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Surely this discussion begins and ends with the recognition that probably only 2% of the people here own a record player. If that's the case, it's hardly surprising that there is no great enthusiasm to pay for LPs that can't be played. Apparently, everybody gave up their turntables in the late 80's/early 90's and never looked back. I actually have two turntables, but much prefer to have a CD of the music I listen to as they’re much easier to take care of than vinyls, to say nothing of the better sound quality.
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For the price of the double LP only, Stylotone offers great bonuses. I would like the film music labels to do the same, and offer a 24-bit download with their CDs. I hope that Stylotone example will be followed. For about the 9,000th time, film music labels don't get download rights. Is there something you're not understanding about that? IF Stylotone is actually negotiating download rights, then perhaps that is why they need to charge this much money - IF.
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Say what you will about Stylotone's business model. But the deluxe edition of Khartoum and the deluxe yellow vinyl edition of Twisted Nerve sold out. I can say this about the sellout - you can still get it from Amazon UK easily. So, not really. And Khartoum is even easier to get.
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