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Finishing SEASON 7:
"To Catch a Sly"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6sdrdf
Highlights:
0:00 in.
5:39 in.
8:20 in.
10:32 in.
12:24 in. And the cue after the commercial break.
14:58 in.
23:47 in.
25:50/28:00 in. And the cue after the commercial break (a pleasant plucky arrangement of the main theme).
29:58/31:06 in.
32:50 in.
34:50 in.
39:16 in.
42:14 in.
45:23 in.
That's all but like maybe three or four cues. A lovely and pleasant, although somewhat downbeat, little score by Warren.
"Barbecue Four"
By: Bruce Broughton
https://www.dailymotion.com/video/x6sdrdg
Highlights:
1:11 in.
3:16 in.
6:22 in.
13:05 in. And the cue after the commercial break.
21:02 in.
22:04 in.
23:43/25:13 in.
45:33 in.
For the guys here: 20:10 in. You're welcome.
"Past Imperfect"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6sfvzr
Highlights:
1:11 in.
5:21 in.
13:00 in. And the cue after the commercial break.
14:04 in.
15:11/16:25 in.
23:14 in. And the cue after the commercial break (with interesting woodwinds and brass combos for some kind of tense music; more in the last highlight, too).
26:31 in.
27:46 in.
30:07 in.
45:30 in.
"Peter's Principles"
By: Lance Rubin
https://www.dailymotion.com/video/x6srevr
Highlights:
10:28 in.
31:02 in.
32:26 in.
36:55 in.
41:25 in.
44:25 in.
"Offshore Crude"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6srevs
Highlights:
1:11 in.
8:28 in.
10:38 in.
27:18 in.
44:52 in.
"Some Do ... Some Don't"
By: Lance Rubin
https://www.dailymotion.com/video/x6srevq
Highlights:
1:11 in.
35:30 in.
42:15 in.
"Eye of the Beholder"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6su357
Highlights:
1:16 in.
4:40 in.
7:27 in.
11:09 in.
42:17 in.
"Twelve Mile Limit"
By: Lance Rubin
https://www.dailymotion.com/video/x6su356
Highlights:
1:13 in.
34:39 in.
39:56 in.
"Where is Poppa?"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6su355
Highlights:
1:11 in.
8:42 in.
16:00/17:44 in.
18:57 in. When I hear re-vitalizing orchestral music like this, I just want to go tell so many modern composers to go fuck off.
25:52 in.
27:37/34:29 in. Continues after the commercial break.
28:55 in.
32:29 in.
37:56/39:04/40:13 in. The dramatic music continues after the commercial break.
43:02 in. The cue is out-of-place, sounding more like it should be in a Christmas episode. But it's got some more of that dramatic music from above, but since the opening is to different, I think it could open up the above as a suite.
45:37 in.
"When the Bough Breaks"
By: Lance Rubin
https://www.dailymotion.com/video/x6swtaq
Highlights:
11:29/12:45 in.
30:19 in.
33:20 in.
"True Confessions"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6swt9p
Highlights:
1:11 in.
4:40 in.
12:39/14:16 in. First one: Rosenman tone pyramid. I felt it could lead into the second one.
17:03 in.
21:25 in.
23:21 in. And the cue after the commercial break.
29:37 in.
32:05 in.
41:27 in.
45:34 in.
"And the Winner Is..."
By: Lance Rubin
https://www.dailymotion.com/video/x6swt9q
Highlights:
1:15 in.
33:00 in. The restaurant source music.
I don't know when it was changed, but a new theme arrangement is on this episode.
If I were compiling a set of season seven scoring, I'd skip this episode score.
"Fools Rush In"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6syku6
Highlights:
1:11 in.
3:36 in.
6:13 in.
10:58 in.
12:46 in.
16:19 in.
22:41 in.
32:53/33:45 in.
36:32 in.
39:29 in. The party solo piano source music.
"The Unexpected"
By: Lance Rubin
https://www.dailymotion.com/video/x6szxkc
Highlights:
1:11 in.
11:10 in.
19:13 in.
22:42 in.
26:52 in.
45:38 in: Just one of these times when the baddie is ranting to themselves aloud right after a person closes a door to leave, the person swings the door back open and says, "I heard that! You moron, I was just outside the door! I hadn't even walked away yet!"
"That's the difference between being a boss and being an employee; I can't say 'I don't know' -- I have to know and I have to do it."
"Strange Alliance"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x5viu0z
Highlights:
1:11 in.
4:13 in.
7:31 in.
13:40 in. Short but nice. And the cue after the commercial break.
15:16/19:15 in.
24:27 in.
30:54 in.
32:47 in.
40:06 in.
Another lovely and pleasant low-key score by Warren.
"Blow Up"
By: Lance Rubin
https://www.dailymotion.com/video/x6szxkd
Highlights:
1:11 in.
7:05 in.
15:20 in.
36:49 in.
43:34/45:01 in.
Bobby: "It is possible to get a little paranoid about J.R.."
"Turning Point"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6szxke
Highlights:
1:11 in.
2:18 in.
6:06 in.
8:11 in.
12:02 in.
14:00 in.
15:56 in.
19:59 in.
25:17 in.
26:45 in.
28:03 in. And the cue after the commercial break.
33:08 in.
40:54 in.
43:08 in.
44:14 in.
45:48 in.
Yet another lovely and pleasant score by Warren. That's damn near every single cue.
What a goddamn bastard J.R. is.
(17:12)
"Love Stories"
By: Lance Rubin
https://www.dailymotion.com/video/x6t1v9j
Highlights:
1:11 in.
4:50 in.
13:06 in.
16:44/19:03 in.
36:04 in.
42:53 in.
"Hush, Hush, Sweet Jessie"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6t1v9k
Highlights:
1:11 in.
9:32 in.
11:24 in.
21:31 in.
29:27 in.
31:56/34:29 in.
39:37/41:38/43:29/45:25 in. More in the first highlight of the next episode.
A lot of these brunette girls are just starting to blend into one another.
"End Game"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6t1v9l
Highlights:
1:11/5:49/10:08 in.
7:15 in.
34:42 in.
36:54 in.
41:21 in.
42:51 in.
44:32 in.
Like Alexis on "Dynasty", J.R. is begging to be brutally murdered.
J.R.: "I expect to find you in my bed tonight. I'll probably be late. Wait up for me."
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I like to point them out in all the threads I do because I know the tone pyramids drive some people crazy. ;-)
I'll probably do that episode re-listen Saturday.
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I've edited the post and included the rest of season seven. It begins with "Fools Rush In".
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Posted: |
Oct 29, 2019 - 4:41 PM
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By: |
Broughtfan
(Member)
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Like you, Justin, I appreciate Warren's "Dallas" music. Yes, it is a sharp contrast to what Bruce did but it was always musical and it always "worked." Incidentally, I met him, some years ago (ten or so), at a session on the Warner Bros. stage (may have been a guest of the composer, someone on the music staff). I knew he had recently, then, transitioned into the beginning of an acting career (not so unusual, I guess, as his sister is Leslie Ann Warren, so theater must be in the bloodline). Though he appreciated that I knew his TV work (going back to "Rhoda") and that I mentioned him favorably to both Henry Mancini (whom I met after a pops concert in 1993) and Bruce Broughton (after one of his USC speaking presentations) it was clear that film composing was for him (Rick/Rich) a case of "been there, done that, done that." But a nice guy, very pleasant (I seem to recall, and I may not have this right, that he was, then, recently recovered from an accident or serious illness) I do remember scribbling out for him one of his motifs (I think one associated with the ranch). I think he felt very good that someone remembered something he wrote...from all those years before.
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SEASON 8:
This is all of season eight. I started yesterday so I could make a post with all of it today.
"Killer at Large"
By: Jerrold Immel
https://www.dailymotion.com/video/x6taikk
Highlights:
1:51 in.*
14:10 in.
19:05 in.
2303 in.
26:14 in.
33:08 in.
35:12 in.
39:37 in.
46:25 in.
* = Yes, magical television chairs, where you can fire into them and they can take not only several bullets, but they re-direct, go upwards, stop, change directions and can hit you on the other side of your head!
And later on in the episode, he's shown with a bandage on his face, way below where the wound was!
"Battle Lines"
By: Bruce Broughton
https://www.dailymotion.com/video/x6taikl
Highlights:
0:00 in.
1:51 in.
7:55 in. That opening reminds me of part of a cue from "Psycho" (the music after the shower stabbing strings).
9:40 in.
13:32 in.
16:10 in.
18:49/20:51 in.
25:26/27:35 in.
32:20 in.
38:15 in.
45:20 in.
If Broughton could channel his 1980's writing, he'd be good for a "Jaws" sequel that we hopefully never see made.
For the guys here: 19:20 in. You're welcome.
"If at First You Don't Succeed"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6taikm
Highlights:
1:51 in.
13:35 in.
15:19 in.
21:55 in.
27:10 in.
31:42 in.
38:23 in.
45:30 in.
"Jamie"
By: Jerrold Immel
https://www.dailymotion.com/video/x6texez
Highlights:
11:20 in.
14:07 in.
20:41 in.
28:38 in.
41:46 in.
44:22 in.
"Family"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6texf1
Highlights:
0:00 in.
1:51 in.
28:11 in.
32:57 in.
37:46 in.
32:56 in.
44:29 in.
For the guys here: 28:58 in. You're welcome. You may want to linger around for a minute.
And 34:33 in. Bonus hard nipples.
Also 37:58 in.
"Shadow of a Doubt"
By: Bruce Broughton
https://www.dailymotion.com/video/x6texf0
Highlights:
1:51 in.
11:53 in.
13:21 in.
26:25 in.
30:50 in.
35:49 in.
41:35 in.
"Homecoming"
By: Jerrold Immel
https://www.dailymotion.com/video/x6tgyk0
Highlights:
1:51 in.
5:56 in.
About 24:20 in.
27:25 in.
30:24 in.
"Oil Baron's Ball III"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6tgyjy
Highlights:
0:00 in.
1:55 in.
9:50 in.
"Shadows"
By: Bruce Broughton
https://www.dailymotion.com/video/x6tgyjz
Highlights:
6:33 in.
1:33 in.
25:50 in.
About 30:00 in. The country-flavored country bar source cue.
"Charlie"
By: Jerrold Immel
https://www.dailymotion.com/video/x6tiwgw
Highlights:
1:54 in.
27:12 in.
29:22 in.
38:45 in.
41:32 in.
"Barbecue Five"
By: Bruce Broughton
https://www.dailymotion.com/video/x6tiwgx
Highlights:
0:00 in.
1:54 in.
20:14 in.
24:10 in. And the cue after the commercial break.
26:35 in.
14:48/44:25 in.
"Do You Take This Woman..."
By: Lance Rubin
https://www.dailymotion.com/video/x6tiwgy
Highlights:
10:53 in.
25:26 in.
40:40 in.
42:29 in.
45:40 in.
"Deja Vu"
By: Bruce Broughton
https://www.dailymotion.com/video/x6to8gt
Highlights:
0:00 in.
5:53 in.
42:51/45:00/46:27 in.
"Odd Man Out"
By: Jerrold Immel
https://www.dailymotion.com/video/x6to8gv
Highlights:
9:54 in.
15:40 in.
23:04 in.
32:37 in.
42:02 in.
43:31 in.
45:55 in.
"Lockup in Laredo"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6to8gu
Highlights:
1:33 in.
12:07 in.
16:47 in.
46:25 in.
"How do you feel about coming back to my apartment?"
J.R.: "That's the best way I can think of spending an afternoon."
"Winds of War"
By: Bruce Broughton
https://www.dailymotion.com/video/x6treqw
Highlights:
0:00 in.
1:53 in.
1855 in.
28:34 in.
39:36 in.
43:30 in.
46:25 in.
"Bail Out"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6treqv
Highlights:
2:00 in.
37:45 in.
46:00 in.
Obviously, if I were compiling a set of season eight scoring I'd only pick those cues. Though I'd probably only use the first one.
"Legacy of Hate"
By: Lance Rubin
https://www.dailymotion.com/video/x6treqx
Highlights:
27:52 in.
If I were compiling a set of season eight scoring, I'd skip this episode score.
"Sins of the Fathers"
By: Angela Morley
https://www.dailymotion.com/video/x6u2jk9
This is Morley's first effort for the series.
Highlights:
0:00 in.
1:54 in.
32:32 in.
34:57 in.
38:26 in.
"The Brothers Ewing"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6u2jka
Highlights:
11:14 in.
16:20 in.
19:17 in.
25:16 in.
34:52 in.
46:37 in.
I'm not sure how much of this I'd include on a set of season eight scoring.
"Shattered Dreams"
By: Lance Rubin
https://www.dailymotion.com/video/x6u2jkb
Highlights:
1:54 in. The music on the TV (what ever it is).
14:21 in.
19:53 in.
21:50 in.
25:35 in. The short cue can lead into the next cue, I think.
45:50 in.
"Dead Ends"
By: Bruce Broughton
https://www.dailymotion.com/video/x6u84zb
Highlights:
1:54 in.
13:08 in.
16:35 in.
28:06 in.
33:40 in.
43:45 in.
"Trial and Error"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6uent0
Highlights:
46:00 in.
If I were compiling a set of season eight scoring, that's the only cue I'd put on the set from this episode score.
"The Verdict"
By: Lance Rubin
https://www.dailymotion.com/video/x6uent2
Highlights:
1:54 in.
11:06 in.
If I were compiling a set of season eight scoring, I'd probably skip this episode score.
"Sentences"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6uent1
Highlights:
1:55/3:43 in.
7:57 in.
9:40 in.
11:27 in.
14:25 in.
17:12 in.
25:41 in.
30:31 in.
31:55 in.
"Terms of Estrangement"
By: Bruce Broughton
https://www.dailymotion.com/video/x6ui1jr
This is the final effort by Broughton for the series.
Highlights:
0:00 in.
1:54 in.
7:38 in.
9:33 in.
13:36 in.
16:50 in.
19:11 in.
24:52 in.
28:54 in.
31:00 in.
32:52 in.
35:37 in. The fine-dining solo harp source music and the score cue that immediately follows it.
46:03 in.
This was the last TV show he did a bunch of episodes for. The nearest he got after it was eleven episodes of "Tiny Toons".
"The Ewing Connection"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6ui1jt
Highlights:
0:00 in.
11:30 in.
14:45 in.
25:12 in.
27:15 in.
31:14 in.
36:02 in.
41:57 in.
45:13 in.
"Deeds and Misdeeds"
By: Lance Rubin
https://www.dailymotion.com/video/x6ui1js
Highlights:
13:37 in.
31:10 in.
34:32 in.
38:50 in.
"Deliverance"
By: Angela Morley
https://www.dailymotion.com/video/x6us2sc
Highlights:
16:43 in.
28:50 in.
30:28 in.
37:44 in.
41:54 in.
"Swan Song"
By: Lance Rubin
https://www.dailymotion.com/video/x6us2sb
Feature-length episode. About the last twelve minutes are missing from this load, sorry!
Highlights:
3:55 in.
7:36 in.
15:42 in. And the cue after the commercial break. Music for the emotionally disturbed.
32:52 in.
38:05 in. Five minutes long.
44:00 in. And the cue after the commercial break.
47:33 in.
51:43 in.
55:15 in. And the cue after the commercial break.
59:50 in. Cue cuts off when the load ends.
Rubin should have at least gotten an Emmy nomination for his disturbed and emotional score for this episode.
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Added the rest (from "The Prize" down).
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SEASON 10:
All loads are slowed down unless otherwise noted.
"Return to Camelot: Part 1"
By: Jerrold Immel
https://www.dailymotion.com/video/x6xwt3f
Highlights:
0:00 in.*
2:03 in.
6:13 in. Perfectly strained and touching strings for Bobby.
9:03 in.
11:20 in.
13:22 in.
17:20 in.
20:41 in.
24:18 in.
28:07 in.
31:05 in.
33:49 in.
37:18 in.
40:50 in.
Immel was on fire this episode.
* = And this is the other scene "The Simpsons" parodied in combo at the start of the second part of "Who Shot Mr. Burns?". And so was what was later mocked...
Out-of-context quote...
Bobby: "And I'm getting you all wet."
"Return to Camelot: Part 2"
By: Jerrold Immel
https://www.dailymotion.com/video/x6xwt3h
Highlights:
2:02 in.
13:53 in.
21:12/21:52/24:55 in.
33:57 in.
45:09 in.
About 46:30 in.
"Pari Per Sue"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6xwt3g
Highlights:
2:05 in.
10:08 in.
13:04 in.
17:57 in.
34:58 in. Short little outtro cue.
39:22 in.
4322/43:22 in.
46:24 in.
"Once and Future King"
By: John Parker
https://www.dailymotion.com/video/x6xzlm0
Been a while since he scored an episode.
Highlights:
2:05 in.
12:35 in.
18:05 in.
20:08 in. Mostly FX free laid back cue with a beat.
32:21 in. Including modeling music with a rock-ish beat.
35:38 in.
39:49 in. Solo piano and strings piece.
43:19 in.
47:14 in.
More back-from-the-dead twist!
"Enigma"
By: Lance Rubin
https://www.dailymotion.com/video/x6xzlm1
Highlights:
10:32 in.
13:28 in.
25:35 in.
36:55 in. And the cue after the commercial break.
43:59 in.
47:36 in.
J.R.: "I'd never do anything to hurt my country."
"Trompe L'Oeil"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6xzlm2
Highlights:
2:04 in.
3:07 in.
5:35 in.
10:25 in.
17:36 in.
20:11 in.
26:07 in. Brass for cattle rustling on horse back.
28:48 in.
32:10 in.
34:12 in.
36:24 in.
37:57 in. And the cue after the commercial break.
48:41 in.
If you have a problem with the Ay-rhabs, if no one else can help, and if you can afford them, maybe you can hire the J.R.-Team.
Reading the Trivia page on IMDb for the series, I found out the show was originally intended to revolve around Pamela, but J.R. quickly became the famous character they the show soon revolved around him. At one point the actor wanted a lot more money when negotiating and the studio relented because they didn't want to lose the J.R. character. Can't say I disagree; Pamela is boring, J.R. is what has kept the show afloat.
"Territorial Imperative"
By: Angela Morley
https://www.dailymotion.com/video/x6y1vw7
Highlights:
0:00 in.
2:05 in.
9:32 in.
22:01 in.
23:01 in.
33:00 in.
36:48 in.
48:44 in.
"The Second Time Around"
By: John Parker
https://www.dailymotion.com/video/x6y1vw9
Highlights:
2:43 in. Joining a cue already in progress.
4:10 in.
6:35 in.
30:03 in. I can't recall which composer originated this theme, but it's appeared in multiple episodes ever since. I think Morley even used it a few episodes up.
35:03 in.
36:38 in. And the cue after the commercial break.
(23:45)
"Bells Are Ringing"
By: Lance Rubin
https://www.dailymotion.com/video/x6y1vw8
Highlights:
0:00 in.
2:04 in. Wedding source music.
13:50 in.
17:50 in.
29:13 in.
43:06 in.
"Who's Who at the Oil Baron's Ball?"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6y46q4
Highlights:
2:04 in.
9:49 in.
14:35 in.
19:14 in.
22:42 in.
25:48 in. Dramatic music.
26:38 in.
34:21 in.
47:57 in. Again, another example of how to dramatically musically end an episode.
"Proof Positive"
By: Jerrold Immel
https://www.dailymotion.com/video/x6y46q5 (37:06
Highlights:
2:04 in.
11:54 in. And the short cue after the commercial break.
14:02 in.
16:06 in.
17:52 in.
30:14 in.
34:44 in.
40:47 in.
42:55 in.
20:35 in: Taking shots at "Miami Vice", LOL.
"Something Old, Something New"
By: Lance Rubin
https://www.dailymotion.com/video/x6y46q3 (not slowed down)
Highlights:
0:00 in.
1:56 in.
10:43 in.
27:57 in.
32:10 in.
41:30 in.
43:37 in.
44:50 in.
"Bar-B-Cued"
By: John Parker
https://www.dailymotion.com/video/x6y6dud (not slowed down)
Highlights:
0:00 in.
1:58 in. More of that laid back stuff with a beat that Parker does so well. It'll be a joy to hear this without SFX one day!
12:06/12:46 in.
20:51 in.
23:01 in.
30:32 in.
36:40 in. Country-flavored source music.
45:49 in.
"The Fire Next Time"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6y6duc (not slowed down)
Highlights:
0:00 in.
6:02 in.
7:25 in.
14:09 in.
17:37 in.
23:41 in.
47:38 in. With some militaristic snare drum.
"So Shall Ye Reap"
By: Angela Morley
https://www.dailymotion.com/video/x6y6due (not slowed down)
Highlights:
1:55 in.
9:40 in.
20:10 in.
23:09 in.
24:37 in.
29:39 in.
33:07 in.
36:58 in.
39:14 in.
42:42 in.
That's half the season.
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Continuing SEASON 10:
"Tick, Tock"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6y9mjy
Highlights:
2:03 in.
15:10 in. And the cue after the commercial break.
39:06 in.
42:27 in.
44:30 in.
46:20 in.
"Night Visitor"
By: John Parker
https://www.dailymotion.com/video/x6y9mjz
Highlights:
0:00 in.
2:02 in.
17:40 in.
24:15 in. Joining a cue already in progress.
26:24 in.
28:06 in.
32:31 in.
About 34:50 in. Including sax'.
44:50 in.
47:00 in.
"Cat and Mouse"
By: Lance Rubin
https://www.dailymotion.com/video/x6y9mk0
Highlights:
0:00 in.
6:53 in.
20:51 in.
25:40 in.
38:38 in.
43:09 in.
47:35 in.
"High Noon For Calhoun"
By: John Parker
https://www.dailymotion.com/video/x6yc16y
Highlights:
0:00 in.
2:02 in.
11:00 in.
15:54 in. Joining a cue already in progress.
24:12 in. The first twenty seconds reminds me of a cue from the film to score "Tell Them Willie Boy Is Here!" (Grusin).
30:20 in.
34:45 in.
38:32 in. "Gunsmoke"-like music.
43:12 in. Jazz music. Almost three minutes long.
46:59 in.
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Finishing SEASON 10:
Some loads are slowed down a little bit.
"Olio"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6yc16z
Highlights:
2:03 in.
10:02 in.
14:42 in.
31:10 in.
44:23 in.
"A Death in the Family"
By: Angela Morley
https://www.dailymotion.com/video/x6yc171
Highlights:
0:00 in.
2:03 in.
8:05 in.
9:02 in.
10:43 in.
13:44 in. And the cue after the commercial break.
24:23 in.
33:37 in.
35:18 in.
37:25 in.
45:33 in.
47:26 in.
48:16 in.
Morley's score was nominated for an Emmy. This is the final episode score by any composer to be nominated or win. The other competition that year:
"Knots Landing"
Episode: "Cement the Relationship"
Composer: Joel Rosenbaum
(WINNER)
"The Days and Nights of Molly Dodd"
Episode: "Here's Why You Should Never Wear High Heels to the Bank"
Composer: Patrick Williams
"Jack and Mike"
Episode: "Come Together"
Composer: Nan Schwartz
"Matlock"
Episode: "The Chef"
Composer: Dick DeBenedictis
"Moonlighting"
Episode: "Atomic Shakespeare"
Composer: Alf Clausen
"Revenge of the Nerd"
By: Lance Rubin
https://www.dailymotion.com/video/x6yexvc
Highlights:
2:02 in.
18:10 in.
20:50 in.
22:03 in.
34:11 in.
36:54 in.
39:38 in.
40:28 in.
43:29 in.
47:10 in.
"The Ten Percent Solution"
By: Jerrold Immel
https://www.dailymotion.com/video/x6yexvd
Highlights:
8:19/12:53* in.
17:35 in.
19:47 in.
23:54 in. And the cue after the commercial break.
27:41 in.
36:10 in. Fight music.
37:32 in.
41:00 in.
45:40 in.
* = Right before the cue we briefly see the boom mic and the actor playing J.R. looks at it, and during the cue he looks at it again, apparently making sure he doesn't bump his head into it. Guess there was some epic laziness and the director didn't want to re-shoot it.
"Some Good, Some Bad"
By: John Parker
https://www.dailymotion.com/video/x6yexve
Highlights:
1:56 in.
25:00 in.
34:02 in.
35:40 in.
37:30 in.
40:00 in. Three minutes long.
"War and Peace"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6yhkfn
Highlights:
2:02 in.
18:36 in.
44:37 in.
48:02 in.
"Ruthless People"
By: Angela Morley
https://www.dailymotion.com/video/x6yhkfo
Highlights:
8:51 in.
13:34 in.
21:59 in.
30:51 in.
33:17 in.
35:23 in. Over six minutes long.
44:07 in.
48:14 in.
"The Dark at the End of the Tunnel"
By: Lance Rubin
https://www.dailymotion.com/video/x6yhkfp
Highlights:
1:56 in.
18:12 in.
About 45:25 in. Joining a cue already in progress.
"Two-Fifty"
By: Jerrold Immel
https://www.dailymotion.com/video/x6yk5tr
Highlights:
3:20 in.
16:04 in.
23:24 in.
34:50 in.
Since the last Parker score, the scoring has gotten smaller and more synths are present. I suspect the scoring budget was cut some (though not drastically yet).
Fox Mulder: "If coincidences are coincidences, then why do they feel so contrived?"
Not only does Jerry Hardin appear, but there's also somebody else playing a "Deep Throat" like character.
"Fall of the House of Ewing"
By: John Parker
https://www.dailymotion.com/video/x6yk5tp
Highlights:
13:46 in.
20:18 in.
24:20 in.
30:53 in.
32:30 in.
35:58 in.
38:25 in.
43:40 in.
47:20 in.
While I am off to season eleven now, I'll save what I do today, for tomorrow so I can post the whole season at once.
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SEASON 11:
Catastrophic failure. the power went out when I was only two episodes away from finishing season eleven. :-(
So all I got is what I did yesterday. This will set me back two whole days. :-(
"After the Fall: Ewing Rise"
By: Jerrold Immel
https://www.dailymotion.com/video/x6yk5tq
Highlights:
1:49 in.
11:05 in.
15:00 in.
19:40 in.
22:09 in.
25:14 in.
28:20 in.
30:15 in.
34:10 in.
36:12 in.
42:16 in.
Well, the scoring budget appears to be normal again.
J.R.: "Well, Ralph, 'Never' is a funny word; I never like to use it myself."
"After the Fall: Digger Redux"
By: John Parker
https://www.dailymotion.com/video/x6ynbgr
Highlights:
5:15 in.
8:14 in.
11:20 in.
17:47 in.
21:48 in.
25:17 in.
34:22 in.
36:06 in.
44:36 in.
"The Son Also Rises"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6txf1n
Highlights:
0:00 in.
1:53 in.
4:30 in.
5:55 in.
7:55 in.
13:29 in.
17:50 in.
19:06 in.
25:50 in.
28:16/29:11 in.
30:59 in.
36:22 in. And the cue after the commercial break.
38:35 in.
40:54 in.
45:56 in.
"Gone with the Wind"
By: Lance Rubin
https://www.dailymotion.com/video/x6ynbgt
Highlights:
1:54 in.
11:48 in.
17:10 in.
23:57 in.
27:51 in.
37:05 in.
J.R.: "Well, lookie here, another meetin' of the Losers Club; ha ha, you recruiting new members?"
"The Lady Vanishes"
By: Angela Morley
https://www.dailymotion.com/video/x6u047z
Highlights:
0:00 in.
4:44 in.
7:10 in.
23:33 in.
25:37 in.
About 30:15 in. Joining a cue already in progress.
31:48 in.
35:51 in.
45:19 in.
"Tough Love"
By: Jerrold Immel
https://www.dailymotion.com/video/x6u0480
Highlights:
1:50 in.
6:28 in.
8:35 in. Fight music.
11:55 in.
21:43 in.
22:41 in.
36:40 in.
47:50 in.
Not related to the episode, but it just occurred to me: the producers of "Dynasty" wanted to do a crossover with the show, but "Dynasty" got canned before they had a chance. If that cross over had happened, that would mean the "Dynasty" universe is the same one this show takes place in, so that means there are aliens .
I can imagine the cross over now:
J.R. hits on Fallon, probably beds her like he does every other girl.
Alexis and J.R. team up, but soon we find out one was just using the other and they become bitter enemies trying to destroy one another.
J.R.: "Do onto others before they do unto you."
"Last Tango in Dallas"
By: John Parker
https://www.dailymotion.com/video/x6yrlk9 (regular speed)
Highlights:
1:51 in.
7:40 in.
9:20 in.
14:18 in.
23:28 in.
25:27 in.
31:45 in.
35:37 in.
"Mummy's Revenge"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6zbw6u
Highlights:
13:54 in.
26:16 in.
27:14 in.
36:59 in.
42:55 in. Circus-music-like montage cue. Almost two minutes long.
46:10 in.*
* = I haven't brought it up, but before, but the daughter had a soap opera aging; slight older, slightly older and then boom -- one episode she's a teenager. And I just want to slap the teenage angst out of her. And then keep going. You know, to make sure there's none left in. Still not as bad as Ezra season one "Star Wars: Rebels".
"Hustling"
By: Angela Morley
https://www.dailymotion.com/video/x6zbw6v
Highlights:
1:50 in.
3:58 in.
6:28 in.
8:38 in.
13:56 in. And the cue after the commercial break.
16:37 in.
18:56 in.
20:06 in.
24:59 in.
26:02 in. So much effort for a short opening cue. So much lovely effort.
28:06 in.
30:42 in. With a breif taste of what perhaps Morley would have done with a western film.
33:22 in.
35:44 in.
376:42 in.
39:05 in.
40:45 in.
That's like 99% of the score, so I might as well say the complete score should be released.
Morley's score was nominated for an Emmy. The other competition that year:
"Beauty and the Beast"
Episode: "Pilot"
Composer: Lee Holdridge
(WINNER)
"Beauty and the Beast"
Episode: "To Reign in Hell"
Composer: Don Davis
"The Days and Nights of Molly Dodd"
Episode: "Here's Why You Shouldn't Get Too Attached to Your Cat"
Composer: Patrick Williams
"Moonlighting"
Episode: "Here's Living with You, Kid"
Composer: Alf Clausen
"Bedtime Stories"
By: Lance Rubin
https://www.dailymotion.com/video/x6zehz1
Highlights:
17:16 in.
30:53 in.
33:30 in. And the cue after the commercial break.
39:40 in.
41:21 in.
45:19 in.
"Lovers and Other Liars"
By: Jerrold Immel
https://www.dailymotion.com/video/x6zehz2
Highlights:
17:46 in.
22:35 in.
25:43 in.
32:20 in.
34:05 in.
36:27 in.
38:42 in.
41:07 in.
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SEASON 12:
This is all of season twelve.
"Carousel"
By: Jerrold Immel
https://www.dailymotion.com/video/x6ztoqx
Highlights:
4:30 in.
5:57 in.
About 26:20 in.
On a set of season twelve scoring, I'd likely not include any of these.
I'm surprised J.R. doesn't get shot every season. He certainly goes out of his way to make it so.
"No Greater Love"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6ztoqz
Highlights:
1:50 in.
3:29 in.
10:07 in.
15:17 in.
27:19 in.
36:23 in.
40:47 in.
42:19 in.
What if ... what if ... Alex Cahill from "Walker, Texas Ranger" is really April Stevens from "Dallas". she moved away, changed her name, just to get away from J.R. and took on a new profession? J.R. finds her, Walker round-house kicks him in on the head. The end.
"The Call of the Wild"
By: John Parker
https://www.dailymotion.com/video/x6ztoqy
Highlights:
1:48 in.
14:03 in.
23:22 in.
32:41 in.
39:00 in.
"Out of the Frying Pan"
By: Lance Rubin
https://www.dailymotion.com/video/x6zvksp
Highlights:
34:40 in.
37:03/40:50 in. And the cue after the commercial break. I think this is one of the super rare times I have heard Rubin do dramatic/action-esque music. The brass work reminds me of Dennis McCarthy' work on the Star Trek spin-off series.
44:43 in.
"Road Work"
By: Angela Morley
https://www.dailymotion.com/video/x6zvksq
Highlights:
1:48 in.
2:59 in.
About 12:20 in.
17:57 in.
29:22 in.
Guest-starring Ken Jenkins. It's a shame he didn't make another appearance. He would have been a perfect asshole.
"War and Love and the Whole Damned Thing"
By: John Parker
https://www.dailymotion.com/video/x6zvkso
Highlights:
1:52 in.
15:28 in.
27:57 in.
37:43 in.
"Showdown at the Ewing Corral"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x70aj4e
Highlights:
0:00 in.
1:52 in.
6:10 in.
13:12 in.
18:15 in.
21:01 in.
27:31 in.
38:02 in.
"Deception"
By: Lance Rubin
https://www.dailymotion.com/video/x70aj4g
Highlights:
0:00 in.
5:45 in.
15:20 in.
20:23/23:13 in.
34:50 in: Is that an existing TV show we hear score from?
"Counter Attack"
By: Angela Morley
https://www.dailymotion.com/video/x70aj4f
Highlights:
1:52 in.
12:41 in.
18:20 in.
21:58 in. Joining a cue already in progress.
About 26:38 in.
29:27/32:24/33:20 in.
38:35 in.
44:59 in.
"The Sting"
By: John Parker
https://www.dailymotion.com/video/x70kbe6
Highlights:
1:52 in.
42:44 in.
44:41 in.
"The Two Mrs. Ewings"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x70kbe5
Highlights:
1:48 in.
7:00 in.
14:25 in.
This entire episode is built around insanity. As evil as J.R. is, he's right. This really has been a lackluster season.
J.R.: "Mama should have had her tubes tied right after I was born."
"The Switch"
By: Lance Rubin
No link provided since I didn't cite anything.
Highlights:
Nothing.
Obviously, if I were compiling a set of season twelve scoring, I'd skip this episode score.
"Th-e-ere's Papa!"
By: Angela Morley
https://www.dailymotion.com/video/x70t489
Highlights:
3:54 in.
9:02 in.
13:51 in.
22:10 in.
23:48 in.
42:28 in.
"Comings and Goings"
By: Jerrold Immel
https://www.dailymotion.com/video/x6v2rm3
Highlights:
13:10 in.
20:09 in.
28:04 in.
37:10 in.
41:46 in.
"Country Girl"
By: John Parker
https://www.dailymotion.com/video/x70t48a
Highlights:
1:48 in.
13:12 in.
25:32 in.
42:15 in.
44:13 in.
"Wedding Bell Blues"
By: John Parker
https://www.dailymotion.com/video/x70vxww (minus the opening preview)
Highlights:
1:21 in. Lovely little piece.
13:21 in.
19:45 in.
24:02 in. Joining a cue already in progress. And the cue after the commercial break.
31:26 in.
41:44 in. Joining a cue already in progress for the cool stuff.
43:43 in.
"I want you to pick me up and carry me through the door like the old costume."
J.R.: "Well, now you've been eatin' a lot of wedding cake today; you wouldn't want me to hurt my back, would you?"
"The Way We Were"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x70vxwv
Highlights:
0:00 in.
3:57 in.
7:10 in.
10:55 in.
17:42 in. Lovely laid back stuff.
26:00 in.
36:15 in.
39:57 in.
"The Serpent's Tooth"
By: John Parker
https://www.dailymotion.com/video/x70vxwx
Highlights:
1:48 in. Lovely romantic music. Male says all that is needed is "lush score, with violins" and then violins kick in.
5:40/6:58 in.
16:24 in.
24:07 in.
28:06 in.
33:52 in.
41:40 in.
"Three Hundred"
By: Lance Rubin
https://www.dailymotion.com/video/x714iig
Highlights:
1:48 in.
12:40 in.
43:48 in.
"April Showers"
By: Jerrold Immel
https://www.dailymotion.com/video/x714iih
Highlights:
2:18 in.
17:10 in.
18:46 in.
20:00/21:31 in.
24:52 in. The fancy-pants dining restaurant solo piano source music.
35:27 in. House trashing music.
38:13 in.
40:00 in. Fight music.
About 33:30 in.
"And Away We Go!"
By: Angela Morley
https://www.dailymotion.com/video/x714iii
Highlights:
1:49 in.
12:24 in.
13:55 in.
15:16 in.
17:11/19:50 in.
31:29 in. The country-flavored country bar source cue.
37:55 in. Romantic music with a touch of sorrow, with a solo violin.
39:38 in.
43:09 in.
44:46 in. And the "Next on Dallas" cue immediately following it.
"Yellow Brick Road"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x6vbfmx
Highlights:
1:55 in.
16:30 in.
25:10 in. I could imagine hearing this in an espionage film as somebody sneaks around a city being followed.
30:10 in.
35:22 in.
38:06 in.
About 40:07 in.
45:54 in.
48:16 in.
I think that's all (or nearly all) the score I mentioned, so I might as well say the whole thing should be released.
"The Sound of Money"
By: John Parker
https://www.dailymotion.com/video/x7219a3
Highlights:
About 15:18 in.
18:35 in.
34:49 in.
37:49 in.
About 44:30 in.
"The Great Texas Waltz"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x7219a1
Highlights:
1:50 in. Soft, romantic, lovely. Over three minutes long.
6:45 in.
8:11/9:29 in.
33:02 in.
38:30 in.
42:48 in.
44:23 in.
"Think of a man who would set your teddy bear on fire just to watch you cry." (speaking of J.R.)
"Mission to Moscow"
By: Lance Rubin
https://www.dailymotion.com/video/x7245te
Highlights:
5:10 in.
25:33 in.
38:32 in.
"Reel Life"
By: John Parker
https://www.dailymotion.com/video/x7245tg
Highlights:
1:48 in.
27:44 in.
35:38 in.
45:20 in.
Looks like I'll probably finish the series Monday or Tuesday. Then move on to maybe the last show I'll do this year, a 1970's TV series with -- if you've seen my TV show threads -- names you'll know.
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SEASON 13:
This is all of season thirteen.
"Phantom of the Oil Rig"
By: John Parker
https://www.dailymotion.com/video/x7245tf
Highlights:
0:00 in. Especially the last ten seconds.
6:37 in.
9:39 in.
11:27 in. Begins quietly, but goes into some spirited high string work.
18:13 in.
32:52 in.
42:28 in.
45:48 in.
"The Leopard's Spots"
By: John Parker
https://www.dailymotion.com/video/x7266mr (minus the opening preview)
Highlights:
45:00 in. I probably wouldn't even include this cue on a set of season thirteen scoring.
"Cry Me a River of Oil"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x7266mu
Highlights:
18:30 in. The dining restaurant source music.
23:20 in.
45:57 in. The "Next in Dallas" preview music.
"Ka-Booooom!"
By: Lance Rubin
https://www.dailymotion.com/video/x7266ms
Highlights:
16:37 in.
23:15 in.
28:03/28:54 in.
45:02 in.
"Sunrise, Sunset"
By: Angela Morley
No link provided since I didn't cite anything.
Highlights:
Nothing,
Obviously, if I were compiling a set of season thirteen scoring, I'd skip this episode score.
"Pride and Prejudice"
By: Jerrold Immel
https://www.dailymotion.com/video/x72b3is
Highlights:
16:29 in. And the cue after the commercial break.
42:50 in. Joining a cue already in progress for the laid back country stuff.
45:00 in.
"Fathers and Other Strangers"
By: John Parker
https://www.dailymotion.com/video/x72b3iu
Highlights:
15:55 in.
24:30 in.
45:47 in.
"Black Tide"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x72f1ju
Highlights:
45:57 in.
"Daddy Dearest"
By: Lance Rubin
https://www.dailymotion.com/video/x6vpdjr (load is slowed down more than usual)
Highlights:
2:47 in.
45:03 in.
If I were compiling a set of season thirteen scoring, I'd skip this episode score.
"Hell's Fury"
By: Angela Morley
https://www.dailymotion.com/video/x72f1jw
Highlights:
0:00 in.
2:37 in.
13:08 in.
33:33 in.
42:38 in.
"Cally on a Hot Tin Roof"
By: Jerrold Immel
https://www.dailymotion.com/video/x72opm8
Highlights:
0:00 in.
13:09 in.
17:06 in.
21:21 in.
27:34 in.
30:21 in.
34:30 in.
42:35 in.
About 44:35 in.
"Sex, Lies and Videotape"
By: John Parker
https://www.dailymotion.com/video/x72opma
Highlights:
4:42 in.
9:34/11:15 in.
45:32 in.
For the guys here: 39:00 in. You're welcome.
"A Tale of Two Cities"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x72opm9
Highlights:
2:35 in.
20:13 in.
29:29 in.
38:09 in.
"Judgment Day"
By: Lance Rubin
https://www.dailymotion.com/video/x72yihw
Highlights:
0:00 in.
2:37 in.
15:05 in.
16:29 in.
20:50 in.
24:24 in.
28:04 in.
38:12 in.
43:55 in.
"Unchain My Heart"
By: Angela Morley
https://www.dailymotion.com/video/x72yihx
Highlights:
6:23 in.
8:10 in.
11:34 in.
13:23 in.
16:08/16:57 in.
34:05 in.
38:34 in.
42:42 in.
44:57 in.
J.R.: "Never tell the truth when a good lie will do."
"I Dream of Jeannie"
By: Jerrold Immel
https://www.dailymotion.com/video/x72yihv
Highlights:
0:00 in.
2:42 in.
13:18 in.
16:15 in.
19:55 in.
31:40 in.
38:25/38:52 in.
43:00/45:39 in.
"After Midnight"
By: John Parker
https://www.dailymotion.com/video/x7313qv
Highlights:
0:00 in.
2:42 in.
12:44 in.
22:43 in.
23:52 in.
40:23 in.
About 44:30 in. And the "Next on Dallas" music that immediately follows.
(20:48)
"The Crucible"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x7313qx
Highlights:
23:33 in.
26:03 in.
28:30 in.
"Dear Hearts and Gentle People"
By: Lance Rubin
https://www.dailymotion.com/video/x7313qw
Highlights:
25:16 in.
31:38 in.
32:41 in.
34:23 in.
46:45 in.
"Paradise Lost"
By: Angela Morley
https://www.dailymotion.com/video/x734w21
Highlights:
2:42 in.
16:55 in.
30:20 in.
33:22 in.
43:00 in.
"Will Power"
By: Jerrold Immel
https://www.dailymotion.com/video/x734w20
Highlights:
21:16 in.
30:35 in.
33:55 in.
41:24/44:30 in.
46:25 in.
"The Smiling Cobra"
By: John Parker
https://www.dailymotion.com/video/x734w22
Highlights:
2:41 in.
12:44 in. The exercise source music.
36:16/38:09 in.
41:14 in.
42:21 in.
43:41 in.
"Jessica Redux"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x73akl0
Highlights:
20:04 in.
21:10 in.
24:58 in.
About 29:50 in.
38:56 in.
44:58 in. Joining a cue already in progress.
"Family Plot"
By: Lance Rubin
https://www.dailymotion.com/video/x73akl2
Highlights:
14:17 in. Sad/mournful funeral music.
27:10 in.
29:48 in.
42:23 in.
45:05 in.
"The Southfork Wedding Jinx"
By: Angela Morley
https://www.dailymotion.com/video/x73akl1
Highlights:
3:10 in.
13:52 in.
28:59 in.
42:08 in. There's that theme Morley has used in a number of episodes she did. I cant'
recall if she originated it.
44:30 in. And the "Next on Dallas" music that immediately follows.
"Three, Three, Three: Part 1"
By: John Parker
https://www.dailymotion.com/video/x73gbki
Highlights:
21:11 in.
24:24 in.
34:43 in.
44:29 in.
(20:02)
"Three, Three, Three: Part 2"
By: John Parker
https://www.dailymotion.com/video/x73gbkj
Highlights:
2:56 in.
23:40 in.
31:29 in.
41:35 in.
45:06 in.
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SEASON 14:
"April in Paris"
By: John Parker
https://www.dailymotion.com/video/x73gbkk
Highlights:
2:33 in.
15:57 in.
36:45 in.
43:00 in.
44:14 in.
It's refreshing to see J.R. get what he deserves for once in thirteen seasons.
"Charade"
By: Jerrold Immel
https://www.dailymotion.com/video/x73uach
Highlights:
0:00 in.
2:35 in. It would have been really nice had this cue gone on for like four or five minutes.
7:12 in.
8:24 in.
11:47 in.
13:33 in.
19:36 in. Joining a cue already in progress.
24:52 in.
26:27 in.
32:13 in.
36:07 in.
38:13 in.
39:48 in.
42:14 in.
I don't know if the orchestra budget was bigger or if Immel simply wrote "bigger" for this overseas episode.
I can't imagine skipping any cue I cited.
"One Last Kiss"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x73uaci
Highlights:
0:00 in.
2:33 in.
3:05 in.
11:30 in. Fast-paced detache strings and brass playing over them opens this cue. And the cue after the commercial break.
17:08 in.
19:42 in.
23:00 in. And the cue after the commercial break.
26:40 in. Over four minutes long.*
32:57 in.
37:05 in.
46:07 in.
Same as the above Immel score comments.
I can't imagine skipping any cue I cited.
* = CinemaSins voice: "Nobody sees or hears this."
"Terminus"
By: John Parker
https://www.dailymotion.com/video/x73uack
Highlights:
2:32 in.
4:40 in.
6:30 in.
12:48 in. Joining a cue already in progress.
15:14/18:10 in.
23:40 in. And the cue after the commercial break.
25:50 in.
31:18 in.
34:12 in.
38:42 in.
41:53 in.
"Tunnel of Love"
By: Lance Rubin
https://www.dailymotion.com/video/x73x6tl
Highlights:
2:32 in.
4:19 in.
6:40 in.
10:29 in.
11:40 in.
13:13 in.
18:48 in.
21:42 in.
34:04 in. And the cue after the commercial break.
46:18 in.
"Heart and Soul"
By: Jerrold Immel
https://www.dailymotion.com/video/x73x6tk
Highlights:
5:00 in.
10:28 in.
18:10 in.
24:57 in.
37:38 in.
41:24 in.
44:21 in.
"The Fabulous Ewing Boys"
By: John Parker
https://www.dailymotion.com/video/x73x6tm
Highlights:
2:32 in.
12:09 in.
17:35 in.
24:39/26:28 in (and the cue after the commercial break). Joining a cue already in progress (first one).
28:20 in.
37:28 in.
About 41:40 in.
43:21 in.
45:26 in.
Buck Taylor's fake mustache is fake.
"The Odessa File"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x74b2f1
Highlights:
0:00 in.
3:04 in.
7:45 in.
18:22 in.
20:55 in.
26:35 in.
42:01 in.
43:55 in.
"Sail On"
By: Lance Rubin
https://www.dailymotion.com/video/x74b2ez
Highlights:
2:34 in.
7:10 in.
9:45/12:35 in.
13:51 in.
18:56 in.
31:40 in.
32:32 in.
33:43 in. And the party source music that immediately follows it (actually, blends into the trail end).
41:43 in.
44:08 in.
45:44 in.
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Finishing SEASON 14:
"Lock, Stock and Jock"
By: John Parker
https://www.dailymotion.com/video/x74b2f0
Highlights:
2:32 in.
15:05 in.
30:48 in.
37:13 in.
40:57 in.
45:35 in.
J.R.: "You got no morals, you got no scruples. you might be worth of me yet."
" "S" is for Seduction"
By: Jerrold Immel
https://www.dailymotion.com/video/x74d575
Highlights:
0:00 in.
4:55 in.
10:41 in.
12:10 in.
23:24 in.
25:50 in.
39:40 in.
41:47/43:12 in.
46:31 in.
"Designing Women"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x74d577
Highlights:
10:10 in.
12:20 in.
14:06 in.
20:45 in.
23:29 in. The first source music.
28:48 in.
31:35 in. Boy that's a lot of musical inspiration for such boring goings-on.
33:13 in.
24:28 in.
36:17/39:14 in.
45:12 in. And the "Next on Dallas" cue that immediately follows it.
"90265"
By: John Parker
https://www.dailymotion.com/video/x74d576
Highlights:
2:32 in.
5:08 in.
13:59 in.
17:03 in.
22:10 in. Joining a cue already in progress.
27:28 in.
42:11 in.
46:23 in.
For the guys here: 18:04 in. You're welcome.
"Smooth Operator"
By: Lance Rubin
https://www.dailymotion.com/video/x6wf0jg (load is slowed down a little)
Highlights:
18:07 in.
About 29:40 in.
43:21 in.
44:56 in.
"Win Some, Lose Some"
By: Jerrold Immel
https://www.dailymotion.com/video/x6wkpsh (load is slowed down a little)
Highlights:
2:41/3:57 in.
3:53 in.
7:23 in.
12:21 in.
23:29 in.
25:52 in.
27:11 in.
29:59 in.
35:20 in.
About 38:10 in.
40:21 in.
43:35 in.
47:44 in.
Man, Bobby's hunt has turned into one big "Who gives a fuck???".
"Fathers and Sons and Fathers and Sons"
By: John Parker
https://www.dailymotion.com/video/x6wkpsg (load is slowed down a little)
Highlights:
11:38 in.
13:55 in.
26:48 in.
29:52 in.
31:35 in.
35:46 in. And the cue after the commercial break.
46:14 in.
J.R.: "Contracts are made to be broken, honey, but handshakes is the law of God."
"When the Wind Blows"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x74jztu (regular speed)
Highlights:
0:00 in.
6:48 in.
15:09 in.
29:30 in.
31:19 in.
34:55 in. And the opening is a "For the guys here".
36:00 in.
42:49 in.
45:37 in. And the "Next on Dallas" cue that immediately follows it.
"Those Darned Ewings"
By: Lance Rubin
https://www.dailymotion.com/video/x74nw3h
This is Rubin's final effort for the series.
Highlights:
7:37 in.
13:20 in.
21:01 in.
32:00 in.
35:18 in.
3720 in.
41:19 in.
44:23 in.
Geez, what are we up to now? Four or five J.R. kids? It's getting old!
So, is that how future season would go? J.R. loses the company, fights to get it back. J.R. has another son. J.R. gets shot another time.
"Farewell, My Lovely"
By: John Parker
https://www.dailymotion.com/video/x74nw3j (regular speed)
Highlights:
2:32 in.
6:40 in.
10:28 in.
28:04 in.
30:50 in.
34:30 in. And the cue after the commercial break.
44:25 in.
The joke from one of Marge's sisters on "The Simpsons" about having so many last names (because of marriage), surely must come from "Dallas" and "Dynasty".
J.R.: "This story is a two-drink minimum."
"Some Leave, Some Get Carried Out"
By: Jerrold Immel
https://www.dailymotion.com/video/x74nw3i
This is Immel's final effort for the series.
Highlights:
0:00 in.
2:33 in.
8:25 in.
11:34 in.
14:51 in.
22:14 in.
24:01 in.
30:36 in.
44:09 in. And the "Next on Dallas" cue immediately follows it.
"The Decline and Fall of the Ewing Empire"
By: Richard Lewis Warren
https://www.dailymotion.com/video/x74q77k
This is Warren's final effort for the series.
Highlights:
2:39 in.
6:47 in.
9:14 in. Joining a cue already in progress.
12:20 in.
14:26 in. Lovely soft kind of old-school cue.
37:31 in.
39:13 in.
41:46 in.
44:46 in. And the "Next on Dallas" cue immediately follows it.
This is the last episode with Victoria Principal, who according to IMDb trivia, refused to start in the last episodes unless the show was coming back for another season. Oddly enough , she would voice the same character later on in an episode of "Family Guy" (1999).
Reading the Trivia page on IMDb, in real life Hagman had become an alcoholic, but they tolerated it because reported it never affected his acting and ability to work with the other actors. They simply wrote it into the show and I suspect, like the actor who played Murdock on "The A-Team" who in real life smoked cigars and supplied his own stock to smoke on the series, Hagman was probably supplying real alcohol to drink on camera.
"Conundrum: Part 1" (series finale)
By: John Parker
https://www.dailymotion.com/video/x74q77l
Highlights:
2:32 in.
8:59 in.
10:46 in.
12:32 in.
16:44 in.
22:39 in.
28:21 in.
47:57 in.
49:21 in.
53:48 in.
"Conundrum: Part 2"
By: John Parker
https://www.dailymotion.com/video/x6wnsq2
Re-runs break it up into two parts, but it aired as one TV movie length finale and while the this Dailymotion channel covered just over half of it, it doesn't have the other half, so this load is from another channel. So that means the quality is different and the start time, where "Part 1" left off, will not be at the beginning of this video.
Highlights:
3:05 in.
6:31 in.
10:13 in.
18:20 in.
27:19 in.
33:54 in.
36:58 in.
32:25 in: Isn't that handy? The guard held the door open for the invisible people!
And that's it for the original run of the series. Tuesday I cover the three TV specials (one a prequel) and I'll talk a little about the return of the series in 2012.
While I know many of the thread clicks were undoubtedly fans of the show coming back to hear scoring, I hope I caught the ears of new listeners, as always.
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