That might be tricky, as the Walker score replaced some of the Warbeck score, I think, due to reshoots, timings and whatnot. But if anyone knows, I reckon Wedge does.
Just received my copy in the UK! Can’t wait to give it a spin. Does anyone have any idea of track/film order when the 2 discs are put together?
In the booklet there is a breakdown of the contents of each disc that will show you which Walker cues were rescores of which Warbeck cues. Most tracks, however, are not one-to-one interchangeable between discs. Don't let that stop you from mixing-and-matching, if that's your pleasure ... it just won't usually be a clean swap of Walker and Warbeck slates. As far as "film order" goes, the booklet does indicate which cues appear in the final cut of the film. But there was so much tracking and cutting and moving things around that it would be a real editorial chop job to put together a "film version" that combines both scores as used, and it wouldn't have served the music particularly well as a stand-alone listening experience.
Here is list with some editing for significant scenes:
S1 - Mystery Men Opening (1:12) S2 - Red Eyes Attack (2:42) S3 - Captain Amazing (:41) W3 - The Battles We Used to Have (1:58) W4 - Inside the Asylum (2:12) W5 - Arrival of Disco Boys (:43) W6 - Anabel and the Explosion (2:55) W7 - Furious and Sally (:00-:41.8) [Rename to "Casanova at Home"] S5 - Casanova's Snare (1:02) [Rename to "Casanova's Snare / Furious and Sally"] S6 - Psychofrakulator (2:15) W7 - Furious and Sally (1:03.5-End) [Rename to "Fight at the House"] S7 - The Invisible Boy's Dream (:00-:15.9) [Rename to "Monica and Roy in Diner"] W9 - Spleen (2:03) W10 - Car Chase (:00-1:14.7) S8 - Car Fight (3:01) W11 - Sphinx Master Class (1:58) W12 - Heller (:20.45-End) S9 - Shoveler's Encouragement (:00-:21.43) [Rename to "Monica and Roy"] W14 - Frakulated (1:12-End) [Rename to "Casanova's Scheme and the Skunk / Frakulated"] W15 - Casanova Has a Setback (:00-1:24.59) W22 - Victory (:00-1:25.7) [Combine]* W22 - Victory (2:04-2:19) [Combine]* W22 - Victory (2:28-End) [Combine]* S9 - Shoveler's Encouragement (2:12.76-End) [Overlap above cue at 2:35.6 and retain the name "Shoveler's Encouragement”]* W16 - Roy (:00-2:51) S11 - Blind Date with Destiny (4:07) S12 - The Laser (2:11) W17 - Casanova's Battle Plan (2:05) S13 - Spleen's Battle (1:08) W20 - Casanova's Last Stand (4:56) W21 - Escape from the Mansion (2:30) W22 - Victory (2:43)
W = Warbeck = S = Shirley Walker
The list does not include all the hacked up music, but the most significantly used cues unedited.
Thanks so much for attempting this. I realise it’s a bit of a challenge!
Here is list with some editing for significant scenes:
S1 - Mystery Men Opening (1:12) S2 - Red Eyes Attack (2:42) S3 - Captain Amazing (:41) W3 - The Battles We Used to Have (1:58) W4 - Inside the Asylum (2:12) W5 - Arrival of Disco Boys (:43) W6 - Anabel and the Explosion (2:55) W7 - Furious and Sally (:00-:41.8) [Rename to "Casanova at Home"] S5 - Casanova's Snare (1:02) [Rename to "Casanova's Snare / Furious and Sally"] S6 - Psychofrakulator (2:15) W7 - Furious and Sally (1:03.5-End) [Rename to "Fight at the House"] S7 - The Invisible Boy's Dream (:00-:15.9) [Rename to "Monica and Roy in Diner"] W9 - Spleen (2:03) W10 - Car Chase (:00-1:14.7) S8 - Car Fight (3:01) W11 - Sphinx Master Class (1:58) W12 - Heller (:20.45-End) S9 - Shoveler's Encouragement (:00-:21.43) [Rename to "Monica and Roy"] W14 - Frakulated (1:12-End) [Rename to "Casanova's Scheme and the Skunk / Frakulated"] W15 - Casanova Has a Setback (:00-1:24.59) W22 - Victory (:00-1:25.7) [Combine]* W22 - Victory (2:04-2:19) [Combine]* W22 - Victory (2:28-End) [Combine]* S9 - Shoveler's Encouragement (2:12.76-End) [Overlap above cue at 2:35.6 and retain the name "Shoveler's Encouragement”]* W16 - Roy (:00-2:51) S11 - Blind Date with Destiny (4:07) S12 - The Laser (2:11) W17 - Casanova's Battle Plan (2:05) S13 - Spleen's Battle (1:08) W20 - Casanova's Last Stand (4:56) W21 - Escape from the Mansion (2:30) W22 - Victory (2:43)
W = Warbeck = S = Shirley Walker
The list does not include all the hacked up music, but the most significantly used cues unedited.
The Warbeck score is so fresh and fun. It's great to hear a fantasy adventure score from someone who never really got to dabble in that field much. You can hear how much fun he must have had writing it when you listen to it (he even says in the notes how he'd normally get arrested for writing such OTT music). And the Shirley Walker disc is just icing on the cake. This is one of my most favourite releases in ages.
