Pick this one up, people. It really does do a brilliant job of nailing that Herrmannesque style ala TWILIGHT ZONE or his Ray Bradbury scores. Great stuff:
Just love this last track - great dramatic coda that really elevates the final moments of the film out of b-movie shlock land.
When are we going to see Morgan's score for this director's next film, EMPIRE OF THE DARK, eh Ford...?
