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The September edition of FSM ONLINE is now live. This month's cover story is an examination of the latest rage in movie music concerts: live-to-screen productions of entire scores played to their respective feature-length films. DAVID NEWMAN, MICHAEL GIACCHINO and others discuss where they see the trend going. Also this issue, DARIO MARIANELLI reaches for new heights with his score to EVEREST; violinist ANNE AKIKO MEYERS talks about her new release, Serenade: The Love Album; Kyle Renick's in-depth look at the scores from 1965 comes to a close; SEAN CALLERY chats about his work on HOMELAND, JESSICA JONES and MINORITY REPORT; KEVIN KLIESCH discusses the Disney Junior princess program SOFIA THE FIRST; the truly weird THE CREEPING TERROR is unmasked by documentarians PETE and JOHN SCHUERMANN; Soundtrack Obscurities dusts off some HANS ZIMMER gems; Score Restore compares the two scores of K2, by ZIMMER and CHAZ JANKEL; Gold Rush’s look at MAX STEINER reaches its end; more embedded audio clips, and more.

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Film Score Monthly Online
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Today in Film Score History:
April 28
Alan Silvestri begins recording his score for Judge Dredd (1995)
Billy Goldenberg records his score for High Risk (1976)
Blake Neely born (1969)
Christopher Young born (1957)
Christopher Young records orchestral passages for his Invaders from Mars score (1986)
Dennis McCarthy records his score for the Star Trek: Deep Space Nine episode “The Wire” (1994)
Emil Stern born (1913)
Lyn Murray records his score for the Alfred Hitchcock Hour episode “Who Needs an Enemy?” (1964)
Paul Baillargeon records his score for the Star Trek: Deep Space Nine episode “Children of Time” (1997)
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