Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Feb 3, 2008 - 12:43 PM   
 By:   DownDeepInside   (Member)

I'm putting together a playlist of the so-called "dark barry" sound, but the catch being that I am limiting it to early incarnations of this style- i.e. before the official start of the period begun by the climactic cue of DAY OF THE LOCUST in 1974.
I'm thinking of tracks such as "Pain gone till tomorrow", "through caverns measureless to man", and "you've got more going for you than teeth" from BOOM!, "comprehendo?" from PETULIA, and "stalking the u-boat", and "stalking/destroy the enemy" from MURPHY'S WAR. Any more suggestions for such a playlist?

 
 Posted:   Feb 3, 2008 - 1:15 PM   
 By:   Barry is God   (Member)

i believe Barry's rerecording of his theme from DUTCHMAN on the Music of John Barry album would fit your criteria.

 
 
 Posted:   Feb 3, 2008 - 2:44 PM   
 By:   shureman   (Member)

How about something from SEANCE ON A WET AFTERNOON, one of my favorite " dark " films...

 
 
 Posted:   Feb 3, 2008 - 2:49 PM   
 By:   Morricone   (Member)

THE CHASE and KING RAT, but I can't think of anything darker than LION IN WINTER.

 
 Posted:   Feb 3, 2008 - 3:52 PM   
 By:   LeHah   (Member)

What year was The White Buffallo?

 
 Posted:   Feb 3, 2008 - 4:04 PM   
 By:   Barry is God   (Member)

What year was The White Buffallo?

77, well into the period proper

 
 
 Posted:   Feb 3, 2008 - 4:08 PM   
 By:   MMM   (Member)

How can something "white" be "dark?"

 
 Posted:   Feb 3, 2008 - 4:50 PM   
 By:   Barry is God   (Member)

How can something "white" be "dark?"

The White Buffalo is the ultimate "dark Barry" score. The paradigmatic example of the psychological turn that Barry took in the mid to late 70s

 
 
 Posted:   Feb 3, 2008 - 8:45 PM   
 By:   Alex Klein   (Member)

How can something "white" be "dark?"

LOL!

 
 
 Posted:   Feb 3, 2008 - 8:54 PM   
 By:   Alex Klein   (Member)

THE CHASE and KING RAT, but I can't think of anything darker than LION IN WINTER.

They all have upbeat moments. Actually, The Chase is a quite upbeat score, save for a few depressing ones. That's what makes Barry so special. You are ready to cut your wrist until you hear pure beauty.
King Rat has a wonderful march and a quite tragic main theme (but not dark). The rest of the score is completely downbeat. It's very raw and hard to follow.
The Lion In Winter, two words: Power and beauty. You have Barry's most powerful writing ever, and yet, you have celestial beauty. It's heaven set to music. Darkness creeps in here and there, but those two emotions sum it up, for me.

Alex

 
 
 Posted:   Feb 3, 2008 - 8:59 PM   
 By:   Alex Klein   (Member)

Prior to 1974, Boom is the ultimate dark score. I sure hope Intrada releases it as yet another breathtaking MCA LP rescue.
Murphy's War is a good example as well. It's a painful score, despite having peace with the "nurse" theme.

Alex

 
 
 Posted:   Feb 3, 2008 - 9:27 PM   
 By:   Timmer   (Member)

Prior to 1974, Boom is the ultimate dark score. I sure hope Intrada releases it as yet another breathtaking MCA LP rescue.
Murphy's War is a good example as well. It's a painful score, despite having peace with the "nurse" theme.

Alex


I LOVE "Boom!", I have a boot ( and the official LP ), a short score but every minute is a gem, love to see this get a proper CD release.

 
 Posted:   Feb 3, 2008 - 11:07 PM   
 By:   Barry is God   (Member)

I always thought that "science fiction" from MIDNIGHT COWBOY was a haunting and ominous cue, while not in that same sort of "dagger of the mind" darkness mode that I think you are referring to. Shares some of the same "space sound" -for lack of a better term- ambiance with OHMSS.

 
 Posted:   Feb 3, 2008 - 11:35 PM   
 By:   laurent   (Member)

The whisperers, lovely and dark score

 
 
 Posted:   Feb 4, 2008 - 2:55 AM   
 By:   Roger Moore Hair   (Member)

Do not forget about KING KONG and STARCRASH. They both have their dark elements.

 
 
 Posted:   Feb 4, 2008 - 3:31 AM   
 By:   quiller007   (Member)


I'm scared! eek

Den

 
 
 Posted:   Feb 4, 2008 - 10:31 AM   
 By:   CinemaScope   (Member)

Prior to 1974, Boom is the ultimate dark score. I sure hope Intrada releases it as yet another breathtaking MCA LP rescue.
Murphy's War is a good example as well. It's a painful score, despite having peace with the "nurse" theme.

Alex


I LOVE "Boom!", I have a boot ( and the official LP ), a short score but every minute is a gem, love to see this get a proper CD release.


I was looking through some old 60s Films & Filming magazines the other day, & there was a bit about "Boom" being pulled from the West End cinema after only a couple of days, & as far as I can see, it never did get a general release. I can't ever remember seeing it on the telly (in England). It's a miracle that a soundtrack album was ever released. I've never heard a note of it, but would buy it in a heartbeat if it ever came out on CD. Al.

 
 Posted:   Feb 4, 2008 - 10:34 AM   
 By:   Barry is God   (Member)

Do not forget about KING KONG and STARCRASH. They both have their dark elements.

Both after 74

 
 Posted:   Feb 4, 2008 - 12:11 PM   
 By:   MusicMad   (Member)

I can't ever remember seeing it on the telly (in England). It's a miracle that a soundtrack album was ever released. I've never heard a note of it, but would buy it in a heartbeat if it ever came out on CD. Al.

The film Boom! has been on UK TV - a very long time ago - but I didn't watch it as I'm not a fan of Burton & Taylor.

As for not hearing any of the score: have you not heard Mr. Barry's Play It Agin album from 1974? The theme from Boom! is track B5 and is a very faithful representation of the OST version. It is to be found on the CD compilation The Best Of John Barry which includes all (known?) recordings from that [Polydor] era, generally termed "The Play It Again" Recordings.

I bought a CD release a few years ago of the OST but found it to be a boot... (LP transfer) - the sound is pretty good, nonetheless. It is an acquired taste as an album but - typical Barry - it just grows on you. I could do without the Georgie Fame song though, that certainly does the album no favours, IMHO.

 
 
 Posted:   Feb 4, 2008 - 2:11 PM   
 By:   Alex Klein   (Member)

The song isn't bad, but given that Barry didn't write it, I wouldn't mind if it wasn't included for the CD release, if it comes.

Alex

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.