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Aisle Seat 3-11: March Mayhem Edition
Posted By: Andy Dursin 3/10/2025 - 10:00 PM
The 20th century didn’t exactly go out with a bang at the movies, at least not in the summer of 1999. Kubrick’s last gasp, “The Phantom Menace,” a pair of weak Julia Roberts vehicles, leering teen comedies, and a tepid Austin Powers sequel made for a drab time at the multiplex, brightened up only by the likes of “The Sixth Sense” and “The Mummy.” Finally, after so much disappointment, genre fans soaked up director Renny Harlin’s “comeback” movie, DEEP BLUE SEA (107 mins., 1999, R; Arrow), basking in what was (and is) solid summer fun, now remastered on 4K UHD.
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Aisle Seat 3-4: OCN Wrap-Up
Posted By: Andy Dursin 3/3/2025 - 10:00 PM
The early ‘70s were a fertile time for “Disease of the Week” movies, both on the big-screen (where “Love Story” was all the rage) and on the small-screen as well, where the emotionally charged “Brian’s Song” showcased the bond between Chicago Bears player Gayle Sayers and his cancer-stricken teammmate Brian Piccolo. Though based on a 1956 book by Mark Harris, BANG THE DRUM SLOWLY (96 mins., 1973, PG; Cinematographe) fits comfortably within that genre, though the sincerity of John Hancock’s film and its central performances lift the material, making it worthy of rediscovery on Cinematographe’s freshly remastered 4K UHD and Blu-Ray limited edition set.
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Aisle Seat 2-25: A Magnificent Mozart Restored
Posted By: Andy Dursin 2/24/2025 - 10:00 PM
Freshly remastered and finally available on 4K UHD, Milos Forman’s film of Peter Shaffer’s play AMADEUS (154 mins., 1984, PG; Warner) restores, at long last, the movie’s theatrical version after years of being circulated only in an inferior “Director’s Cut” that made some detrimental alterations to the celebrated Best Picture winner.
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Aisle Seat 2-18: MVD, Fun City, Arrow February Wrap
Posted By: Andy Dursin 2/17/2025 - 10:00 PM
William Friedkin’s CRUISING (102 mins., 1980, R; Arrowwas one of the most controversial films of its era – a thriller starring Al Pacino as an NYC cop who goes undercover, into the S&M clubs of the Big Apple, in order to find a serial killer preying on gay men. Protests greeted the film, with homosexuals feeling as if the film painted themselves in a negative light, while the film’s sexual frankness turned off other viewers.
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Aisle Seat 2-11: Kino Lorber, Warner Archive Mid-Winter Mania
Posted By: Andy Dursin 2/10/2025 - 10:00 PM
In the wake of “Jaws,” countless imitators sprang up from the depths, from Joe Dante’s “Piranha” to AIP’s “Tentacles” and William Girdler’s “nature run amok” outings “Grizzly” and “Day of the Animals.” Not one to be outdone, prolific mogul Dino De Laurentiis joined the fray with 1977’s ORCA, THE KILLER WHALE (90 mins., PG; Kino Lorber), a laughably bad – if beautifully shot – cash-in that mixed “Jaws” with a dash of “Moby Dick” and a particularly poor performance by Richard Harris.
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Aisle Seat 1-28: OCN January, Lords of Flatbush, Venom Finale
Posted By: Andy Dursin 1/27/2025 - 10:00 PM
OCN Distribution kicks off 2025 with one of the nuttiest films you’ll see this or any year: HUNDREDS OF BEAVERS (108 mins., Cartuna), a zany tale of an applejack salesman who loses it all and vows revenge against the horde of wild beavers who ruined his existence. Silent comedy and slapstick humor abound, but Mike Cheslik’s indie film may have been better off as a half-hour highlight movie than a full feature, as its repetitive nature and lack of dramatic heft (that’s putting it mildly) make for a viewing experience that grows from intriguing to exhausting after just a few minutes.
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Aisle Seat 1-21: January Chill Edition
Posted By: Andy Dursin 1/20/2025 - 10:00 PM
Despite having been released after a glut of serial killer thrillers – a genre that was exhausted in the ‘90s following the release of “Silence of the Lambs” – THE CELL (107/109 mins., 2000, R; Arrow) ranks as a powerful viewing experience. Despite its lurid and occasionally gratuitous elements, Tarsem Singh’s feature directorial debut ultimately rises above its material thanks to its visual extravagance, one that invites rediscovery on 4K UHD thanks to Arrow’s new, definitive release that streets January 21st.
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Aisle Seat 1-14: Kino Lorber Winter Spins
Posted By: Andy Dursin 1/13/2025 - 10:00 PM
Yet another opportunity at Paramount has passed in terms of rectifying the ending to director Brian DePalma’s troubled SNAKE EYES (98 mins., 1998, R; Kino Lorber), which was released with a re-cut climax so horrid that it sinks what was an entertaining thriller into a complete waste of time. The compromised final product has been remastered in good-looking new Kino Lorber 4K UHD, but the tinge of what might have been remains.
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Aisle Seat 12-24: Holiday Edition
Posted By: Andy Dursin 12/24/2024 - 10:00 AM
As we close the door on 2024, we finish off a terrific year of catalog titles on 4K UHD with Warner Archive’s dazzling new release of THE SEARCHERS (119 mins., 1956), the John Wayne classic that remains an undisputed hallmark in the filmography of The Duke along with director John Ford.
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Aisle Seat 12-17: MVD Holiday Wrap
Posted By: Andy Dursin 12/16/2024 - 10:00 PM
1993 was a big year for Sylvester Stallone. After staging one of his signature “comeback” vehicles with “Cliffhanger” in the summer, Sly slid into the slick Silver Pictures production DEMOLITION MAN (115 mins., 1993, R; Arrow) in the fall. While advertised as a solemn futuristic action flick, “Demolition Man” was really much more entertaining – an often humorous take on an easily-offended future society (sound familiar?) where dethawed-from-the ‘90s adversaries Stallone and villain Wesley Snipes’ machismo is decades out of step. The end result – enhanced by a charming Sandra Bullock in one of her first lead roles – has aged gracefully and remains topical, easily making for one of Stallone’s most enjoyable pictures from its era.
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Today in Film Score History:
March 17
Alfred Newman born (1901)
Benjamin Bartlett born (1965)
Billy Corgan born (1967)
Chris Bacon born (1977)
Dennis McCarthy and Kevin Kiner record their score for the Star Trek: Enterprise episode “Damage” (2004)
Ernest Gold died (1999)
Georges Delerue begins recording his score for Memories of Me (1988)
Jean Prodromides died (2016)
Jerry Goldsmith begins recording his score for The Mummy (1999)
John Sebastian born (1944)
John Williams begins recording his score for Far and Away (1992
Karl-Heinz Schafer born (1932)
Tadashi Hattori born (1908)
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