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 Posted:   Oct 18, 2008 - 12:26 AM   
 By:   SteffM   (Member)

While I'm certainly grateful for what's been out there so far in 2008 (HEAVY METAL mightily towering above anything cool ), I was wondering if FSM considers releasing at last Harry Sukman's 1979 classic, Herrmannesque TV score for what remains IMHO the finest of Stephen King big-or-small screen adaptations? There was a thread here a couple of years ago asking us what we'd like on CD from the Warner catalogue: quite a few of us at the time were in favor of this one, and I don't recall back then any reply from our Mr. K. quickly dismissing it or throwing it in what I name the "red-tape bin", so naturally I assumed it was feasible. This coming Halloween reminds me once more how perfect such a desired album would have been in terms of timing. Another missed opportunity, or we just have to wait?

 
 
 Posted:   Oct 18, 2008 - 2:31 AM   
 By:   Francis   (Member)

This has an amazing main title and as a horror score works so wonderful. This release is long overdue.

Check the trailer for a great selection of the music:

http://www.youtube.com/watch?v=X8oCB17Ey6I

The opening with magnificent main title:

http://www.youtube.com/watch?v=cvW8QUvGs1o&feature=related

 
 Posted:   Oct 18, 2008 - 5:36 AM   
 By:   Grimsdyke   (Member)

While I'm certainly grateful for what's been out there so far in 2008 (HEAVY METAL mightily towering above anything ...

Yes, although there were so many great releases this year we horror-fans had been somewhat neglected lately.

I would love to have SALEM'S LOT and, of course, also Sukman's score to SOMEONE IS WATCHING ME.

Or the complete score to X-RAY and BLOODY BIRTHDAY by Arlon Ober.

Or Dan Wyman's DEAD PIT.

Or a box with the PROM NIGHT scores by Paul Zaza.

Maybe this new lable Howlin'Wolf could release such gems.


 
 Posted:   Oct 18, 2008 - 9:30 AM   
 By:   pooter   (Member)

Salem's Lot is absolutley among my most wanted releases. The score is brilliant, and the TV Movie itself is one of the best King adaptions I have ever seen. I too would love to hear wether there would be any possibility of a release.

 
 Posted:   Oct 18, 2008 - 11:21 AM   
 By:   DavidCoscina   (Member)

Salem's Lot is absolutley among my most wanted releases. The score is brilliant, and the TV Movie itself is one of the best King adaptions I have ever seen. I too would love to hear wether there would be any possibility of a release.

I agree. I would be first in line to buy this gem. Love Sukman's use of the Dies Irae.

 
 
 Posted:   Oct 18, 2008 - 4:15 PM   
 By:   Cooper   (Member)




As a kid, the floating vampire at the window trick--which the likes of Danny Glick performed--left me terror scarred and brain damaged with perma-fright. The most genuinely rattling vampire saga I've ever seen. Tobe Hooper rules, and he's getting another shot at doing a King adaptation with "From a Buick 8"; looking forward to it. If he makes the car scratch at my window after dark, should be scary as hell.

 
 Posted:   Oct 18, 2008 - 7:49 PM   
 By:   Freejack   (Member)

Now this would be a supertreat if it were released.

I have a promo recording session cassette of this but the sound is in very poor condition.
Would love an upgrade of this fantastic Emmy nominated score by Harry Sukman.



The line:
"Look at me, look at me teacher"
still sends shivers down my spine when I watch it.

 
 Posted:   Oct 18, 2008 - 11:56 PM   
 By:   DavidCoscina   (Member)

As a kid, the floating vampire at the window trick--which the likes of Danny Glick performed--left me terror scarred and brain damaged with perma-fright. The most genuinely rattling vampire saga I've ever seen. Tobe Hooper rules, and he's getting another shot at doing a King adaptation with "From a Buick 8"; looking forward to it. If he makes the car scratch at my window after dark, should be scary as hell.

Yeah, I would not go near my damn window for weeks after seeing this series. Personally, for the time, this was the scariest television mini-series ever. Unlike many films that portray vampires as sexy and romantic, Salem's Lot was more primal and evil.

 
 Posted:   Oct 19, 2008 - 1:05 AM   
 By:   SteffM   (Member)

Love Sukman's use of the Dies Irae. :

Yes, apart from the sad and haunting love theme anticipating Ben and Susan's doomed relationship ("Susan's Theme"), the whole work is based in one guise or another on that Latin hymn, cunningly incorporated into the orchestral fabric, better so than in, say, Rosenman's earlier THE CAR, where it's more blatantly quoted. What would horror scores be without that old Medieval chestnut anyway? It goes back as far as Berlioz... wink

 
 
 Posted:   Oct 19, 2008 - 6:20 AM   
 By:   Dorian   (Member)

Salem's Lot is absolutley among my most wanted releases. The score is brilliant, and the TV Movie itself is one of the best King adaptions I have ever seen. I too would love to hear wether there would be any possibility of a release.

I agree. I would be first in line to buy this gem. Love Sukman's use of the Dies Irae.


Just stumbled upon this:

"I was always a big fan of Harry Sukman's original score for Tobe Hooper's 1979 production of Salem's Lot."
-David Coscina, FSM Vol. 9 No. 9

smile

 
 
 Posted:   Oct 19, 2008 - 9:07 AM   
 By:   Francis   (Member)

As a kid, the floating vampire at the window trick--which the likes of Danny Glick performed--left me terror scarred and brain damaged with perma-fright. The most genuinely rattling vampire saga I've ever seen. Tobe Hooper rules, and he's getting another shot at doing a King adaptation with "From a Buick 8"; looking forward to it. If he makes the car scratch at my window after dark, should be scary as hell.

Yeah, I would not go near my damn window for weeks after seeing this series. Personally, for the time, this was the scariest television mini-series ever. Unlike many films that portray vampires as sexy and romantic, Salem's Lot was more primal and evil.


Me too! I saw this on a sunday afternoon with my family (the long tv version) and I didn't dare to open my window curtains for over a month! eek

 
 Posted:   Oct 19, 2008 - 9:31 AM   
 By:   DavidCoscina   (Member)

Salem's Lot is absolutley among my most wanted releases. The score is brilliant, and the TV Movie itself is one of the best King adaptions I have ever seen. I too would love to hear wether there would be any possibility of a release.

I agree. I would be first in line to buy this gem. Love Sukman's use of the Dies Irae.


Just stumbled upon this:

"I was always a big fan of Harry Sukman's original score for Tobe Hooper's 1979 production of Salem's Lot."
-David Coscina, FSM Vol. 9 No. 9

smile


Ah, my old Christopher Gordon review. You know, I love Gordon's Salem's Lot because it was so different than Sukman's but the remake was CRAP. It was similar to the tv version of The Shining which was also crappy. This is funny because technically, both remakes were more faithful to King's books- which means sometimes taking some artistic license with the adaptations of his novels is a good thing.

Ben and Susan's theme is in fact a beautiful and tragic love theme indeed. I also love the "night visitation" music that accompanies Danny Glick's encounters with his brother Ralphie. Sounds like Sukman used some col legno strings and perhaps the pianist depressing the damper pedal on the piano. Neat stuff.

Salem's Lot needs to be treated to a deluxe FSM release IMO.


 
 Posted:   Oct 19, 2008 - 3:24 PM   
 By:   pooter   (Member)



Salem's Lot needs to be treated to a deluxe FSM release IMO.


So FSM, Intrada, La-Land and co...Are we dreaming here, or do you think Salems Lot could ever be possible?

 
 
 Posted:   Oct 20, 2008 - 1:25 PM   
 By:   Francis   (Member)

It would also be nice to get a special edition dvd as the warner brothers standard release was very bare bones... sound in mono...

 
 Posted:   Oct 21, 2008 - 12:03 PM   
 By:   Lukas Kendall   (Member)


Remember: Lukas Kendall is just one man.

hah!!

 
 Posted:   Oct 22, 2008 - 12:04 AM   
 By:   SteffM   (Member)

Yes, but an Omega one.

 
 Posted:   Oct 22, 2008 - 1:05 AM   
 By:   Stephen Woolston   (Member)

I seem to remember this question came up before and if I was less lazy I'd do a search to see what came up. What I find interesting is that Lukas is normally very good at putting us out of our misery if something just ain't gonna come any time soon. Maybe I'm reading too much into his reply - and probably am - but maybe this one is still a possible.

I love it too.

Cheers

 
 
 Posted:   Oct 22, 2008 - 10:40 AM   
 By:   Francis   (Member)

Remember: Lukas Kendall is just one man.

hah!!


You're right, this one is way out of your league. Everyone's saying "Lukas, he can't release Salem's Lot, no way, it can't be done". I respect that, I mean, you gotta know your limits.

 
 Posted:   Oct 22, 2008 - 3:55 PM   
 By:   David Kessler   (Member)


I wouldn´t mind an official Salems Lot CD...

 
 
 Posted:   Oct 26, 2008 - 4:25 PM   
 By:   Thor   (Member)

OK, I just watched this mini-series for the first time.

To be perfectly honest, I didn't like it very much. It was too dated in all departments - from music to editing to "setpieces". I was never really scared. It was almost like watching those old Frankenstein or Dracula movies, in which the time and culture gap between then and now remove any last remnants of "scariness" and you become so detached that you're watching it mostly for curiousity's sake.

Granted, a select few scenes had a mild sense of creepiness about them: the window/floating thing, a few scenes in which the filmmakers delayed katharsis - such as the guy jumping into the grave or the coroner scene, ONE "stinger" effect (when the jealous ex jumps on the author). Things like that. It was there that I SENSED King's usual style (which I love) and that the source material would probably appeal to me.

Sukman's melodramatic score wasn't that different from other dissonant horror music at the time (in that atonal jazz vein that Fielding was so famous for), but it was really a little too much of this:

http://www.youtube.com/watch?v=jHjFxJVeCQs

Sukman is always AHEAD of the action, telling us that something scary is about to happen. That undermines some of the effect. There was too much music when there really shouldn't be any....heck, he even MICKEY-MOUSED Susan's father towards the end, when he walks up the stairs in the mansion!

Again, it's the convention of the time, I'm sure, but that doesn't make it any more effective to me.

From reading this thread, it seems to me that it's probably an advantage to have grown up with this film and seen it as a kid. I can certainly see how some of the scenes can be traumatic for a 10-year-old. But to me - despite growing increasingly receptive to horror films over the years - it didn't have much of an effect at all. Sorry to say.

 
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