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 Posted:   Aug 20, 2018 - 11:07 AM   
 By:   moolik   (Member)

Kubricks 2001...milestone movie...music .why?
Snowwhite ...interessting choice...maybe for being the first animated feature music with songs.
KOYYAN( forgot the rest )...good movie..nice music ..why ?

 
 
 Posted:   Aug 20, 2018 - 12:16 PM   
 By:   nerfTractor   (Member)

I think Goldfinger was the most influential score of the mid-to-late sixties, especially when you consider the dozens and dozens of spy movies that featured in varying degree that edgy blend of orchestral pop/jazz.

Good call. The Barry Bond scores inspired many imitators and Goldfinger really is a cultural milestone, from the score to the iconic title song thematically integrated throughout the piece.

I think Barry created at least one more broad movement with his score for Somewhere in Time, continued by him in Out of Africa and Dances with Wolves, and creating a place in the soundtrack culture for lush, broadly monothematic scores (even though he was often generous with secondary themes). Goldsmith himself was an admirer of Barry’s ability to create a theme sturdy enough to just play without a lot of embellishment, and I can hear Jerry emulating this quality in many of his later scores.

 
 
 Posted:   Aug 20, 2018 - 2:20 PM   
 By:   villagardens553   (Member)

Yes, when Barry re-invented himself with Somewhere in Time, etc. he started another influential trend. So he accomplished that twice, and for two completely types of films and musical styles. If he could have pulled that off another time or two, we'd have to refer to him as the Miles Davis of film music.

 
 
 Posted:   Aug 20, 2018 - 2:23 PM   
 By:   ROBERT Z   (Member)

Kubricks 2001...milestone movie...music .why?
Snowwhite ...interessting choice...maybe for being the first animated feature music with songs.
KOYYAN( forgot the rest )...good movie..nice music ..why ?


Snowwhite ...interessting choice...maybe for being the first LONG animated feature music with songs.

2001: the first sf movie that does not use original music but a collection of pieces from the classical and contemporary repertoire that give it its particular and unequaled atmosphere.




 
 
 Posted:   Aug 20, 2018 - 2:42 PM   
 By:   John McMasters   (Member)

Just my thoughts on some scores, not all of course:

Alex North: “A Streetcar Named Desire” – groundbreaking use of jazz – hugely influential and important

Max Steiner: “King Kong” – influential and important for bringing background scoring to the attention of critics and a general audience

Bernard Herrmann: “Citizen Kane” – influential and important for bringing a lithe, modernistic but American, palate into scoring – also for using shorter musical modules instead of long melodic lines

Miklos Rozsa: “Ben Hur” – influential and important for creating a sound and an epic scope in its score that defined for a generation what “epic music” should be.

Erich Wolfgang Korngold: the Flynn films – for creating hugely popular adventure music that defined what “action film” music should be

Miklos Rozsa: the noir scores – influential and important for creating a sound forever linked with dark gangsterish films – and for popularizing the use of electronic tonalities in popular scoring.

John Williams: “Star Wars” for resuscitating the Korngold/Golden Era aesthetics of adventure scoring for a new generation.

John Barry: “Dr. No” – for blending in a sublime way the emerging pop/rock/British musical landscape within the spy film genre.

Ennio Morricone: “A Fistful of Dollars” – for creating a new musical landscape for the western genre.

David Shire: “The Conversation” -- for influencing countless independent films to go for a simpler, lean sound to express psychology and mood.

Easy Rider: even more than “2001: A Space Odyssey”, “Easy Rider” still influences modern films with its panoply of pop music integrated into narrative.

I’ll rest.

 
 Posted:   Aug 20, 2018 - 2:44 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Like it or not, Gladiator in 2000 and then a decade later Inception.

MV


Gladiator yes.
But how is ?INCEPTION influential



In one word: BRAAAAAAHHHMMM


Didnt GAME OF THRONES use it first?


What is the piece of music that uses "brammmm" and snare drums played for "The11th Hour"
newscast on MSNBC?

 
 Posted:   Aug 20, 2018 - 8:19 PM   
 By:   Kylo Ren   (Member)

Like it or not, Gladiator in 2000 and then a decade later Inception.

MV


Forget like.... try love.

Both scores are cinematic classics and rightly so changed the soundscape of cinema.

 
 Posted:   Aug 20, 2018 - 10:53 PM   
 By:   'Lenny Bruce' Marshall   (Member)

Yes, when Barry re-invented himself with Somewhere in Time, etc. he started another influential trend. ....

No influence on anyone but himself.
Sadly.

 
 Posted:   Aug 21, 2018 - 12:57 AM   
 By:   EdG   (Member)

No CHINATOWN? C'mon that score redefined the "sound" of film noir.

 
 Posted:   Aug 21, 2018 - 1:43 AM   
 By:   johnbijl   (Member)

What is the piece of music that uses "brammmm" and snare drums played for "The11th Hour"
newscast on MSNBC?


Composed by Matt Haick. The track is called 'None More Black' and is from stock.

 
 Posted:   Aug 22, 2018 - 4:04 AM   
 By:   Olivier_Lille   (Member)

No 'American Beauty' ?

 
 
 Posted:   Aug 22, 2018 - 5:31 AM   
 By:   OnyaBirri   (Member)

DANGER: DIABOLIK!
DANGER: DIABOLIK!
DANGER: DIABOLIK!
DANGER: DIABOLIK!
DANGER: DIABOLIK!

 
 
 Posted:   Aug 22, 2018 - 5:51 AM   
 By:   Tall Guy   (Member)

big grin

I love a running joke.

(Unless it’s Usain Bolt trying to play football)

 
 
 Posted:   Aug 22, 2018 - 6:18 AM   
 By:   OnyaBirri   (Member)

big grin

I love a running joke.

(Unless it’s Usain Bolt trying to play football)


Not a joke. It is the text equivalent of the open-stringed guitar BBBRRRRAAAANNNNGGG that suddenly pops up at various points throughout the film!

 
 
 Posted:   Aug 22, 2018 - 6:56 AM   
 By:   Tall Guy   (Member)

Given your devotion, were you aware that Diabolik turns up in another Morricone-scored film in the early 70s?

 
 
 Posted:   Aug 22, 2018 - 7:00 AM   
 By:   OnyaBirri   (Member)

Given your devotion, were you aware that Diabolik turns up in another Morricone-scored film in the early 70s?

I think I've heard it in two other scores, but I can't remember which right now. I have so much Morricone from that period that much of it seems to blur together, unless the film made a strong visual impression.

 
 
 Posted:   Aug 22, 2018 - 7:18 AM   
 By:   Tall Guy   (Member)

Given your devotion, were you aware that Diabolik turns up in another Morricone-scored film in the early 70s?

I think I've heard it in two other scores, but I can't remember which right now. I have so much Morricone from that period that much of it seems to blur together, unless the film made a strong visual impression.



I meant the character smile

Mea culpa!

 
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