Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Dec 1, 2010 - 9:41 PM   
 By:   swoony   (Member)

81. Best Compilation Soundtrack Album For Motion Picture, Television Or Other Visual Media

Crazy Heart
(Various Artists)
[New West Records]

Glee: The Music, Volume 1
(Glee Cast)
[Columbia Records]

Tremé
(Various Artists)
[Geffen]

True Blood - Volume 2
(Various Artists)
[Elektra]

The Twilight Saga: Eclipse
(Various Artists)
[Summit Ent/Chop Shop/Atlantic]


82. Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media

Alice In Wonderland
Danny Elfman, composer
[Walt Disney Records]

Avatar
James Horner, composer
[Fox Music/Atlantic Records]

Inception
Hans Zimmer, composer
[Reprise/WaterTower Music]

Sherlock Holmes
Hans Zimmer, composer
[WaterTower Music]

Toy Story 3
Randy Newman, composer
[Walt Disney Records]


83. Best Song Written For Motion Picture, Television Or Other Visual Media

Down In New Orleans (From The Princess And The Frog)
Randy Newman, songwriter (Dr. John)
Track from: The Princess And The Frog
[Walt Disney Records; Publisher: Walt Disney Music]

I See You (From Avatar)
Simon Franglen, Kuk Harrell & James Horner, songwriters (Leona Lewis)
Track from: Avatar
[Fox Music/Atlantic Records; Publishers: Franglen Lupino Music, Horner Music in Motion, Suga Wuga Music, Sony/ATV Harmony & TCF Music]

Kiss Like Your Kiss (From True Blood)
Lucinda Williams, songwriter (Lucinda Williams & Elvis Costello)
Track from: True Blood: Music From The HBO Original Series - Volume 2
[Elektra; Publishers: Warner-Tamerlane, Lucy Jones Music]

This City (From Tremé)
Steve Earle, songwriter (Steve Earle)
Track from: Treme Soundtrack
[Geffen; Publisher: Exile On Jones Street Music]

The Weary Kind (From Crazy Heart)
Ryan Bingham & T Bone Burnett, songwriters (Ryan Bingham)
Track from: Crazy Heart
[New West Records; Publishers: Lost Bound Rails Publishing/Henry Burnett Music]

 
 Posted:   Dec 1, 2010 - 10:26 PM   
 By:   LoriMagno   (Member)

Interesting mix of things. Interesting.

 
 
 Posted:   Dec 1, 2010 - 10:31 PM   
 By:   Michael Arlidge   (Member)

"Crazy Heart" will most likely win 'Compilation Soundtrack Album' (unless there's a whole lot of "Glee" fans voting) and 'Song', which is how my vote would go. On the other hand, 'Score Soundtrack Album' could go to either Horner or Zimmer (for any one of the three albums they've got between them). I doubt Elfman (my preference) or Newman have much chance.

 
 
 Posted:   Dec 1, 2010 - 10:38 PM   
 By:   nxbusby   (Member)

I'm sure this gets asked all the time when these come out...but why are 2009 movie scores in there? Do the Grammy's follow a different calandar than the motion picture industry?

 
 Posted:   Dec 1, 2010 - 10:51 PM   
 By:   LoriMagno   (Member)

I'm sure this gets asked all the time when these come out...but why are 2009 movie scores in there? Do the Grammy's follow a different calandar than the motion picture industry?

From the Grammy Awards rules:

82 Score Soundtrack Album MP/TV/OVM Albums Only

For soundtrack albums comprised predominantly of original score, first released during the eligibility year, created specifically for, or as a companion to, a current* legitimate motion picture, television (show or series) or other visual media. (*Note: "Current" is defined as released not later than November 30 of the same calendar year as the September close of GRAMMY eligibility.) At least 2/3 of the musical tracks on an album must have been used in the motion picture or television (show or series). NOT ELIGIBLE: live concert films; live or filmed stage shows; musical/variety television shows, and musical documentaries in which the primary focus is live music performance. (Original score tracks may be entered in Instrumental Composition category.) Award to the composer(s).

*Screening
Reviewing sessions by more than 150 experts in various fields are held to ensure that entered recordings meet specific qualifications and have been placed in appropriate fields such as Rock, R&B, Jazz, Country, Gospel, New Age, Rap, Classical and Latin, among others. The purpose of screenings is not to make artistic or technical judgments about the recordings, but rather to make sure that each entry is eligible and placed in its proper category.

 
 
 Posted:   Dec 1, 2010 - 10:59 PM   
 By:   nxbusby   (Member)

Thanks Nags smile

 
 Posted:   Dec 1, 2010 - 11:05 PM   
 By:   LoriMagno   (Member)

Thanks Nags smile

Makes zero sense, but there it is in their own words.

(Perhaps it makes sense if sung?)

 
 
 Posted:   Dec 1, 2010 - 11:11 PM   
 By:   Michael Arlidge   (Member)

The Emmy Awards don't follow a linear calender year either. I can't even remember what their dates are.

 
 Posted:   Dec 2, 2010 - 5:22 AM   
 By:   Juanki   (Member)

Be sure "Inception" is gonna be nominated for Academy Awards. This gives hopes to "Alice in Wonderland" but I think neither Elfman or Randy Newman will snatch the slot.

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.