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 Posted:   Jun 22, 2015 - 6:05 PM   
 By:   Frank Vincent   (Member)

Wild comic action-adventure soundtrack by Michael Kamen is available at last! Touchstone picture features Elisabeth Shue, Keith Coogan, Anthony Rapp, Maia Brewton with Chris Columbus directing. Frenzied story finds babysitter Shue over-matched and up to her eyeballs in danger throughout downtown Chicago, racing through streets, down alleys and up skyscrapers with killers in pursuit and heroics to spare. Disney's first PG-13 rated film inspires Michael Kamen to create aggressive action score, pepper it with comic touches. Fun ideas abound but intense action cues get the spotlight, many of them truncated in the film and appearing here complete for the first time. One such never-before-heard highlight, "The Rumble", gives new meaning to Leonard Bernstein's famed West Side Story gangfight music, replete with staccato rhythms and finger snaps! Also making its debut is Kamen's exciting, orchestral "Grand Finale" that ends the score. (Film instead concludes with songs.) Kamen's unused "Halloween" music adds still more variety. Lengthy "Tire Blows Out" that launches fierce chase music, extended "Rescue Sara" sequence are two more terrific highlights. Two piano source cues by Kamen appear as extras. Further treats: all-important "Babysitting Blues" performed by Albert Collins (with the cast in tow) for the key scene of the kids temporarily eluding their pursuers by interrupting a blues club performance, the all-time classic "Then He Kissed Me" by The Crystals that opens the movie plus two other key songs, "Twenty Five Miles" by Edwin Starr, "Just Can't Stop" by Percy Sledge. Kamen's entire score presented from original scoring session masters vaulted on 2" 24-track rolls by Disney. Classy package design by Joe Sikoryak, detailed liner notes by John Takis complete this generous 79-minute CD! Michael Kamen conducts. Intrada Special Collection CD available while quantities and interest remain!



01. “Then He Kissed Me” (2:37) (Performed by THE CRYSTALS)
02. Halloween* (4:53)
03. Road Trip* (2:33)
04. Tire Blow Out (7:48)
05. Runaway Truck (2:35)
06. Joe Gipp (Chris Loses It) (1:11)
07. Chop Shop (6:21)
08. Chase To Albert’s (3:27)
09. “Babysitting Blues” (4:00) (Produced by Robert Kraft, Performed by ALBERT COLLINS)
10. Brenda And The Rat (3:09)
11. The Rumble** (4:44)
12. Dead Car* (2:05)
13. Escape From Mr. Big (2:39)
14. You’re Weird* (1:00)
15. Was He Cool? (5:58)
16. Where’s Sara? (2:31)
17. Rescue Sara (7:56)
18. Grand Finale* (1:33)
19. “Twenty Five Miles” (3:19) (Performed by EDWIN STARR)
20. “Just Can’t Stop” (4:10) (Performed by PERCY SLEDGE)

Total Time: 74:58

Additional Cues by Michael Kamen
21. Piano Party Source (2:37)
22. Restaurant Source (1:41)
Additional Cues Time: 4:18

*Not Featured In Film
**Includes Music Not Featured In Film

http://store.intrada.com/s.nl/it.A/id.9697/.f?sc=13&category=-113

 
 
 Posted:   Jun 22, 2015 - 6:18 PM   
 By:   jkannry   (Member)

Intrada update your web page. Two new albums don't show at top of page.

 
 
 Posted:   Jun 22, 2015 - 6:21 PM   
 By:   jfallon   (Member)

Kamen? Bought.

 
 Posted:   Jun 22, 2015 - 6:25 PM   
 By:   Justin Boggan   (Member)

That's about twelve minutes of score dropped from the film. Plus one cue with score that wasn't used. What a treat for fans of the composer -- score they would never have been able to hear just by watching the film.

 
 
 Posted:   Jun 22, 2015 - 6:38 PM   
 By:   Jim Bailey   (Member)

Gremlins 2, Outbreak and now Adventures in Babysitting. oh my! What a fine day of releases!

 
 Posted:   Jun 22, 2015 - 6:43 PM   
 By:   Adam.   (Member)

Keith Coogan starred in another film called Don't Tell Mom the Babysitter's Dead. I think he needs a new agent.

Adventures is quite entertaining and Elizabeth Shue is never hard to look at. I may pick up this soundtrack.

 
 Posted:   Jun 22, 2015 - 9:50 PM   
 By:   JeffM   (Member)

I read this release just after I read about James Horner. It's hard to get excited about anything tonight but I'm sure once I've felt some closure, I'll be bouncing off the walls again about this. Either way, i plan on ordering this on Thursday (payday). It's been a soundtrack I've wanted since I saw the movie back in '87.

 
 Posted:   Jun 22, 2015 - 9:55 PM   
 By:   SBD   (Member)

Neat clips, like a cross between SUSPECT and his "Amazing Stories" score. You'd scarcely believe it was written for a comedy.

 
 
 Posted:   Jun 26, 2015 - 12:49 AM   
 By:   jedijones77   (Member)

Wow, two "child of the '80s" holy grail scores in one week! This and Gremlins 2. So glad to see "Die Hard 0" finally released.

Adventures in Babysitting was a comedy about as much as Goonies was a comedy. The characters have funny personalities but the situations are mostly taken very seriously and have thrills, chills, suspense and action, well-reflected in the score.

 
 
 Posted:   Jun 26, 2015 - 5:50 PM   
 By:   .   (Member)

Listening to mine now. Terrific. Full of vitality and wit, without ever straying into overly-comic territory. Excellent sound. Wonderful to have a Kamen score I was unfamiliar with.

A pity about the sound quality of the intro song "Then He Kissed Me". I assume this is the way it was originally recorded. I think I've heard early recordings of Al Jolson that sound better engineered.

 
 
 Posted:   Jun 26, 2015 - 8:36 PM   
 By:   jedijones77   (Member)

Once you watch the scene with Shue dancing to it, you won't want to just listen to the audio of that song anyway.

Siskel and Ebert did a kind of amazingly incisive review of this one. I like how Siskel basically admits he liked the movie primarily because Shue was a hottie.

https://www.youtube.com/watch?v=pLkYyZBJyYY

 
 Posted:   Jul 1, 2015 - 3:33 PM   
 By:   Frank Vincent   (Member)

Got the CD today. cool

 
 Posted:   Jul 1, 2015 - 9:21 PM   
 By:   JeffM   (Member)

A pity about the sound quality of the intro song "Then He Kissed Me". I assume this is the way it was originally recorded. I think I've heard early recordings of Al Jolson that sound better engineered.

Really? It sounds like a typical Phil Spector produced recording to me.

 
 
 Posted:   Jul 3, 2015 - 7:36 PM   
 By:   jfallon   (Member)

I am a die hard Kamen fan but have to say this leaves me a little underwhelmed. I don't remember much of the film but I think the score kind of meanders along and Kamen had a hard time trying to find a voice for it. I don't know. I was so excited to finally see this released and I think I expected more in my head. Anyways hate to be a wet blanket.

 
 Posted:   Jul 3, 2015 - 8:16 PM   
 By:   Adam.   (Member)

At times you could call this Lethal Weapon 1.5. You can certainly hear strains of LW in this soundtrack.

 
 
 Posted:   Jul 30, 2015 - 6:22 AM   
 By:   Hurdy Gurdy   (Member)

You can hear the strains of so many other Kamen scores from this period (and his style overall), from DEAD ZONE, the DIE HARD series, LETHAL WEAPON, even his SAXOPHONE CONCERTO, but for me, unlike those scores and more akin to SUSPECT, the lack of a strong main theme to glue everything together doesn't allow for the best listening experience.
It's all Kamen technique and style (which is cool) but lacking a hook to hang on to.
It's great when sporadic moments of Kamen brilliance burst forth, but you have to be patient for them to arrive.

 
 
 Posted:   Jul 30, 2015 - 7:29 AM   
 By:   jfallon   (Member)

Well put Kev. My feelings exactly.

 
 
 Posted:   Jul 30, 2015 - 10:11 AM   
 By:   Mink   (Member)

As another hardcore Kamen fan I can only agree. It's a great listen, but only in parts and I (sadly) can't really warm up to it. While I think he's a got a main theme going there, it doesn't really manifests itself too often.

It's somehow as if the whole thing was put together really quickly. He did it at his Kurzweil while watching the movie, it was orchestrated, and that’s it. As if he didn't had a chance to polish it.

 
 
 Posted:   Aug 13, 2015 - 3:01 PM   
 By:   Michael_McMahan   (Member)

I'm REALLY enjoying this score. Not familiar with the film, but THIS is the kind of Kamen score I enjoy most. A lot of the orchestral devices from Brazil, The Dead Zone, Highlander, and Die hard are on display here. Track 5 was clearly temped with the truck sequence from Brazil.

Also, I disagree about the theme not being used often. That little 6 note motif, 1st heard on sax weaves itself throughout the score, much like his use of the old Brazil song.

I could do without the songs and the 2 or 3 pop-score tracks, but outside of that this is my favorite Kamen acquisition in years. Very grateful to Intrada for this one!

 
 Posted:   Aug 13, 2015 - 8:39 PM   
 By:   CindyLover   (Member)

I like how Siskel basically admits he liked the movie primarily because Shue was a hottie.

From another contemporary review: "Adventures In Babysitting has only one scene as cute as its title*, and no scenes as cute as lead Elisabeth Shue. Because debuting director Chris Columbus wrote Gremlins and The Goonies in two consecutive summers, it definitely could have been worse." (He still gave it a very low score, mind.)

*The one in the blues club.

 
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