shorten the film length. He was faithful to his sensibility and to his preference for the piano as a solo instrument.
As the Main theme, he adapted the melody of One Day in May in Budapest, converting it into a nostalgic leitmotiv, which acquires its greatest expression in the beautiful suite that opens up the disc, Accadde a Budapest and in the epilogue. Trovaioli also wrote sad and intimate parts, associated with the character of Sándor, alongside incidental music, dark and gloomy, used in the most dramatic moments of the story, which had to do with the Jewish persecution. Moreover, he expressly composed an innocent love theme with an orchestra and synthesizer for the brief romance of András. And another motif for the moment in which the main characters see their destiny improved thanks to the diamonds, in which, as a curiosity, Trovaioli wanted to wink at Mastroianni, recovering a part of the melody that he had composed seventeen years ago for another film starring him, "Dramma della gelosia”.
Some tracks in the original master tapes had some imperfections which we tried to correct as best as possible during the mastering process in the way to offer the best possible listening.
Complete Track list, cover and comments:
http://www.saimelrecords.com/SAMISSARIZONA.HTM
What has happened to this Trovajoli title?
MISS ARIZONA was on my wish list for future puchase, but it has disappeated from SAE's website (... and Intrada never even bothered to stock MISS ARIZONA in the first place).
What is its status? Is MISS ARIZONA sold out or no longer available with American vendors?
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I'll talk to SAE so that they have again this title in his web.
Juan Ángel Saiz
Saimel Ediciones
Thank you, Mr. Saiz!
This title (and other Saimel albums) should be more available via U.S. vendors.
I wish SAE (and Dusty Groove and Intrada) would continue to stock Saimel Ediciones (I also would like to get Carlo Savina's I DUE KENNEDY and L'ORCHESTRA ROSSO, for example).
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