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 Posted:   Feb 4, 2021 - 12:11 PM   
 By:   Justin Boggan   (Member)

A 1972 TV series.

As I recall reading, many episodes are lost, but all these appear to be recorded off TV, so I assume these seasons exist or have since been found.

Only seasons three and four are up.


SEASON 3:

If I don't mention an episode, that means no composer was credited.

This is not the entire season -- too many episode scores to do in one day.



"An Ugly Way to Die"
By: Laurence Rosenthal
https://www.youtube.com/watch?v=c3VpWQsYqmI
Score suite: https://youtube.com/watch?v=SLai-YsMdW8/edit

This is Rosenthal's final effort for the show.

Highlights:
  • 2:36 in.
  • 13:56 in.
  • 17:29 in.
  • 19:53 in.
  • 34:00 in. Chase music, with opening tense material.
  • 41:15 in.
  • 44:42 in.

    On a set of season three scoring, I'd probably just take the last three cues only.



    "Key Witness"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=r6CIIjdxxDQ
    Score suite: https://www.youtube.com/watch?v=SGol7GsDwnw

    Highlights:
  • 1:06 in.
  • 3:34 in.
  • 8:43 in.
  • 11:46 in.
  • 21:23 in.
  • 24:00 in.
  • 27:43 in.
  • 32:25 in.
  • 35:11 in.
  • 38:43 in.
  • 39:55 in.
  • 42:48 in. Joining a cue already in progress.



    "Legacy of Death"
    By: Robert Drasnin
    https://www.youtube.com/watch?v=L0EZHiD31YU
    Score suite: https://www.youtube.com/watch?v=9ji3UuBsfcQ

    Highlights:
  • 1:05 in.
  • 6:31 in.
  • 7:16 in.
  • 9:59 in.
  • 12:45 in.
  • 18:17 in.
  • 26:33 in.
  • 28:44 in.
  • 31:04 in.
  • 31:48 in.
  • 33:03 in.
  • 34:02 in.
  • 38:31 in.
  • 39:41 in.
  • 41:38 in.

    Out-of-context quote...
    "Good, I like eager beavers."



    "Death at 6 A.M."
    By: Murray MacLeod (as "The Orphanage")
    https://www.youtube.com/watch?v=vofqXEFAZe8
    Score suite: https://youtube.com/watch?v=Jy-0ClIrxU8/edit

    This is presumably -- as the IMDb composer credits for the show are not full and I had to add a number myself -- MacLeod's only solo effort.

    Highlights:
  • 1:51 in.
  • 3:37 in. Some country flavor.
  • 7:20 in.
  • 9:51 in.
  • 12:18 in.
  • 23:09 in.
  • 32:51 in.
  • 35:40 in. Twangy country flavor.
  • 39:15 in.
  • 40:35 in.
  • 42:01 in.
  • 44:12 in.



    "Walk a Tightrope"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=Wy-j93oJydQ
    Score suite:

    Highlights:
  • 1:05 in.
  • 1:34 in.
  • 3:02 in.
  • 5:11 in.
  • 11:38 in.
  • 13:29 in. Funky.
  • 15:34/18:33 in.
  • 23:00 in.
  • 25:16 in.
  • 26:38 in.
  • 31:27 in.
  • 32:40 in. Gonna be sweet to have this cue without SFX one day.
  • 34:28 in.
  • 38:31 in.
  • 40:05 in. Light funky beat.
  • 41:30 in.
  • 43:27 in. And the cue after the commercial break, which just naturally goes with the proceeding cue.

    29:39 in: What's the name/composer of that classical music? I'm assuming it's not original scoring.



    "Judgment"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=zJKPS1D7sTA
    Score suite: https://youtube.com/watch?v=no1lfkU7lcc/edit

    Highlights:
  • 1:08 in.
  • 3:45 in.
  • 7:40 in.
  • 9:39 in.
  • 18:26 in.
  • 20:05 in.
  • 25:42 in.
  • 28:52 in.
  • 34:24 in.
  • 35:02 in.
  • 36:42 in.
  • 37:32 in.
  • 40:52 in.
  • 42:06/42:58 in.



    "Johnny Lost His Gun"
    By: J.J. Johnson
    https://www.youtube.com/watch?v=sqts-vQgJuY
    Score suite: https://www.youtube.com/watch?v=ih9cJvTD_mk

    This is presumably Johnson's only effort for the show.

    Highlights:
  • 1:07 in.
  • 3:59 in. Funky and cool.
  • 9:24 in.
  • 10:52 in. And the cue after the commercial break.
  • 11:54 in. Funky.
  • 17:37 in.
  • 22:15 in. And the cue after the commercial break.
  • 25:17 in.
  • 27:03 in.
  • 29:03 in.
  • 31:02 in.
  • 32:40 in. About thirty seconds in it gets funky, for those who are impatient.
  • 35:04 in.
  • 37:01 in. And the cue after the commercial break. Low key moody stuff.
  • 39:45 in.
  • 40:25 in.
  • 43:59 in.
  • 44:52/46:37 in. And the cue after the commercial break (second cue).



    "Prelude to Vengeance"
    By: Robert Drasnin
    https://www.youtube.com/watch?v=Zw_SEEj4mss
    Score suite:

    Highlights:
  • 1:08 in.
  • 2:10 in.
  • 4:39/7:12 in.
  • 12:07 in.
  • 18:29 in.
  • 22:49 in.
  • 24:59 in. Opening with a solo trumpet, followed by some low cello bass and a wooden block, then some short low-key stuff.
  • 26:46 in. And the cue after the commercial break.
  • 29:34 in.
  • 31:59 in.
  • 34:28 in.
  • 35:45 in. Light funky stuff. And the cue after the commercial break.
  • 38:47/40:21 in. 42:01 in for those impatient.
  • 44:38 in.
  • 46:26 in. Light funky moderate "chase" music.
  • 48:31 in.
  • 50:12 in.



    "The Assassin"
    By: John Parker
    https://www.youtube.com/watch?v=SikftOlTkuo
    Score suite: https://www.youtube.com/watch?v=bVBS6JD1qm0

    This is presumably Parker's only effort for the show.

    Highlights:
  • 5:40 in.
  • 8:19 in. Including some cool car chase music. And the cue after the commercial break.
  • 16:07 in.
  • 18:26 in.
  • 19:55 in. That three-note repeating trumpet chords are right out of his score to the film "Witches Brew".
  • 20:37 in. Including cool. Am I hearing a waterphone or rubrods?
  • 23:28 in.
  • About 26:00 in. Including cool.
  • 30:31 in.
  • 31:31 in. Solo, ever so off, piano cue.
  • 33:51 in.
  • 35:19 in.
  • 38:09 in. Short cool bit. And the cue after the commercial break.
  • 39:38 in.
  • 42:36 in. And the cue after the commercial break.
  • 45:09 in.

    Out-of-context quote...
    "In your coffee, nut."

  •  
     Posted:   Feb 5, 2021 - 10:09 AM   
     By:   Justin Boggan   (Member)

    Finishing SEASON 3:




    "Blue Christmas"
    By: Pete Rugolo
    https://www.youtube.com/watch?v=YQyE_Pes_t4
    Score suite: https://www.youtube.com/watch?v=RKR9g4UuWxs

    This is presumably Rugolo's final effort for the series. I don't know if anybody is credited for the season four opener (no load), so I can't say for sure. EDIT: Found the season four opener -- no composer credited, but I still have the two-parter left to solve.

    Highlights:
  • 1:05 in. Warm Christmas fuzzies with a Christmas classic.
  • 4:28 in.
  • 7:22 in.
  • About 11:30 in.
  • 15:58 in. Another Christmas classic.
  • 22:19 in.
  • 27:20/28:47 in. Oh, gives you the sads. Nicely written/acted. And the cue after the commercial break (second cue).
  • 32:08 in.
  • 33:41 in.
  • 39:51 in.
  • 42:28 in.
  • 44:22 in.



    "The Saturday Night Special"
    By: Mark Snow
    https://www.youtube.com/watch?v=0Q2BpD5P0F4 (most of the opening credits is cut out)
    Score suite:

    Highlights:
  • 0:21 in.
  • 3:11 in.
  • 6:07 in.
  • 7:50 in.
  • 9:05 in.
  • 13:35 in.
  • 17:44 in.
  • 19:21 in.
  • 20:17 in.
  • 22:18 in.
  • 26:44 in. Including some funky stuff.
  • 27:20 in.
  • 29:35 in.
  • 32:52 in.
  • 34:51 in.
  • 39:01 in.
  • 39:38 in.
  • 41:45 in. And the cue after the commercial break.

    "Don't be upset with the coffee machine; it's only six o'clock and it's not awake yet."



    "The Hunting Ground"
    By: James Prigmore & Murray McLeod
    https://www.youtube.com/watch?v=noLjmFisFjA
    Score suite:

    This is presumably the only effort by the two for the series.

    Highlights:
  • 1:05 in.
  • 10:12 in.
  • 24:25 in.
  • 31:39 in.
  • 34:19 in.
  • 37:57 in. Gets cut off by the commercial break, so we don't hear the full twisted cue. And the cue after the commercial break.
  • 39:24 in.
  • 41:07 in.
  • 44:41 in.

    Guest-starring The Shat.



    "Angel"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=VMkaL3TB59Y
    Score suite: https://www.youtube.com/watch?v=50NVkMlbFTI

    Highlights:
  • 1:05 in.
  • 8:18 in.
  • 11:38 in.
  • 13:03 in.
  • 15:51 in.
  • 18:43 in.
  • 23:29 in.
  • 26:25 in.
  • 28:00 in.
  • 32:46 in. 33:48 in for those who are impatient.
  • 35:22 in.
  • 41:29 in.
  • 44:02 in.


    NO LOADS FOUND.
    "S.W.A.T. (Part 1)"
    By: ?????
    Score suite:

    "S.W.A.T. (Part 2)"
    By: ?????
    Score suite:

    This two-parter spawned the spin-off series "S.W.A.T.". (not enough episodes up for me to cover the series).



    "Cliffy"
    By: Mark Snow
    https://www.youtube.com/watch?v=ZxM7VngFt_E
    Score suite: https://www.youtube.com/watch?v=Q_mnyNHeKR0

    Highlights:
  • 1:05 in.
  • 2:20 in.
  • 4:25 in.
  • 5:40 in.
  • 8:40 in.
  • 9:42 in.
  • 16:27 in.
  • 20:39 in.
  • 22:52 in.
  • 24:21 in. And the cue after the commercial break.
  • 28:18 in.
  • 31:33 in. Piece clearly inspired by classical music for the opening.
  • 33:02 in. And the cue after the commercial break.
  • 35:50 in.
  • 37:44 in.
  • 42:33 in.
  • 44:26 in

    27:20 in: Is that score playing on the TV a real TV series? Strikes me as a John Parker composition.

  •  
     Posted:   Feb 6, 2021 - 8:24 AM   
     By:   Justin Boggan   (Member)

    SEASON 4:

    As usual, if you don't see an episode listed, that means there was no credited composer.



    "Reading, Writing and Angel Dust"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=Jq1Tg1wuo6Y (the opening credits are cut short)
    Score suite: https://www.youtube.com/watch?v=06RxFswWeLE

    Highlights:
  • 1:08 in.
  • 13:52 in.
  • 15:24 in.
  • 22:47 in.
  • 28:59 in.
  • 32:19 in.
  • 32:30 in.
  • 34:39 in. And the cue after the commercial break.
  • 36:54 in.
  • 40:48 in.
  • 41:57 in. And the cue after the commercial break.



    "One-Way Street to Nowhere"
    By: Mark Snow
    https://www.youtube.com/watch?v=BxiVt5kxulc
    Score suite:

    Highlights:
  • 1:04 in.
  • 1:58/3:09 in.
  • 7:47 in.
  • 12:26 in.
  • 16:56 in.
  • 18:56 in.
  • 21:01 in.
  • 24:06 in.
  • 27:22 in.
  • 28:58 in.
  • 34:28 in.
  • 38:30 in.
  • 41:40 in.
  • 44:57 in.



    "Someone Who Cares"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=0uZmi_US1bA
    Score suite:

    Highlights:
  • 3:50 in.
  • 15:09 in.
  • 24:14 in.
  • 27:44 in.
  • 30:41 in.
  • 41:03 in. And the cue after the commercial break (sad grave site visiting music).



    "Ladies Day" (A.K.A.: "Ladies Kill, Too")
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=QzOGNCKg4m0
    Score suite:

    Highlights:
  • 3:03 in.
  • 7:07 in.
  • 11:32 in.
  • 15:21 in.
  • 18:44 in.
  • 20:08 in. Kind of hard to tell where it begins since the FX blends into it.
  • 23:46 in.
  • 24:24 in. And the cue after the commercial break.
  • 26:58 in.
  • 28:48 in.
  • 31:06 in.
  • 38:15 in.
  • 40::08/41:08 in. And the cue after the commercial break (second cue).
  • 45:13 in.



    "Reign of Terror"
    By: Mark Snow
    https://www.youtube.com/watch?v=um9hYt6M5rY (audio is out-of-sync on this load, so highlight times may not line up with a proper release/load)
    Score suite:

    Highlights:
  • 1:05 in.
  • 2:25 in.
  • 7:21 in.
  • 8:01 in.
  • 11:55 in.
  • 14:29 in.
  • 20:48 in.
  • 25:30 in.
  • 27:16 in.
  • 33:12 in.
  • 35:48 in.
  • 38:38 in.
  • 39:46 in.
  • 42:45 in. And the cue after the commercial break.
  • in.

    It's easy to forget sometimes, that Snow was around during this time and he knew how to proper do funky music.

  •  
     Posted:   Feb 8, 2021 - 7:57 AM   
     By:   Justin Boggan   (Member)

    Continuing SEASON 4:




    "Death Lady"
    By: George Romanis
    https://www.youtube.com/watch?v=7gXuj7GWeVs (part of the opening credits is cut out)

    Highlights:
  • 0:29 in.
  • 2:53 in. With a brass idea from his one episode score to "CHiPs".
  • 5:46 in.
  • 8:07 in.
  • 18:34 in.
  • 20:14 in.
  • 24:02/24:57 in. And the cue after the commercial break (second cue).
  • 26:07 in.
  • 28:52 in.
  • 31:47/34:52 in. The old lady looks like Father Mulcahey in drag.
  • 37:17/40:22 in.
  • 43:32 in. opens with a repeating solo acoustic guitar before being joined by a trombone and a second acoustic guitar.



    "A Time to Mourn"
    By: Robert Drasnin
    https://www.youtube.com/watch?v=W3UOKgV0auM

    Highlights:
  • 1:05 in.
  • 3:26 in.
  • 14:23 in.
  • 18:17 in.
  • 25:26/27:13 in.
  • 39:02 in.
  • 40:56 in.
  • 43:54 in.



    "The Institutional Man" (A.K.A.: "The Torch Man")
    By: Mark Snow
    https://www.youtube.com/watch?v=whFcnakyXik

    Highlights:
  • 3:46 in.
  • 17:55 in.
  • 41:09 in.

    This is the weakest score of both season three and season four. On a set of season four scoring I'd only include the last highlight. Nothing else needs to be taken from this episode score.



    "Invitation to a Rumble"
    By: Shorty Rogers
    https://www.youtube.com/watch?v=E2feYe2joG4

    Highlights:
  • 1:05 in.
  • 8:28 in. Fight music with a cymbal-tapping beat underneath.
  • 10:14 in.
  • 11:22 in. And the cue after the commercial break.
  • 16:30 in.
  • 19:15 in. This cue has three sections, each with a different musical style. And the bar source cue that immediately follows it (yeah right, like a bar like that is playing music like this in real life...). And the score cue that follows the source cue. Expect to spend about six minutes listening.
  • 26:33 in.
  • 30:10 in.
  • 31:51 in.
  • 32:41 in.
  • 40:49 in.



    Suites are being worked on for every episode. I hope to have some posted starting from the beginning of season three, tomorrow.

  •  
     Posted:   Feb 9, 2021 - 7:28 AM   
     By:   Justin Boggan   (Member)

    Finishing SEASON 4:




    "The Voice of Thunder"
    By: Robert Drasnin
    https://www.youtube.com/watch?v=esMhLAO8uOo

    Highlights:
  • 1:34 in. Reminds me of part of a cue from "Star Trek: IV: The Voyage Home". After two or three seconds, the cue then continues. Even the woodwind theme sounds like Rosenman.
  • 4:05 in.
  • 5:09 in.
  • 8:52 in.
  • 10:01 in.
  • 16:38 in.
  • 19:06 in.
  • 23:23 in.
  • 29:10 in.
  • 31:24 in.
  • 34:32 in.
  • 39:14 in.
  • 41:11 in.

    What a terrible episode.

    I had to check the end credits just to make sure Drasnin was in fact the credited composer. Just a little too much Rosenman in many cues. Speculation: I guess it's possible both composer drew inspiration from the same classical piece I don't know.



    "The Code Five Affair"
    By: George Romanis
    https://www.youtube.com/watch?v=WwCh4bDBjWY (most of the opening credits is cut out)

    Sorry, this load has skips in the audio sometimes; it's not you, it's the load.

    This is the final effort by Romanis for the series.

    Highlights:
  • 2:48 in.
  • 3:39 in.
  • 7:45 in. Funky.
  • 11:10 in.
  • 13:40 in. The restaurant source music.
  • 17:13 in.
  • 19:12 in. Funky.
  • 26:21 in.
  • 27:22 in.
  • 31:25 in.
  • 39:05 in. Skip to about forty seconds in, for those impatient and want the funky stuff.
  • 42:35 in. And the cue after the commercial break.



    "Eye for an Eye"
    By: Duane Tatro
    https://www.youtube.com/watch?v=u44qBY1oP78

    Highlights:
  • 1:04 in.
  • 9:55 in.
  • 20:29 in.
  • 26:35 in.
  • 28:50 in.
  • 32:20 in. Short cue.
  • 32:50 in.
  • 35:29 in.
  • 36:58 in.
  • 40:13 in.
  • 42:33 in.
  • 44:46 in.

    "I don't feel like filing any charges, do you?"



    "Sudden Death" (A.K.A.: "Return from the Past")
    By: Shorty Rogers
    https://www.youtube.com/watch?v=rhVIcxZx-mA

    Highlights:
  • 1:05 in. Upbeat cue.
  • 3:04 in.
  • 7:40 in.
  • 8:35 in.
  • 12:08 in.
  • 13:47 in. A low-key cue to a long slow scene, which Rogers manages to make a compelling listen.
  • 19:32 in. With the super rare appearance of anklungs in the score to an episode of any TV series (very briefly used). And the cue after the commercial break.
  • 23:41 in.
  • 25:33 in.
  • 29:41 in.
  • 32:37 in.
  • 36:16 in.
  • 37:36 in.
  • 42:11/43:08 in.



    "From Out of the Darkness"
    By: Mark Snow
    https://www.youtube.com/watch?v=0Ts4Prm7VmI (part of the opening credits is cut out)

    Highlights:
  • 1:25 in.
  • 3;55 in.
  • 6:56 in.
  • 12:55 in.
  • 18:05 in.
  • 18:56 in.
  • 20:03 in. And the bar source music that immediately follows it. Another example of a piece of music that's played in no real bar like seen) anywhere ever. And the score cue that immediately follows the source cue.
  • 25:45 in.
  • 27:47 in.
  • 29:30 in.
  • 31:15 in.
  • 34:56 in.
  • 37:58 in. And the tender/sad piano and strings cue after the commercial break (beautiful cue that has little to no FX for like 98% of it).
  • 42:32 in.
  • 44:22 in. And the cue after the commercial break that closes out the episode.

    Final credited score of the series.

    "It's a safe bet one of 'em is gonna end up on the slab."




    And that's that for now -- none of seasons one or two are up.

  •  
     Posted:   Feb 20, 2021 - 11:43 AM   
     By:   Justin Boggan   (Member)

    All the score suites from the last two weeks have been added to their respective episodes.

     
     Posted:   Sep 25, 2021 - 10:43 AM   
     By:   Justin Boggan   (Member)

    SEASON 1:

    Doubling back to season one, which was not online when I started the thread. Season two is still not up and the composer credits for that season are incomplete on IMDb.

    Suites for all episodes scored by Bernstein, have been recorded and are being edited. Getting close to putting one up in maybe two weeks. Depending on the flash drive space, I would like to cover the rest of the season.



    The Rookies (feature-length pilot)
    NO COMPOSER CREDITED
    https://www.youtube.com/watch?v=uDTVF3Br3bc

    Highlights:
  • 1:06 in.
  • 6:12 in. The club source music.^
  • 28:33 in. Cute kitten alert.
  • 41:28 in.^
  • 53:23 in. The funky source music.^
  • 54:49 in.^
  • 56:25 in.
  • 59:06 in.^
  • 1:01:17 in.

    Unfortunately, this was another case of assuming the IMDb credit was right and covering highlights. But no composer, including Elmer Bernstein as credited for it on IMDb, is credited. Rather than throw away what I wasted my time on, I am posting it.



    "Concrete Valley, Neon Sky"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=0bwatCe6vOo
    https://www.youtube.com/watch?v=TvpD_Zhmaq0 (video blocked)

    Highlights:
  • 1:10 in.
  • 10:35 in.^
  • 13:56 in.^
  • 16:07 in.^
  • 30:21 in.^
  • 31:14 in.^
  • 33:52 in.
  • 34:45 in.
  • 35:45 in. And the cue after the commercial break.^(second)
  • 44:52 in.^
  • 48:00 in.
  • 50:22 in.



    "Dead, Like a Lost Dream"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=CfO7nNCLIbA

    Highlights:
  • 0:00 in.^
  • 0:41 in.^
  • 7:57 in.
  • 12:36 in.^
  • 15:27 in. You just wanna tell his dad to go fuck himself.
  • 17:25 in.^
  • 21:16 in. Joining a cue already in progress. And the cue after the commercial break.^(both)
  • 32:44 in.^
  • 34:19 in.^
  • 39:49/40:56 in.^
  • 47:15 in.^



    "The Informant"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=7NN2CS7Sw1o

    Highlights:
  • 0:00 in.^
  • 2:12 in.^
  • 10:37 in.^
  • 12:45 in.^
  • 28:10 in.
  • 30:56 in.^(31:15)
  • 35:44 in.^
  • 41:01 in.
  • 42:38 in.
  • 43:35 in.^
  • 45:45 in.^

  •  
     Posted:   Sep 27, 2021 - 11:39 AM   
     By:   Justin Boggan   (Member)

    Continuing SEASON 1:




    "The Commitment"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=l7l7Ot41HN4

    Highlights:
  • 2:45 in.
  • 7:15 in.^(7:32)
  • 17:10 in.
  • 24:05 in.
  • 32:34 in. Funky chase music.^
  • 35:45 in.^
  • 38:17 in.^
  • 43:27 in. Including three sax's. There is a brief lull and the cue continues.^(44:18)
  • 45:49/47:15 in. More of the above.^

    "Well, then stop quoting me and go do something about it."



    "Covenant with Death"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=0-LRQorPAsg

    Highlights:
  • 12:33 in.
  • 14:23 in.^
  • 2308 in.
  • 24:41 in.^(25:40)
  • 34:10 in.
  • 39:19 in. Funky.^
  • 41:50 in.^(connect to above)
  • 47:35 in.

    Webster: "This better be very good, sir; I was very hungry."



    "Time is the Fire"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=mNSWhQZdk_c
    https://www.youtube.com/watch?v=ku-QvF_Exac

    Highlights:
  • 0:00 in. The source music.
  • 10:25 in.^(10:52)
  • 18:45 in.^(open)
  • 23:14 in.^
  • 27:54 in.^
  • 33:13 in.
  • 35:39 in.^
  • 38:11 in.^
  • 39:27 in.^
  • 43:41 in.^
  • 46:34 in.^
  • 48:52 in.



    "The Bear That Didn't Get Up"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=b36_o5tyiMU

    Highlights:
  • 0:00 in.^
  • 2:31 in.^
  • 4:33 in.^
  • 5:41 in.^
  • 13:33 in.
  • 19:17 in. And the cue after the commercial break.^(second)
  • 29:25 in.
  • 42:03 in.^
  • 46:19/47:45 in.^

  •  
     Posted:   Sep 28, 2021 - 9:22 AM   
     By:   Justin Boggan   (Member)

    Continuing SEASON 1:




    "Dirge for Sunday"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=t7OiEJC_5ps

    Highlights:
  • 2:41 in.^(3:17)
  • 5:07 in. And the source music that immediately follows.^
  • 7:21 in.
  • 41:15 in.^
  • 44:40 in.^(46:50)

    (NtM: 16:00)



    "The Good Die Young"
    By: Pete Rugolo
    https://www.youtube.com/watch?v=pqLbrRghrdo

    Highlights:
  • 0:00 in.^
  • 10:38 in.^
  • 14:54 in.^
  • 23:40 in.^(24:18)
  • 41:46 in.^
  • 43:21 in.
  • 45:59 in. And the cue after the commercial break.^(47:24)



    "To Taste of Terror"
    By: Elmer Bernstein
    https://www.youtube.com/watch?v=MM-Xp6zSORU

    Highlights:
  • 7:50 in.^
  • 10:06 in.
  • 12:29 in.^
  • 13:20 in.^
  • 14:51 in.
  • 16:29 in. And the cue after the commercial break.^(both)
  • 20:31 in.
  • 22:36 in.
  • 23:41 in.^
  • 28:54 in. The source music.
  • 30:50 in.^
  • 40:35 in.^
  • 47:54 in.



    "A Deadly Velocity"
    By: Jack Elliot & Allyn Ferguson
    https://www.youtube.com/watch?v=FPWMlDf_xrw

    Highlights:
  • 11:25 in.
  • 13:01 in. And the cue after the commercial break.^(13:25)
  • 15:04 in.
  • 20:25 in.
  • 25:11 in.^(parts)
  • 32:34 in.
  • 34:59 in. When the light funky stuff kicks in, you could have tracked it into "Harry O" and gotten away with it. And the cue after the commercial break. And the cue after the second cue, sounds like something that could have come from Grusin (specifically something from "Baretta").^(both)
  • 41:19 in. Almost eight minutes long.^
  • 48:54 in.

    "As far as I am concerned, war is the currency for which we buy freedom."

  •  
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