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I feel like, in their own way, Davis's Matrix scores are as iconic as Howard Shore's music for Middle Earth. If Peter Jackson and Shore could work together because it was needed, I feel at least a slight bit of hope that Davis and the Wachowskis might be able to reconnect... Yavar
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Well, you never know what may happen. Raimi and Elfman made up, Cameron apologized to Horner and we got "Titanic".
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Well, you never know what may happen. Raimi and Elfman made up, Cameron apologized to Horner and we got "Titanic". Yeah, but then we got AVATAR (paging James Southall to thread)
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Beggars can't be choosers. ;-)
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yeah I cannot hear anyone else doing this score either. Davis' music balanced minimalism with the best modern and post modern concert hall ideologies with a touch of early 20th century Romanticism (maybe late Mahler or Berg). I honestly don't know many other composers except Goldenthal who could balance those. Maybe Corigliano and that would be a very interesting collaboration but I doubt it will happen. We will either get Giacchino or Junkie XL or those guys who score Stranger Things...
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We'll ever get junk[ie XL] or be balfed all over, if the brothers don't make up with Davis.
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^^^ And that's why we can't have good things.
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I feel like, in their own way, Davis's Matrix scores are as iconic as Howard Shore's music for Middle Earth. If Peter Jackson and Shore could work together because it was needed, I feel at least a slight bit of hope that Davis and the Wachowskis might be able to reconnect... Yavar I’d say they are almost moreso. The pure level of sophistication in concept through to execution is probably one of the few examples of high art colliding with pop art in the 21st century. I don’t listen to the expanded CDs a lot but Davis has my respect for creating a unique, stylized, musically rich tapestry for the franchise that so few others have been able to accomplish.
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Let’s keep it civil folks. Thank you.
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Instead of anything innovative and interesting I think the score will be something in the lines of Blade Runner 2049 and Dark Phoenix, composed by Hans Zimmer and a handful of ghost writers.
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