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 Posted:   Feb 6, 2004 - 8:26 PM   
 By:   joan hue   (Member)

We’ve listed movies that have made us cry, but I’d like to know which
movie scenes paired with precious pieces of music make even the most
granite-jawed, thick-callused hearted person’s tear ducts runneth over. I’m
convinced that real men do eat quiche and cry. I’m also fairly adamant that
it isn’t just the visuals on the screen that melt our marrow and assault or destroy
our hardened resolve to NOT cry nor be emotionally manipulated, it is the
combination of the visuals and perfect pieces of music.

So fess up!

The all time tear jerking scene for me is form AN AFFAIR TO REMEMBER when
Cary Grant opens Kerr’s room, sees his painting, and realizes that she is crippled.
He closes his eyes and leans back against the door while Friedhofer’s glorious
love theme played on strings causes tears to traverse my cheeks to nearly the
point of DEHYDRATION. Happens every time.

One’s never too old to out grow E.T. When E.T. says “Come” and Williams swirls
the violins up the scale, I’m a simpering kid again.

WUTHERING HEIGHTS. In the l939 version, I’m weepy when Katherine dies
in the arms of Heathcliff as they gaze over the moors. Alfred Newman’s Katherine
theme playing as she dies could melt the most cynical heart. I also love Ralph Fiennes
1992 version. The suck-the-water-right-out-of-you-scene is when he breaks
into her home after she has died and pulls her out of the coffin while Sakamoto’s
passionate love theme swirls around them. (Anyone notice the similarity to his theme
and Scott’s Anthony and Cleopatra theme?)

I like a good laugh, but I also love a good cry, and the best tears come when there
is that magical dovetailing between scene and music, a fusion that become one’s air
and pulse.

And your Kleenex moments?

 
 
 Posted:   Feb 6, 2004 - 8:51 PM   
 By:   Thread Assasin   (Member)

I will name but two, though there are many:

The last few moments of "The Ghost and Mrs. Muir" when 'old' Gene Tierney rises into camera view and is again the 'young' Gene Tierney/Mrs. Muir to the strains of Mr. Herrmann's beautiful score.

Audrey Hepburn finding 'Cat' and falling into George Peppard's arms at the end of "Breakfast at Tiffany's," to the accompaniment of Mr. Mancini's "Moon River."

 
 Posted:   Feb 6, 2004 - 9:35 PM   
 By:   SheriffJoe   (Member)

WAY too many films have done that to me. The funny thing is, knowing all the mechanics of filmmaking doesn't make me any less emotional while watching a good piece of storytelling. Recently, I've been surprised by films that DIDN'T make me emotionally teary-eyed. Seabiscuit got me close to weepy with the scenes involving the horse, but not much with the humans (I'm a TOTAL sucker for injured or down-on-their-luck animals!!). I don't remember the last film that made me REALLY lose it. Excellent topic mommajoan. Brings a tear to me eye...

SheriffJoe

 
 
 Posted:   Feb 6, 2004 - 9:35 PM   
 By:   Jolly Roger   (Member)

I know some people didn't "get it", but the end of Field Of Dreams always touches me.

 
 
 Posted:   Feb 6, 2004 - 9:44 PM   
 By:   Tall Guy   (Member)

So fess up!


Oh all right, I confess.

One of the many things I have in common with Mrs Tallguy is that we both measure the quality of a film by the number of tissues we get through.

Happy now you've wrung that out of me?

Yours swimmingly
Chris

 
 
 Posted:   Feb 6, 2004 - 10:06 PM   
 By:   The Big Bear   (Member)

The ending of THE GREEN MILE gets me every time.

 
 
 Posted:   Feb 6, 2004 - 10:13 PM   
 By:   manderley   (Member)

The final scene of "Random Harvest".

The scene in "The Human Comedy" where delivery boy Mickey Rooney reads the telegram regarding soldier Van Johnson's death, to Frank Morgan.

The lovely scene in "The Yearling" where Jody (Claude Jarman, Jr.) finds the fawn.

Tears of laughter when Danny Kaye must remember, "The pellet with the poison's in the vessel with the pestle, the chalice from the palace has the brew that is true!" in "The Court Jester".



 
 Posted:   Feb 7, 2004 - 12:24 AM   
 By:   ZapBrannigan   (Member)

Not everybody will "get" this, but the first five times I saw DEEP IMPACT (James Horner), I welled up pretty good. Tea Leoni's coming to face the end of the world moved me a lot.

 
 
 Posted:   Feb 7, 2004 - 12:46 AM   
 By:   Brad Wills   (Member)

BEN-HUR, no question. Judah as a slave, on a relentless trek through the desert, driven to the point a despair and futility is given a drink of water by a pair of healing hands. Rozsa's Christ theme breaks the onslaught of strained music and imparts a sense of peace to the proceedings. Judah finds hope and a renewed strength in this kind gesture and Rozsa responds by giving Judah's theme a strength-filled, purposeful setting. Never fails to leave me sobbing. Hi, Joan!!!!!!!!!!!

 
 
 Posted:   Feb 7, 2004 - 12:49 AM   
 By:   Timmer   (Member)

After being institutionalised (have I spelt that right?) for so long, Brooks realises he can't hack it on the outside and hangs himself.

"Brooks Was Here", Thomas Newman from The Shawshank Redemption.

Gotta also admit that when Natalie Wood "sings" Somewhere at the end of West Side Story it kills me every time!

Mom Joan, REAL men eat quiche and don't give a toss what anybody else thinks!winksmile

NP : El Cid - sedares recording

 
 
 Posted:   Feb 7, 2004 - 12:54 AM   
 By:   David Coscina   (Member)

Not everybody will "get" this, but the first five times I saw DEEP IMPACT (James Horner), I welled up pretty good. Tea Leoni's coming to face the end of the world moved me a lot.

Yes, that part of the film was very moving. And I agree with the Field of Dreams call too.

The climax of Iron Giant is both amazing and very moving for me. Kamen's music has the right balance of pathos and heroism. It's an amazing film in its own right. The part where they find the deer also is pretty emotional.

Pretty much the entire film of Angela's Ashes does it for me.

Schindler's List- the part where Schindler gets that woman's parents out of the Goeth's deathcamp moves me- maybe the pure kindness of the act.

When I first saw Lorenzo's Oil, man the film did a job on me. That poor kid! Using Barber's Agnus Dei setting of his Adagio for Strings was a nice touch...

Speaking of which, I think David Lynch's use of Adagio at the end of Elephant Man was masterful, and very very effective. Moreso than its repetitive use in Platoon.

 
 
 Posted:   Feb 7, 2004 - 12:57 AM   
 By:   bondo321   (Member)

I just watched THE PERFECT STORM, a movie I hadn't seen since it came out, and I pretty much held back tears for the final 30 minutes. The one thing that sticks out the most is that the action music is very emotional, and not just ticking/clanking, like some of his other scores. I still think that is one of Horner's greatest scores, and certainly the best of the new millennium (though it was technically 2000).

 
 Posted:   Feb 7, 2004 - 1:41 AM   
 By:   SoundScope   (Member)

God,there are so many. . .

"...Oh, Auntie Em, There's no place like home."

"...after all, tomorrow is another day."

"Hello every one. This is Mrs. Norman Main."

Are just a few of the classic ones that do it to me. Always.

But it has to be THE BRIDGES OF MADISON COUNTY when at the end, Meryl Streep seated in the truck, sees Clint Eastwood standing in the rain outside. You know she remembes all the passion and love they shared and she tries so hard not to cry turning to look back as the truck pulls away. She has made her decision and forever lets go of the affair. She has done the(supposed) right thing and goes back to take care of her family. Her responsibility. But you know that she will nver again be truly happy. I actually convulsed over this, a weeping helpless mess, for I have experienced the same.

 
 
 Posted:   Feb 7, 2004 - 1:58 AM   
 By:   joan hue   (Member)

It would be nice to share a beer or a fine glass of wine with all of you, but since
we can’t, it is wonderful to share our most moving moments with film and music.

“Hi Joan.” Hey, hi Brad. We need to have you post more.

So far, great examples. I think I’m familiar with most of them, but I need to look up who
composed The Human Comedy and watch the movie. I’ve heard a lot about it.

Soundscope, you must read the book BRIDGES AT MADISON COUNTY. Actually
much more affecting than the movie. I almost needed to be rehydrated with an IV when
I finished it.

Another real weepie for me was at the end of TO KILL A MOCKINGBIRD when
Scout points out Boo hiding behind the door. I’m convinced that the waterworks are
from Elmer Bernstein turning up the volume of his most delicate theme. Snnoorrtt!
Hoonnnkkk!!

 
 
 Posted:   Feb 7, 2004 - 2:58 AM   
 By:   Howard L   (Member)

Oh must I be reminded of the multiple triple-hanky scenes and music permeating The Best Years Of Our Lives!

 
 
 Posted:   Feb 7, 2004 - 3:29 AM   
 By:   DavidOC   (Member)

I found the end of Big Fish very moving, with Billy Crudup carrying Albert Finney into the water.

And near the end of In America, the scene out on the balcony under the stars with the father and his 2 daughters where he finally comes to terms with the loss of his son.

 
 
 Posted:   Feb 7, 2004 - 3:36 AM   
 By:   Thread Assasin   (Member)

Oh must I be reminded of the multiple triple-hanky scenes and music permeating The Best Years Of Our Lives!

The moment when Harold Russell steps out onto the sidewalk and the little girl yells out..."Homer's home!"...and she's so excited she has to run into the house, then across the bushes to the next yard to tell the neighbors, and then finally down the walk to where he is standing...excuse me...I DO need a tissue...

 
 
 Posted:   Feb 7, 2004 - 3:55 AM   
 By:   MarkB   (Member)

The reunion scene at the end of The Color Purple. Leaves me a blubbering mess every time....

Mark

 
 
 Posted:   Feb 7, 2004 - 4:11 AM   
 By:   Ron Sharon   (Member)


You guys will probably laugh at me for this, BUT.....

Believe it or not.....I cried several times way back when, while reading the book by Leon Uris called "Battle Cry", and then when I saw the film, the waterworks started again in several scenes to Max Steiner's Oscar nominated score. Especially scenes with Aldo Ray and Nancy Olsen....wow.

It's really weird....how you can tear up at the same scenes in a movie again and again, no matter how many times you see it, isn't it? smile


 
 
 Posted:   Feb 7, 2004 - 4:51 AM   
 By:   The Blue Mule   (Member)

For Me now,...


Joe Versus the Volcano(Ending Theme) (Oh God Especially when I am Drunk,...) love theme.

I sware to you all it makes me remember my time ,a hard time in Japan something that is so a magical moment. Dear God! I miss you Hiroko more than any person alive!

Love Rich!! smile

 
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