 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Taken as a whole, I wouldn't say it is as good a stand-alone CD as, say, Body Heat (and its running time is padded-out with source cues). But the main and end titles, written for just clarniet and piano, are priceless, and truly among of Barry's best. The CD is worth it just for that theme.
Unfortunately the CD does not credit the soloists, but that's GOT to be Mike Lang on the piano.
|
|
|
|
|
|
It simply is one of Barry's very best jazz scores.
The theme itself is worth the price alone.
Alex
Good review!
JB really excelled as a jazz composer. His jazzy, bluesy music smoothly incorporates his trademark melodic and harmonic stylings.
Just as good, he avoids the cliched riffs, and chord changes of much "film jazz'
check it out!
bruce
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It's now here:
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id='%20.%20(4758)%20.%20'hammett
(You'll need to copy and paste - just clicking the link will cut the URL short)
However, in Music From the Movies' re-organization, all the writers seems to now be uncredited for their work. Which I don't like, but hey ho.
Cheers
No credit? For a writer?
why am i not surprised
brm
|
|
|
|
|
|
When you listen to HAMMET, BODY HEAT, THE LIVING DAYLIGHTS from the 80's ,you can hear why JB was so well suited for THE INCREDIBLES.
wHAT WENT WRONG?!
I suspect Barry simply lost his 'mojo'.
Shame.
bruce
|
|
|
|
|
|
A very nice, laid-back jazzy score with some subtle asian motives that has Barry stay clear of his trademark Bond ideas. I like it a lot.
Good point. even the suspense music has a distinctive sound . I like the synth strings also!
|
|
|
|
|
|
check out the film also.
like BLADE RUNNER ,the fantastic art direction alone makes it fun to watch!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
