Plus Polanski's REPULSION, CUL-DE-SAC and MACBETH. He made STAR WARS hell for Lucas but as far as I am concerned it was worth it. It has the best cinematography of the bunch.
He actually was a true cinematographer in that he had a different 'style' for each film. Compare 'Star Wars' with 'A Hard Day's Night'.
We often hear about a cinematographer's signature 'style' but some of the best could of course, as they should indeed, change the style to realise the vision of each project individually.
The Bedford Incident. The comedy of errors at the end is classic brilliance! An even bigger case of "How I Learned To Stop Worrying And Love The Bomb" than Dr Strangelove.
The ending to Ice Cold In Alex must've been the blueprint for Heineken commercials since. Pure genius.
While FSM fans of Roman Polanski have already mentioned above such outstanding items as REPULSION and CUL-DE-SAC, how many are aware of the 'unfinished' Polanski project called "A DAY AT THE BEACH"? (which Gilbert Taylor has also lensed)
A great legacy. 
