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| Film Score Friday 6/6/25
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| Posted By:
Scott Bettencourt
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6/5/2025 - 10:00 PM |
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La-La Land has announced two new score CD releases, expected to ship later this month.
UNION PACIFIC: THE PARAMOUNT WESTERNS COLLECTION VOL. 2, is a four-disc set that features music from the following films: Union Pacific (John Leipold, Victor Young, Leo Shuken, Charles Bradshaw), The Virginian (Daniele Amfitheatrof), Blue (Manos Hadjidakis), California, The Paleface (both by Victor Young), The Man Who Shot Liberty Valance (Cyril J. Mockridge), Red Mountain (Franz Waxman), The Lonely Man (Nathan Van Cleave) and The Tin Star (Elmer Bernstein), plus individual cues from Texas Rangers Ride Again, Tombstone: The Town Too Tough to Die, Whispering Smith, The Redhead and the Cowboy and Run for Cover.
They are also releasing an "Ultimate Cut" edition of Harry Manfredini's score for what is arguably the best of all the Jason Voorhees slasher films, FRIDAY THE 13TH, PART VI: JASON LIVES, from 1986, directed by Tom McLoughlin.
And in conjunction with their ongoing series of expanded and remastered James Bond score CDs, they are releasing a new vinyl edition of John Barry's classic GOLDFINGER.
CDS AVAILABLE THIS WEEK
Fly Me to the Moon - Daniel Pemberton - Diggers Factory
Il Comissario Pepe - Armando Trovaioli - Quartet
Kill! - Berto Pisano - Quartet
La proprieta non e'piu un furto - Ennio Morricone - Quartet
The Rise and Fall of the Third Reich - Lalo Schifrin - Dragon's Domain |
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| Aisle Seat 6-5 Weekend Edition: Bond, Finally, In 4K
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| Posted By:
Andy Dursin
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6/5/2025 - 4:00 AM |
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| 4K UHD owners have long tabbed this week’s release of the SEAN CONNERY 007 6-FILM COLLECTION (Warner) as one of the format’s biggest releases of the year. This Warner anthology presents Sean Connery’s entire Eon tenure as James Bond with new Dolby Vision HDR remasters and Dolby Atmos soundtracks, and while the enhancements may come off as mild in terms of detail, there are big improvements in color reproduction to be found here – especially once Bond makes the move into anamorphic widescreen in “Thunderball.” And speaking of that, there’s a big surprise here too: for the first time, fans can choose between two different sound mixes that have long confounded aficionados of Connery’s fourth foray as 007. |
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| Aisle Seat 6-3: OCN Spring Wrap, New Releases
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| Posted By:
Andy Dursin
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6/2/2025 - 10:00 PM |
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| Director John Badham had a big run from the ‘70s through the late ‘80s, with “Saturday Night Fever,” “WarGames,” “Blue Thunder,” “Short Circuit” and “Stakeout” becoming bona-fide box-office hits. Even Badham’s movies that didn’t quite come off commercially were solid – the John Williams-scored “Dracula” (1979) among those – yet Badham hit a wall when the 1990s began. Several misfires followed before DROP ZONE (102 mins., 1994, R; Cinematographe) was made, and while this Wesley Snipes vehicle was only a modest performer in the Christmas ‘94 marketplace, it provides a reasonably diverting genre experience that easily counts as one of Badham’s better films from the era. |
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