 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A 1972 TV series.
As I recall reading, many episodes are lost, but all these appear to be recorded off TV, so I assume these seasons exist or have since been found.
Only seasons three and four are up.
SEASON 3:
If I don't mention an episode, that means no composer was credited.
This is not the entire season -- too many episode scores to do in one day.
"An Ugly Way to Die"
By: Laurence Rosenthal
https://www.youtube.com/watch?v=c3VpWQsYqmI
Score suite: https://youtube.com/watch?v=SLai-YsMdW8/edit
This is Rosenthal's final effort for the show.
Highlights:
2:36 in.
13:56 in.
17:29 in.
19:53 in.
34:00 in. Chase music, with opening tense material.
41:15 in.
44:42 in.
On a set of season three scoring, I'd probably just take the last three cues only.
"Key Witness"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=r6CIIjdxxDQ
Score suite: https://www.youtube.com/watch?v=SGol7GsDwnw
Highlights:
1:06 in.
3:34 in.
8:43 in.
11:46 in.
21:23 in.
24:00 in.
27:43 in.
32:25 in.
35:11 in.
38:43 in.
39:55 in.
42:48 in. Joining a cue already in progress.
"Legacy of Death"
By: Robert Drasnin
https://www.youtube.com/watch?v=L0EZHiD31YU
Score suite: https://www.youtube.com/watch?v=9ji3UuBsfcQ
Highlights:
1:05 in.
6:31 in.
7:16 in.
9:59 in.
12:45 in.
18:17 in.
26:33 in.
28:44 in.
31:04 in.
31:48 in.
33:03 in.
34:02 in.
38:31 in.
39:41 in.
41:38 in.
Out-of-context quote...
"Good, I like eager beavers."
"Death at 6 A.M."
By: Murray MacLeod (as "The Orphanage")
https://www.youtube.com/watch?v=vofqXEFAZe8
Score suite: https://youtube.com/watch?v=Jy-0ClIrxU8/edit
This is presumably -- as the IMDb composer credits for the show are not full and I had to add a number myself -- MacLeod's only solo effort.
Highlights:
1:51 in.
3:37 in. Some country flavor.
7:20 in.
9:51 in.
12:18 in.
23:09 in.
32:51 in.
35:40 in. Twangy country flavor.
39:15 in.
40:35 in.
42:01 in.
44:12 in.
"Walk a Tightrope"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=Wy-j93oJydQ
Score suite:
Highlights:
1:05 in.
1:34 in.
3:02 in.
5:11 in.
11:38 in.
13:29 in. Funky.
15:34/18:33 in.
23:00 in.
25:16 in.
26:38 in.
31:27 in.
32:40 in. Gonna be sweet to have this cue without SFX one day.
34:28 in.
38:31 in.
40:05 in. Light funky beat.
41:30 in.
43:27 in. And the cue after the commercial break, which just naturally goes with the proceeding cue.
29:39 in: What's the name/composer of that classical music? I'm assuming it's not original scoring.
"Judgment"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=zJKPS1D7sTA
Score suite: https://youtube.com/watch?v=no1lfkU7lcc/edit
Highlights:
1:08 in.
3:45 in.
7:40 in.
9:39 in.
18:26 in.
20:05 in.
25:42 in.
28:52 in.
34:24 in.
35:02 in.
36:42 in.
37:32 in.
40:52 in.
42:06/42:58 in.
"Johnny Lost His Gun"
By: J.J. Johnson
https://www.youtube.com/watch?v=sqts-vQgJuY
Score suite: https://www.youtube.com/watch?v=ih9cJvTD_mk
This is presumably Johnson's only effort for the show.
Highlights:
1:07 in.
3:59 in. Funky and cool.
9:24 in.
10:52 in. And the cue after the commercial break.
11:54 in. Funky.
17:37 in.
22:15 in. And the cue after the commercial break.
25:17 in.
27:03 in.
29:03 in.
31:02 in.
32:40 in. About thirty seconds in it gets funky, for those who are impatient.
35:04 in.
37:01 in. And the cue after the commercial break. Low key moody stuff.
39:45 in.
40:25 in.
43:59 in.
44:52/46:37 in. And the cue after the commercial break (second cue).
"Prelude to Vengeance"
By: Robert Drasnin
https://ok.ru/video/7206787615373
Score suite:
Highlights:
1:08 in.
2:10 in.
4:39/7:12 in.
12:07 in.
18:29 in.
22:49 in.
24:59 in. Opening with a solo trumpet, followed by some low cello bass and a wooden block, then some short low-key stuff.
26:46 in. And the cue after the commercial break.
29:34 in.
31:59 in.
34:28 in.
35:45 in. Light funky stuff. And the cue after the commercial break.
38:47/40:21 in. 42:01 in for those impatient.
44:38 in.
46:26 in. Light funky moderate "chase" music.
48:31 in.
50:12 in.
"The Assassin"
By: John Parker
https://www.youtube.com/watch?v=SikftOlTkuo
Score suite: https://www.youtube.com/watch?v=bVBS6JD1qm0
This is presumably Parker's only effort for the show.
Highlights:
5:40 in.
8:19 in. Including some cool car chase music. And the cue after the commercial break.
16:07 in.
18:26 in.
19:55 in. That three-note repeating trumpet chords are right out of his score to the film "Witches Brew".
20:37 in. Including cool. Am I hearing a waterphone or rubrods?
23:28 in.
About 26:00 in. Including cool.
30:31 in.
31:31 in. Solo, ever so off, piano cue.
33:51 in.
35:19 in.
38:09 in. Short cool bit. And the cue after the commercial break.
39:38 in.
42:36 in. And the cue after the commercial break.
45:09 in.
Out-of-context quote...
"In your coffee, nut."
|
|
|
|
|
|
|
Finishing SEASON 3:
"Blue Christmas"
By: Pete Rugolo
https://www.youtube.com/watch?v=YQyE_Pes_t4
Score suite: https://www.youtube.com/watch?v=RKR9g4UuWxs
This is presumably Rugolo's final effort for the series. I don't know if anybody is credited for the season four opener (no load), so I can't say for sure. EDIT: Found the season four opener -- no composer credited, but I still have the two-parter left to solve.
Highlights:
1:05 in. Warm Christmas fuzzies with a Christmas classic.
4:28 in.
7:22 in.
About 11:30 in.
15:58 in. Another Christmas classic.
22:19 in.
27:20/28:47 in. Oh, gives you the sads. Nicely written/acted. And the cue after the commercial break (second cue).
32:08 in.
33:41 in.
39:51 in.
42:28 in.
44:22 in.
"The Saturday Night Special"
By: Mark Snow
https://www.youtube.com/watch?v=0Q2BpD5P0F4 (most of the opening credits is cut out)
Score suite:
Highlights:
0:21 in.
3:11 in.
6:07 in.
7:50 in.
9:05 in.
13:35 in.
17:44 in.
19:21 in.
20:17 in.
22:18 in.
26:44 in. Including some funky stuff.
27:20 in.
29:35 in.
32:52 in.
34:51 in.
39:01 in.
39:38 in.
41:45 in. And the cue after the commercial break.
"Don't be upset with the coffee machine; it's only six o'clock and it's not awake yet."
"The Hunting Ground"
By: James Prigmore & Murray McLeod
https://www.youtube.com/watch?v=noLjmFisFjA
Score suite:
This is presumably the only effort by the two for the series.
Highlights:
1:05 in.
10:12 in.
24:25 in.
31:39 in.
34:19 in.
37:57 in. Gets cut off by the commercial break, so we don't hear the full twisted cue. And the cue after the commercial break.
39:24 in.
41:07 in.
44:41 in.
Guest-starring The Shat.
"Angel"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=VMkaL3TB59Y
Score suite: https://www.youtube.com/watch?v=50NVkMlbFTI
Highlights:
1:05 in.
8:18 in.
11:38 in.
13:03 in.
15:51 in.
18:43 in.
23:29 in.
26:25 in.
28:00 in.
32:46 in. 33:48 in for those who are impatient.
35:22 in.
41:29 in.
44:02 in.
NO LOADS FOUND.
"S.W.A.T. (Part 1)"
By: ?????
Score suite:
"S.W.A.T. (Part 2)"
By: ?????
Score suite:
This two-parter spawned the spin-off series "S.W.A.T.". (not enough episodes up for me to cover the series).
"Cliffy"
By: Mark Snow
https://www.youtube.com/watch?v=ZxM7VngFt_E
Score suite: https://www.youtube.com/watch?v=Q_mnyNHeKR0
Highlights:
1:05 in.
2:20 in.
4:25 in.
5:40 in.
8:40 in.
9:42 in.
16:27 in.
20:39 in.
22:52 in.
24:21 in. And the cue after the commercial break.
28:18 in.
31:33 in. Piece clearly inspired by classical music for the opening.
33:02 in. And the cue after the commercial break.
35:50 in.
37:44 in.
42:33 in.
44:26 in
27:20 in: Is that score playing on the TV a real TV series? Strikes me as a John Parker composition.
|
|
|
|
|
|
|
SEASON 4:
As usual, if you don't see an episode listed, that means there was no credited composer.
"Reading, Writing and Angel Dust"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=Jq1Tg1wuo6Y (the opening credits are cut short)
Score suite: https://www.youtube.com/watch?v=06RxFswWeLE
Highlights:
1:08 in.
13:52 in.
15:24 in.
22:47 in.
28:59 in.
32:19 in.
32:30 in.
34:39 in. And the cue after the commercial break.
36:54 in.
40:48 in.
41:57 in. And the cue after the commercial break.
"One-Way Street to Nowhere"
By: Mark Snow
https://ok.ru/video/7211002628749
Score suite:
Highlights:
1:04 in.
1:58/3:09 in.
7:47 in.
12:26 in.
16:56 in.
18:56 in.
21:01 in.
24:06 in.
27:22 in.
28:58 in.
34:28 in.
38:30 in.
41:40 in.
44:57 in.
"Someone Who Cares"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=0uZmi_US1bA
Score suite:
Highlights:
3:50 in.
15:09 in.
24:14 in.
27:44 in.
30:41 in.
41:03 in. And the cue after the commercial break (sad grave site visiting music).
"Ladies Day" (A.K.A.: "Ladies Kill, Too")
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=QzOGNCKg4m0
Score suite:
Highlights:
3:03 in.
7:07 in.
11:32 in.
15:21 in.
18:44 in.
20:08 in. Kind of hard to tell where it begins since the FX blends into it.
23:46 in.
24:24 in. And the cue after the commercial break.
26:58 in.
28:48 in.
31:06 in.
38:15 in.
40::08/41:08 in. And the cue after the commercial break (second cue).
45:13 in.
"Reign of Terror"
By: Mark Snow
https://www.youtube.com/watch?v=um9hYt6M5rY (audio is out-of-sync on this load, so highlight times may not line up with a proper release/load)
Score suite:
Highlights:
1:05 in.
2:25 in.
7:21 in.
8:01 in.
11:55 in.
14:29 in.
20:48 in.
25:30 in.
27:16 in.
33:12 in.
35:48 in.
38:38 in.
39:46 in.
42:45 in. And the cue after the commercial break.
in.
It's easy to forget sometimes, that Snow was around during this time and he knew how to proper do funky music.
|
|
|
|
|
|
|
Continuing SEASON 4:
"Death Lady"
By: George Romanis
https://www.youtube.com/watch?v=7gXuj7GWeVs (part of the opening credits is cut out)
Highlights:
0:29 in.
2:53 in. With a brass idea from his one episode score to "CHiPs".
5:46 in.
8:07 in.
18:34 in.
20:14 in.
24:02/24:57 in. And the cue after the commercial break (second cue).
26:07 in.
28:52 in.
31:47/34:52 in. The old lady looks like Father Mulcahey in drag.
37:17/40:22 in.
43:32 in. opens with a repeating solo acoustic guitar before being joined by a trombone and a second acoustic guitar.
"A Time to Mourn"
By: Robert Drasnin
https://www.youtube.com/watch?v=W3UOKgV0auM
Highlights:
1:05 in.
3:26 in.
14:23 in.
18:17 in.
25:26/27:13 in.
39:02 in.
40:56 in.
43:54 in.
"The Institutional Man" (A.K.A.: "The Torch Man")
By: Mark Snow
https://www.youtube.com/watch?v=whFcnakyXik
Highlights:
3:46 in.
17:55 in.
41:09 in.
This is the weakest score of both season three and season four. On a set of season four scoring I'd only include the last highlight. Nothing else needs to be taken from this episode score.
"Invitation to a Rumble"
By: Shorty Rogers
https://www.youtube.com/watch?v=E2feYe2joG4
Highlights:
1:05 in.
8:28 in. Fight music with a cymbal-tapping beat underneath.
10:14 in.
11:22 in. And the cue after the commercial break.
16:30 in.
19:15 in. This cue has three sections, each with a different musical style. And the bar source cue that immediately follows it (yeah right, like a bar like that is playing music like this in real life...). And the score cue that follows the source cue. Expect to spend about six minutes listening.
26:33 in.
30:10 in.
31:51 in.
32:41 in.
40:49 in.
Suites are being worked on for every episode. I hope to have some posted starting from the beginning of season three, tomorrow.
|
|
|
|
|
|
|
Finishing SEASON 4:
"The Voice of Thunder"
By: Robert Drasnin
https://www.youtube.com/watch?v=esMhLAO8uOo
Highlights:
1:34 in. Reminds me of part of a cue from "Star Trek: IV: The Voyage Home". After two or three seconds, the cue then continues. Even the woodwind theme sounds like Rosenman.
4:05 in.
5:09 in.
8:52 in.
10:01 in.
16:38 in.
19:06 in.
23:23 in.
29:10 in.
31:24 in.
34:32 in.
39:14 in.
41:11 in.
What a terrible episode.
I had to check the end credits just to make sure Drasnin was in fact the credited composer. Just a little too much Rosenman in many cues. Speculation: I guess it's possible both composer drew inspiration from the same classical piece I don't know.
"The Code Five Affair"
By: George Romanis
https://www.youtube.com/watch?v=WwCh4bDBjWY (most of the opening credits is cut out)
Sorry, this load has skips in the audio sometimes; it's not you, it's the load.
This is the final effort by Romanis for the series.
Highlights:
2:48 in.
3:39 in.
7:45 in. Funky.
11:10 in.
13:40 in. The restaurant source music.
17:13 in.
19:12 in. Funky.
26:21 in.
27:22 in.
31:25 in.
39:05 in. Skip to about forty seconds in, for those impatient and want the funky stuff.
42:35 in. And the cue after the commercial break.
"Eye for an Eye"
By: Duane Tatro
https://www.youtube.com/watch?v=u44qBY1oP78
Highlights:
1:04 in.
9:55 in.
20:29 in.
26:35 in.
28:50 in.
32:20 in. Short cue.
32:50 in.
35:29 in.
36:58 in.
40:13 in.
42:33 in.
44:46 in.
"I don't feel like filing any charges, do you?"
"Sudden Death" (A.K.A.: "Return from the Past")
By: Shorty Rogers
https://www.youtube.com/watch?v=rhVIcxZx-mA
Highlights:
1:05 in. Upbeat cue.
3:04 in.
7:40 in.
8:35 in.
12:08 in.
13:47 in. A low-key cue to a long slow scene, which Rogers manages to make a compelling listen.
19:32 in. With the super rare appearance of anklungs in the score to an episode of any TV series (very briefly used). And the cue after the commercial break.
23:41 in.
25:33 in.
29:41 in.
32:37 in.
36:16 in.
37:36 in.
42:11/43:08 in.
"From Out of the Darkness"
By: Mark Snow
https://www.youtube.com/watch?v=0Ts4Prm7VmI (part of the opening credits is cut out)
Highlights:
1:25 in.
3;55 in.
6:56 in.
12:55 in.
18:05 in.
18:56 in.
20:03 in. And the bar source music that immediately follows it. Another example of a piece of music that's played in no real bar like seen) anywhere ever. And the score cue that immediately follows the source cue.
25:45 in.
27:47 in.
29:30 in.
31:15 in.
34:56 in.
37:58 in. And the tender/sad piano and strings cue after the commercial break (beautiful cue that has little to no FX for like 98% of it).
42:32 in.
44:22 in. And the cue after the commercial break that closes out the episode.
Final credited score of the series.
"It's a safe bet one of 'em is gonna end up on the slab."
And that's that for now -- none of seasons one or two are up.
|
|
|
|
|
|
|
All the score suites from the last two weeks have been added to their respective episodes.
|
|
|
|
|
|
SEASON 1:
Doubling back to season one, which was not online when I started the thread. Season two is still not up and the composer credits for that season are incomplete on IMDb.
Suites for all episodes scored by Bernstein, have been recorded and are being edited. Getting close to putting one up in maybe two weeks. Depending on the flash drive space, I would like to cover the rest of the season.
The Rookies (feature-length pilot)
NO COMPOSER CREDITED
https://www.youtube.com/watch?v=uDTVF3Br3bc
Highlights:
1:06 in.
6:12 in. The club source music.^
28:33 in. Cute kitten alert.
41:28 in.^
53:23 in. The funky source music.^
54:49 in.^
56:25 in.
59:06 in.^
1:01:17 in.
Unfortunately, this was another case of assuming the IMDb credit was right and covering highlights. But no composer, including Elmer Bernstein as credited for it on IMDb, is credited. Rather than throw away what I wasted my time on, I am posting it.
"Concrete Valley, Neon Sky"
By: Elmer Bernstein
https://www.youtube.com/watch?v=0bwatCe6vOo
https://www.youtube.com/watch?v=TvpD_Zhmaq0 (video blocked)
Highlights:
1:10 in.
10:35 in.^
13:56 in.^
16:07 in.^
30:21 in.^
31:14 in.^
33:52 in.
34:45 in.
35:45 in. And the cue after the commercial break.^(second)
44:52 in.^
48:00 in.
50:22 in.
"Dead, Like a Lost Dream"
By: Elmer Bernstein
https://www.youtube.com/watch?v=CfO7nNCLIbA
Highlights:
0:00 in.^
0:41 in.^
7:57 in.
12:36 in.^
15:27 in. You just wanna tell his dad to go fuck himself.
17:25 in.^
21:16 in. Joining a cue already in progress. And the cue after the commercial break.^(both)
32:44 in.^
34:19 in.^
39:49/40:56 in.^
47:15 in.^
"The Informant"
By: Elmer Bernstein
https://www.youtube.com/watch?v=7NN2CS7Sw1o
Highlights:
0:00 in.^
2:12 in.^
10:37 in.^
12:45 in.^
28:10 in.
30:56 in.^(31:15)
35:44 in.^
41:01 in.
42:38 in.
43:35 in.^
45:45 in.^
|
|
|
|
|
|
|
Continuing SEASON 1:
"The Commitment"
By: Elmer Bernstein
https://www.youtube.com/watch?v=l7l7Ot41HN4
Highlights:
2:45 in.
7:15 in.^(7:32)
17:10 in.
24:05 in.
32:34 in. Funky chase music.^
35:45 in.^
38:17 in.^
43:27 in. Including three sax's. There is a brief lull and the cue continues.^(44:18)
45:49/47:15 in. More of the above.^
"Well, then stop quoting me and go do something about it."
"Covenant with Death"
By: Elmer Bernstein
https://www.youtube.com/watch?v=0-LRQorPAsg
Highlights:
12:33 in.
14:23 in.^
2308 in.
24:41 in.^(25:40)
34:10 in.
39:19 in. Funky.^
41:50 in.^(connect to above)
47:35 in.
Webster: "This better be very good, sir; I was very hungry."
"Time is the Fire"
By: Elmer Bernstein
https://www.youtube.com/watch?v=mNSWhQZdk_c
https://www.youtube.com/watch?v=ku-QvF_Exac
Highlights:
0:00 in. The source music.
10:25 in.^(10:52)
18:45 in.^(open)
23:14 in.^
27:54 in.^
33:13 in.
35:39 in.^
38:11 in.^
39:27 in.^
43:41 in.^
46:34 in.^
48:52 in.
"The Bear That Didn't Get Up"
By: Elmer Bernstein
https://www.youtube.com/watch?v=b36_o5tyiMU
Highlights:
0:00 in.^
2:31 in.^
4:33 in.^
5:41 in.^
13:33 in.
19:17 in. And the cue after the commercial break.^(second)
29:25 in.
42:03 in.^
46:19/47:45 in.^
|
|
|
|
|
|
|
Continuing SEASON 1:
"Dirge for Sunday"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=t7OiEJC_5ps
Highlights:
2:41 in.^(3:17)
5:07 in. And the source music that immediately follows.^
7:21 in.
41:15 in.^
44:40 in.^(46:50)
(NtM: 16:00)
"The Good Die Young"
By: Pete Rugolo
https://www.youtube.com/watch?v=pqLbrRghrdo
Highlights:
0:00 in.^
10:38 in.^
14:54 in.^
23:40 in.^(24:18)
41:46 in.^
43:21 in.
45:59 in. And the cue after the commercial break.^(47:24)
"To Taste of Terror"
By: Elmer Bernstein
https://www.youtube.com/watch?v=MM-Xp6zSORU
Highlights:
7:50 in.^
10:06 in.
12:29 in.^
13:20 in.^
14:51 in.
16:29 in. And the cue after the commercial break.^(both)
20:31 in.
22:36 in.
23:41 in.^
28:54 in. The source music.
30:50 in.^
40:35 in.^
47:54 in.
"A Deadly Velocity"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=FPWMlDf_xrw
Highlights:
11:25 in.
13:01 in. And the cue after the commercial break.^(13:25)
15:04 in.
20:25 in.
25:11 in.^(parts)
32:34 in.
34:59 in. When the light funky stuff kicks in, you could have tracked it into "Harry O" and gotten away with it. And the cue after the commercial break. And the cue after the second cue, sounds like something that could have come from Grusin (specifically something from "Baretta").^(both)
41:19 in. Almost eight minutes long.^
48:54 in.
"As far as I am concerned, war is the currency for which we buy freedom."
|
|
|
|
|
|
|
Continuing SEASON 1:
"A Bloody Shade of Blue"
By: Laurence Rosenthal
https://www.youtube.com/watch?v=A0qAPuaDTlc
Highlights:
0:00 in.^(0:40)
1:48 in.^(2:15/2:58)
12:57 in. And the cue after the commercial break.^(14:02)
15:07 in.^
17:54 in.
22:22 in. And the cue after the commercial break.^(second)
38:00 in.^(parts)
41:03 in. The cue fades in, suggesting part of it was not heard.^
42:47 in. There is a few seconds lull for a cut-away scene of a police car rushing in, then the score picks back up.^
46:53 in.^
49:10 in.^
"A Very Special Piece of Ground"
By: Elmer Bernstein
https://www.youtube.com/watch?v=cQBQty3YlOo
Highlights:
0:00 in.^
1:47 in.
12:45 in. And the cue after the commercial break.^(both)
19:31 in.^
28:22 in.^(part)
33:29 in.
47:50 in.
49:44 in.^
6:06 in: You got a dirty mind, mister. ;-)
"Rabbits on the Runway"
By: Elmer Bernstein
https://www.youtube.com/watch?v=5TcFIlC381o
This is the final effort by Bernstein for the series.
Highlights:
0:00 in.^
2:12 in.^
3:23 in.^
4:16 in.^
10:44 in.
17:04 in.^
21:52 in.
26:11 in.^
28:26 in. And the cue after the commercial break.^(both)
30:59 in.^
38:15 in.
40:23 in.^
43:40 in.^(too much FX for use?)
48:36 in.^
"Tarnished Idol"
NO COMPOSER CREDITED
https://www.youtube.com/watch?v=pne17vppaZk
|
|
|
|
|
|
|
Continuing SEASON 1:
"Crossfire"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=Ijvig1T0qg8
Highlights:
0:00 in.^
0:56 in.^
3:53 in.^
7:20 in.^
9:03 in.^
20:29 in.
24:26 in.^(25:05)
27:12 in.^
30:33 in.^
36:26 in.^(parts)
43:12 in.^(43:57)
45:31 in.^(open/45:50)
48:22 in.
Taylor: "You don't give people their rights, man -- they earn them."
"Snow Job"
By: Laurence Rosenthal
https://www.youtube.com/watch?v=0p-_eVt60DI
Highlights:
1:37 in.^
9:42 in.^
10:54 in.^
13:02 in.^
24:10 in. Including a banjo and some down south country flavoring (the second cue is also like this). And the cue after the commercial break.^(both)
27:59 in.^(28:50)
30:42 in.^(31:01)
31:46 in.^(32:31)
38:30 in.
49:19 in.^
Guest-starring Charlie Sheen as himself during that time, no doubt.
Many of the cues -- imagine if Rosenthal had scored an episode of "Hawaii Five-O".
(NtM: 46:55)
"Point of Impact"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=qwi0Ir_az20
Highlights:
0:00 in.^
2:45 in.
3:52 in.
8:05 in.^
16:58 in.
20:31 in.
22:04 in.
30:06 in.^(30:18)
32:11 in.^(22:40)
34:48 in.^(35:??)
36:54 in. I like the way that trumpet wobble crescendoed and crashed when the guy fell.^
45:23 in.^
(NtM: 15:05)
"Three Hours to Kill"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=lM01bz41dic
https://www.youtube.com/watch?v=ZoOTmxQDe68 (video blocked in the U.S.; possibly other countries)
Highlights:
0:00 in.^
1:57 in.^
4:11 in.
5:56 in.
16:12 in.^
20:13 in.^
21:02 in.^
25:10 in.
29:47 in.^
33:12 in.^
35:50 in.^
36:51 in.^
39:12 in.^
40:55 in.^
44:04 in.^
49:10 in.
(NtM: 29:37)
|
|
|
|
|
|
|
Finishing SEASON 1:
Turns out season two is also being put up, but the end credits are cut off some episodes, which doesn't help. I will cover that final missing season anyway.
NO COMPOSER CREDITED:
"The Wheel of Fortune" (A.K.A.: "The Wheel of Death")
https://www.youtube.com/watch?v=O7D9vo-034k
(Score: 0:00, 1:03, 3:54, 8:56, 11:52, 14:07, 15:53, 18:48, 21:35, 25:55, 27:06, 28:36/after, 32:28, 34:28, 36:03, 37:51/after, 41:09, 43:14, 44:32, 46:55/after, and 48:32)
"Life Robbery" (A.K.A.: "Tribute to a Veteran")
https://www.youtube.com/watch?v=PBOsg0fvDuk
(Score: 0:00, 2:08, 12:41/after, 18:18, 21:41, 26:42, 32:43, 34:26, 36:18, 40:23, 45:18, 46:51/after, and 49:03)
(I'm noting all score incase I recognize any of it in episodes with a credited composer, to try and get cleaner cues)
"A Farewell Tree from Marly"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=LIklR2k4XEU
Highlights:
2:30 in.
30:31 in.
32:04 in.
34:41 in.
37:46 in.^
42:16 in.
46:42 in. And the cue after the commercial break.^(first: funky parts; second: 49:09)
If I were compiling a set of season one scoring, I'd not take much away from this episode score.
Guest-starring Tyne Daly. Playing a cop about nine years before "Cagney and Lacey". She'll go on to be in more episodes, but playing a different character each time.
NO COMPOSER CREDITED.
Not only is there no composer credited, they didn't even include Bernstein's credit for the theme, as is usual even when no composer is credited.
"Easy Money" (season finale)
https://www.youtube.com/watch?v=pifG5qeuoVA
(Score: 0:00, 5:08, 10:35, 15:16/after, 18:01, 20:58, 27:47, 33:29, 35:20, 38:10, 39:26, 41:27, 43:49, 46:07/after, and 49:14)
|
|
|
|
|
|
|
SEASON 2:
And since season two is indeed going up, I am now moving on to the last season I was not able to originally cover. AND Crackle.com has the two or more season up, too, and season two is one of them, so I can complete the composer credits for the show now.
"Cauldron"
By: Robert Drasnin
https://www.youtube.com/watch?v=oS2oaOAHN2E
Highlights:
0:59 in.
8:25 in.^(8:45-ish)
11:21 in.^
13:12 in.^(14:19)
16:09 in.
18:56 in.
22:35 in.
24:25 in.
27:29 in.^
29:47 in.
36:00 in.^
38:13 in.^
42:11 in.
45:15 in.
49:00 in.
"Why don't'cha call them?"
"'cause they're not gonna say 'No' to my face."
"Margin for Error"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=Z7dN5qDuqnI
Highlights:
0:00 in.^
3:46 in.^
6:53 in. Contains some mixing bowl action.^
12:10 in.^
24:30 in. Joining a cue already in progress.
24:57 in. Somber music for a talk and walk through a graveyard.
35:05 in.^(35:24)
37:02 in.^
28:06 in.^
38:51 in.^
40:52 in.^
47:25 in.
Guest-starring Claude Akins.
(NtM: 14:22, 15:25)
"Deadly Cage"
By: George Alison Tipton
https://www.youtube.com/watch?v=ZiBhkZkDslg
This is the only effort by Tipton for the series.
Highlights:
2:41 in.
4:11 in.^
12:38 in.^
16:07 in.
21:42 in.
23:58 in.^
25:17 in.
31:10 in.^
33:31 in.
38:52 in.^(parts)
42:49 in.
44:23 in.
(NtM: 20:22, 46:54)
"Frozen Smoke"
By: Laurence Rosenthal
https://www.youtube.com/watch?v=jc9RtfETS64
Highlights:
1:40 in.
8:49 in.^
14:02 in. Over three minutes long.
17:29 in.^
18:52 in.
20:18 in.^
24:09 in.
26:53 in.^
31:14 in.^
33:18 in. And the cue after the commercial break.^
35:12 in.^
37:56 in.^
44:13 in. So, this one was born without an umbilical cord, apparently. Not a thing.^
45:09 in. And the short intro cue after the commercial break.^(second)
|
|
|
|
|
|
|
Continuing SEASON 2:
"Get Ryker"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=-WLeWPKFaes
https://www.crackle.com/watch/8377/2518805
Highlights:
0:00 in.^
2:22 in.^
8:19 in.^
9:46 in.^
11:00 in.^
16:58 in. I just ... maybe "love" is not the right word, but this cue is right up my alley. And the theme (a variation on Bernstein's theme?) is shockingly almost identical to one I came up with for a trailer for a superhero short film called "Fallen", years ago (original trailer, ultimately not the final trailer).^
24:18 in. And the cue after the commercial break.^(both)
27:51 in.^
35:08 in.^
38:45 in. And the cue after the commercial break.^(both)
42:14 in.^
45:04 in.^
47:22 in.
48:46 in.
"An apartment is just a convenience; it's not a home."
"Cry Wolf"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=N1RjmCgoXGQ
Highlights:
1:51 in.^
13:07 in.^
16:20 in.^
18:14 in.^
20:48 in.^
24:13 in.^
25:17 in.^
26:43 in.^(part)
29:29 in.^
31:09 in.^
36:48 in.^(after Ryker stops speaking)
38:57 in.
42:15/45:19 in.^
47:19 in.
Ryker: "They would do that, wouldn't they? They really would."
Out-of-context quote exchange...
"Did I give you that seven?"
Woman: "You did and I love it."
"A Matter of Justice" (A.K.A.: "Justice for Jill Danko")
By: Robert Drasnin
https://www.youtube.com/watch?v=h4WUFl2wu34
Highlights:
4:21 in.
6:32 in.
7:42 in.
25:04 in.^
27:55 in.^
30:06 in.^(30:49)
31:51 in.
37:25 in.
45:53 in. And the cue after the commercial break.^(first: parts)
On a set of season two scoring, I'm not sure how much of this I would include. Certainly I'd include 45:53 but I'm not sure about the rest.
(NtM: 0:00)
|
|
|
|
|
|
|
Continuing SEASON 2:
"Blood Brother"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=6MI2FeGVqCA
Highlights:
0:00 in.^
1:32 in.^
4:32 in.^
6:24 in.
12:16 in.^
15:23 in.
22:37 in.^
30:35 in.^
33:33 in.^
34:47 in.^
36:48 in.
38:52 in.^
39:51 in.^(use parts?)
43:10 in.^(44:09)
45:42 in.
46:46 in.^
This score probably deserves a second tier effort. I know, I don't make those comments like I used to on TV shows, but some times I just feel the need.
(NtM: 38:13)
"My cous' the fuzz."
"They're no different from me, man; except maybe I got somebody who cares."
"That's the difference that means something."
"Some guys don't become casualties until after the war is over."
"Yeah, and, ah, some guys never get home even though they've come back."
"Code 261"
By: Jack Elliot & Allyn Ferguson
https://www.youtube.com/watch?v=9UcsyMleqfk
Highlights:
0:00 in.^
2:30 in.
4:47 in.^
13:15 in.
17:45 in.
22:44 in.
27:41 in.^(short parts)
30:56 in. Damnit, I wish that cue had been longer.^
34:52 in. Fight music.
41:13 in.^
42:52 in.^
45:06 in.
46:41 in. And the cue after the commercial break.^(second)
NO COMPOSER CREDITED:
"Prayers Unanswered, Prayers Unheard"
https://www.youtube.com/watch?v=1vLxHxDVUko
https://www.crackle.com/watch/8377/2518803
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
