|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I have this from LP and while it isn´t Bernsteins best (A Nightmare on Elmstreet, Love at first bite, Deadly Friend and Cujo are all better i.m.o) I would buy the CD in a heartbeat... A great little movie thou...
|
|
|
|
|
I have this from LP and while it isn´t Bernsteins best (A Nightmare on Elmstreet, Love at first bite, Deadly Friend and Cujo are all better i.m.o) I would buy the CD in a heartbeat... A great little movie thou...
|
|
|
|
|
|
|
|
|
|
|
I just finished listening to my LP of this score and noticed that a few tracks sound different from the film versions. What sound like real strings, brass and voices in the film sound synthetic on the album. ("Main Title" and the confrontation cues, "Choke and Dagger" and "Getting the Point", are good examples.) Either those particular portions were electronically re-created for the album or the album, as a whole, is a re-recording. If it's the latter, then perhaps Varese only owns that recording and the originals are still up for grabs. Isn't there a note on the back of the lp jacket that says the album is an electronic recreation of the score?
|
|
|
|
|
|
|
|
Isn't there a note on the back of the lp jacket that says the album is an electronic recreation of the score? Nope. Not on my copy, anyway. Oh right...DEADLY FRIEND said that. This one was more overt...it says "composed and performed" right on the cover. I remember seeing that and being frustrated that that meant none of the orchestral music made it to the album.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|