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The latest release from Intrada is a two-disc set featuring the first-ever commercial release of the score for 2003 horror comedy THE HAUNTED MANSION, which failed to match the success of Disney's other theme park-based film from that year, the first Pirates of the Caribbean. The film, starring Eddie Murphy and Terence Stamp, was scored by Mark Mancina, and the Intrada set features 83 minutes of score including unused cues and interpolations of "Grim Grinning Ghosts" from the original ride.


Next Monday, the Varese Sarabande CD Club plans to announce two new releases.


CDS AVAILABLE THIS WEEK

Abzu - Austin Wintory - Varese Sarabande
American Pastoral
 - Alexandre Desplat - Lakeshore
El Hombre De Las Mil Caras
 - Julio de la Rosa - Quartet
The Haunted Mansion - Mark Mancina - Intrada Special Collection
Il Giovane Garibaldi
 - Carlo Rustichelli - Kronos
L'Odyssee - Alexandre Desplat - TF1 (import)

The Night Of - Jeff Russo - Lakeshore
Ozzy
 - Fernando Velazquez - Quartet
Salome
 - Egisto Macchi - Kronos
Stranger Things, Vol. 1
 - Kyle Dixon, Michael Stein - Lakeshore
The Upside of Anger - Alexandre Desplat - WaterTower [CD-R]


IN THEATERS TODAY

American Pastoral - Alexandre Desplat - Score CD on Lakeshore
Autumn Lights - Hugi Gudmundsson, Hjortur Ingvi Johannsson
The Bad Kids - Michal Zacaszek
The Beat Beneath My Feet - Paul Cartledge, Geoff Jackson, Philip Jewson
Boo! A Madea Halloween - Elvin Ross
Disturbing the Peace - Blake Leyh
Good Kids - Lucian Piane
The Handmaiden - Yeong-wook Jo
I'm Not Ashamed - Tim Williams
In a Valley of Violence - Jeff Grace
Jack Reacher: Never Go Back - Henry Jackman
Keeping Up with the Joneses - Jake Monaco
Moonlight - Nicholas Britell - Score CD due Nov. 25 on Lakeshore
Ouija: Origin of Evil - The Newton Brothers
The Pickle Recipe - Michelino Bisceglia
The Remake - Darius Holbert
Theo Who Lived - Byron Estep
31 - Chris 'Zeuss' Harris, John 5, Bob Marlette, Rob Zombie
The Uncondemned - Nicholas Britell
We Are X - Yoshiki
The Whole Truth - Sacha & Evgueni Galperine

COMING SOON

October 28
Don't Breathe - Roque Banos - Lakeshore
Outlander: Season 2 
- Bear McCreary - Madison Gate
Stranger Things, Vol. 2
 - Kyle Dixon, Michael Stein - Lakeshore
Sully
 - Clint Eastwood, Christian Jacob, The Tierney Sutton Band - Varese Sarabande
November 4
The Crown - Hans Zimmer, Lorne Balfe, Rupert Gregson-Williams - Sony
Hacksaw Ridge
 - Rupert Gregson-Williams - Varese Sarabande
November 11
Arrival - Johann Johannsson - Deutsche Gramophon
Bates Motel - Chris Bacon - Lakeshore
Orange Sunshine
 - Matt Costa - Varese Sarabande
November 18
City Heat - Lennie Niehaus - Varese Sarabande
Fantastic Beasts and Where to Find Them
 - James Newton Howard - WaterTower
Loving
 - David Wingo - Backlot
Manchester by the Sea - Lesley Barber - Milan
Moana - Mark Mancina - Disney
Nocturnal Animals - Abel Korzeniowski - Silva
Ryuichi Sakamoto: Music for Film
 - Ryuichi Sakamoto - Silva
November 25
Bleed for This - Julia Holter - Milan
Gears of War 4 - Ramin Djawadi - Sumthing Else
Moonlight - Nicholas Britell - Lakeshore
December 9
A Monster Calls (U.S. release) - Fernando Velazquez - Backlot
December 16
Passengers - Thomas Newman - Sony
Rogue One: A Star Wars Story - Michael Giacchino - Disney
January 13
Hans Zimmer: The Classics - Hans Zimmer - Sony
Date Unknown
Archipelago: A Film Music Retrospective
 - Alberto Iglesias - Quartet
The Brian May Fantasy Film Music Collection
- Brian May - Dragon's Domain
Le Sault de L'ange/Les Anges - Francois De Roubaix - Quartet
Les Petroleuses/Dans La Poussiere Du Soleil - Francis Lai - Quartet
L'Inchiesta
 - Riz Ortolani - Digitmovies
A Monster Calls (European release) - Fernando Velazquez - Quartet
Reunion/Misunderstood - Philippe Sarde - Quartet
Ringo E Gringo Contro Tutti 
- Gianni Ferrio - Digitmovies
The Sand/Sonata
- Vincent Gillioz - Howlin' Wolf
Tetro Rouge
- Pablo Croissier - Howlin' Wolf
The Welts
 - Adrian Kornarski - Caldera

THIS WEEK IN FILM MUSIC HISTORY

October 21 - Joseph Mullendore born (1914)
October 21 - Malcolm Arnold born (1921)
October 21 - John W. Morgan born (1946)
October 21 - Brian Banks born (1955)
October 21 - Lyle Workman born (1957)
October 21 - Jerry Goldsmith records his replacement score for Seven Days in May (1963)
October 21 - David Newman begins recording his score for Bill & Ted's Excellent Adventure (1987)
October 21 - Gianni Ferrio died (2013)
October 22 - Giorgio Gaslini born (1929)
October 22 - Hans J. Salter begins recording his score for The Far Horizons (1954)
October 22 - Miklos Rozsa begins recording his score to Bhowani Junction (1955)
October 22 - Marc Shaiman born (1959)
October 22 - Hugo Friedhofer begins recording his score to Never So Few (1959)
October 22 - Bernard Herrmann records his score for The Alfred Hitchcock Hour episode "Body in the Barn" (1963)
October 22 - Nuno Malo born (1977)
October 23 - Manos Hadjidakis born (1925)
October 23 - Gary McFarland born (1933)
October 23 - Recording sessions begin for Dimitri Tiomkin’s score for Lost Horizon (1936)
October 23 - Graeme Revell born (1955)
October 23 - Jonathan Wolff born (1958)
October 23 - David Kitay born (1961)
October 23 - Ray Ellis died (2008)
October 24 - Ernest Irving died (1953)
October 24 - Merl Saunders died (2008)
October 25 - Konrad Elfers born (1919)
October 25 - Don Banks born (1923)
October 25 - Recording sessions begin for Alex North's score to I'll Cry Tomorrow (1955)
October 25 - Bronislau Kaper begins recording his score to The Brothers Karamazov (1958)
October 25 - Alexander Courage's "Plato's Stepchildren," the last score composed for the original Star Trek series, is recorded (1968)
October 25 - David Shire begins recording his score for Max Dugan Returns (1982)
October 25 - Recording sessions begin for Danny Elfman’s score for Good Will Hunting (1997)
October 26 - Bob Cobert born (1924)
October 26 - Jacques Loussier born (1934)
October 26 - Victor Schertzinger died (1941)
October 26 - Recording sessions begin for Roy Webb's score to Fixed Bayonets (1951)
October 26 - Curt Sobel born (1953)
October 26 - Howard Shore begins recording his score for She-Devil (1989)
October 27 - Samuel Matlovsky born (1921)
October 27 - Recording sessions begin for Hugo Friedhofer’s score for The Rains of Ranchipur (1955)
October 27 - Jerry Fielding begins recording his score for The Enforcer (1976)
October 27 - Frank DeVol died (1999)
October 27 - James Newton Howard begins recording his score to Peter Pan (2003)
October 28 - Gershon Kingsley born (1922)
October 28 - Carl Davis born (1936)
October 28 - Howard Blake born (1938)
October 28 - Oliver Nelson died (1975)
October 28 - Gil Melle died (2004)
DID THEY MENTION THE MUSIC?

BURNT - Rob Simonsen
 
"Rob Simonsen’s score is restrained, and while the arc of Adam’s redemption tale is yawningly familiar, the film doesn't pluck too insistently at your heartstrings. But that’s damning with faint praise. Burnt isn’t burnt; on the contrary, it’s -- forgive me -- half-baked."
 
Jon Frosch, Hollywood Reporter
 
KNOCK KNOCK - Manuel Riveiro
 
"Ignore the dark and stormy night, the tinkle of ominous music, and the whole 'directed by Eli Roth' part, and 'Knock Knock' could momentarily pass for a star-powered porno."
 
A.A. Dowd, The Onion AV Club

PAN - John Powell

"There’s a lot of stupid here to unpack, so let’s take things one at a time. A flying pirate ship is no problem. It’s a movie, and they can fly anything they want. But why set the film during World War II? There’s no reason for it, except for the sake of having that action sequence, which is weird for another reason: Pirates are bad. Pirate kidnappers are even worse. But Nazis are also bad. So if Nazis are firing missiles at the people who have just kidnapped the future Peter Pan ... and yet Peter is on board ... how are we supposed to feel about that? We don’t know, and so John Powell’s score is there to tell us. We are supposed to feel peril, but not worry about it. We are supposed to feel triumph, but be in slight doubt. We are supposed to see this scene as just one part of the wonderful and thrilling spectacle of Peter’s ongoing existence. Alas, it’s never fun to sit in an audience and feel that the soundtrack is lying to you."
 
Mick La Salle, San Francisco Chronicle

"'Pan' is a cacophonous assault on the senses, all computerized cinematographic mayhem and deafening noise, and its hurried pace extinguishes any genuine character development, so that newcomer Levi Miller’s Peter comes across as an alternately stout and whiny mamma’s boy, Mara’s Tiger Lily proves a featureless warrior babe (albeit one required to make coy smiles at Hook), and Hedlund’s Hook is a blustery rogue defined by the actor’s aggravating over-enunciation of every single line of dialogue. With John Powell’s score blaring incessantly, and 3D effects augmenting the scenery’s artificiality -- and the actors’ physical detachment from their fantastical surroundings -- the film strikes one discordant note after another along the way to a finale in which Blackbeard attempts to enact a fairy holocaust, and Wright somehow manages to botch the climactic moment when Peter finally masters flying. A clumsy hodgepodge of hackneyed parts, it’s an extravagant misfire aptly summed up by its own early image of a zero-gravity chicken laying an egg that flies right at the viewer’s face."
 
Nick Schager, The Playlist

"But oh brother, what this movie gets wrong: Jackman never finds an appropriate balance between humor and menace; his villain is just annoying and creepy, while Hedlund seems to be channeling the most overbearing moments of James Coburn and Jack Nicholson. The film’s visual palette is also grotesque, operating in two modes: Sickly and Washed-Out (during which it resembles one of those grim period pieces where all the characters have syphilis) or Blindingly Prismatic (with rainbows shooting helter-skelter all over the screen). Wrap all that up in a John Powell score that’s trying desperately to sound like John Williams’ Greatest Hits, and the result is a thoroughly unpleasant experience. If you’re really hungering for a new spin on 'Peter Pan,' check out P.J. Hogan’s great, underappreciated 2003 version with Jason Isaacs. This new film turns the famous Lost Boy into a lost cause."
 
Alsonso Duralde, The Wrap
 
PROPHET'S PREY - Nick Cave, Warren Ellis

"Despite plenty of compelling material, the film occasionally exhibits an odd and uneven flow that significantly drags during its middle act. Yet Berg is able to lift things by the final act of 'Prophet’s Prey,' a brutally unsettling peek inside Jeffs’ (and the Church’s) worst transgressions and decisions. Aided by Nick Cave and Warren Ellis’ haunting and low-key score, 'Prophet’s Prey' is a skin-crawling chronicle of one of America’s biggest criminals and the community that allowed him to flourish."
 
Kate Erbland, The Playlist

"The doc’s other through-line follows investigative journalists Sam Brower and Jon Krakauer, the former of whom wrote the book about the Jeffs case that Berg is adapting, and the latter of whom exposed the spread of Mormon cults in his book 'Under The Banner Of Heaven.' At times, when Brower and Krakauer are walking Berg through every step they took toward tracking down Jeffs and documenting his crimes -- and when Nick Cave and Warren Ellis’ score is especially moody -- 'Prophet’s Prey' plays like a documentary version of 'journalism noir,' saluting intrepid reporters who keep pursuing a story even when the local authorities don’t seem sympathetic. These sections are a reminder that the United States is a still a big country, and factionalized to such a degree that a rapist can thrive in hiding for decades, untouchable to some because he represents 'the American pioneer spirit' and 'religious freedom.'"
 
Noel Murray, The Onion AV Club

"Clearly, there’s a terrifying story to be told here about unchecked, unregulated power, and the horror that happens when it’s given to a madman. Berg is a very technically proficient director, and the film moves along at a nice clip, aided by a score by Nick Cave and Warren Ellis. There were times where it felt a bit too routine to me, a problem in true crime documentary filmmaking in that it’s really the subject matter and not the filmmaking that often gets the most critical attention."
 
Brian Tallerico, RogerEbert.com
 
"Amy Berg made an impressive debut with 'Deliver Us From Evil' (2006), her Oscar-nominated exposé of a pedophile priest. This documentary, her fifth, treads similar ground, detailing the crimes of fundamentalist Mormon leader Warren Jeffs, and you'd better believe there are plenty of ominous tones on the soundtrack (courtesy of Nick Cave)."
 
J.R. Jones, Chicago Reader

"Berg frequently breaks up her talking-head footage with overhead shots of the FLDS Church’s Arizona/Utah border settlement, located in a sparsely populated region near the Grand Canyon (scenically lensed by d.p. Peter Donahue). These shots are accompanied on the soundtrack by Nick Cave and Warren Ellis’ brooding score, as well as chilling excerpts from Jeffs’ sermons, read aloud by the man himself. In lieu of actual footage from inside the community or interviews with active members, it’s a repetitive but insinuatingly effective device. Elsewhere, we hear the low, dangerously soft tones of Jeffs’ voice in occasional clips of him repeatedly invoking the Fifth Amendment during his interrogation at the Texas prison where he now resides."
 
Justin Chang, Variety

STONEWALL - Rob Simonsen
 
"Filmed in Montreal, the movie has a studio look that might have benefited from more contextualizing shots of New York, beyond the main Sheridan Square set. But the deep colors and textured shadows of the many nighttime scenes make it attractive, even if cinematographer Markus Forderer's predilection for magic-hour light in exterior scenes adds to the artificiality. A more liberal hand with tunes of the era might have been welcome in augmenting Rob Simonsen's serviceable score. Likewise the period sets and costume designs, while generally fine, could have used a more lived-in look."
 
David Rooney, Hollywood Reporter

THE NEXT TEN DAYS IN L.A.

Screenings of older films, at the following L.A. movie theaters: AMPASAmerican Cinematheque: AeroAmerican Cinematheque: EgyptianArclightCrestLACMANew BeverlyNuartSilent Movie Theater and UCLA.

October 21
CRONOS (Javier Alvarez) [LACMA]
DRACULA [Arclight Hollywood]
FROM DUSK TILL DAWN (Graeme Revell) [New Beverly]
LAWRENCE OF ARABIA (Maurice Jarre) [Cinematheque: Aero]
ROSEMARY'S BABY (Christopher Komeda), THE MEPHISTO WALTZ (Jerry Goldsmith) [New Beverly]
SPIRITED AWAY (Joe Hisaishi) [Nuart]

October 22
ALIEN (Jery Goldsmith) [New Beverly]
DRAG ME TO HELL (Christopher Young) [Arclight Hollywood]
INVASION OF THE NEPTUNE MEN (Michiaki Watanabe) [New Beverly]
RINGU (Kenji Kawai), JU-ON: THE GRUDGE (Shiro Sato) [Silent Movie Theater]
ROSEMARY'S BABY (Christopher Komeda), THE MEPHISTO WALTZ (Jerry Goldsmith) [New Beverly]
WELFARE [Silent Movie Theater]
WEST SIDE STORY (Leonard Bernstein, Saul Chaplin, Johnny Green, Sid Ramin, Irwin Kostal) [Cinematheque: Aero]

October 23
AN AMERICAN WEREWOLF IN LONDON (Elmer Bernstein) [Arclight Hollywood]
IN A YEAR WITH 13 MOONS (Peer Raben) [Silent Movie Theater]
INVASION OF THE NEPTUNE MEN (Michiaki Watanabe) [New Beverly]
KING KONG (Max Steiner), SUPERNATURAL [New Beverly]
VERTIGO (Bernard Herrmann) [Cinematheque: Aero]
WILDNESS (Total Freedom, Nguzunguzu, Robbie Williamson) [Silent Movie Theater]

October 24
THE EXORCIST [Arclight Hollywood]
KING KONG (Max Steiner), SUPERNATURAL [New Beverly]
THE MONSTER SQUAD (Bruce Broughton) [Arclight Sherman Oaks]

October 25
ALICE COOPER: WELCOME TO MY NIGHTMARE, SON OF DRACULA (Paul Buckmaster) [New Beverly]
ALIEN (Jerry Goldsmith) [Arclight Hollywood]
I WALKED WITH A ZOMBIE (Roy Webb) [Silent Movie Theater]
THE NIGHT OF THE HUNTER (Walter Schuman) [LACMA]
VAMPIRE CIRCUS (David Whitaker) [Silent Movie Theater]

October 26
BRIDE OF FRANKENSTEIN (Franz Waxman) [Silent Movie Theater]
HORROR HOUSE ON HIGHWAY FIVE (Kraig Grady, Suzanne McDermott) [Silent Movie Theater]
THE PHANTOM OF THE OPERA, PHANTOM OF THE PARADISE (Paul Williams, George Aliceson Tipton) [New Beverly]
PSYCHO (Bernard Herrmann) [Arclight Hollywood]

October 27
ANIMAL CRACKERS [Cinematheque: Egyptian]
THE PHANTOM OF THE OPERA, PHANTOM OF THE PARADISE (Paul Williams, George Aliceson Tipton) [New Beverly]

October 28
EQUINOX [Silent Movie Theater]
FROM DUSK TILL DAWN (Graeme Revell) [New Beverly]
GHOSTBUSTERS (Elmer Bernstein) [Cinematheque: Aero]
HER (William Butler, Owen Pallett) [AMPAS]
MOSQUITO (Allen Lynch, Randall Lynch), MOONTRAP (Joseph LoDuca) [Silent Movie Theater]
PAN'S LABYRINTH (Javier Navarrete) [LACMA]
YOUNG FRANKENSTEIN (John Morris), THE MAN WITH TWO BRAINS (Joel Goldsmith) [New Beverly]

October 29
THE BLOB (Michael Hoenig), DEVIL FETUS, THE ENTITY (Charles Bernstein), PHANTASM II (Fred Myrow, Christopher L. Stone), HUMANOIDS FROM THE DEEP (James Horner), HELL NIGHT (Dan Wyman), BRAIN DAMAGE (Clutch Reiser, Gus Russo) [Cinematheque: Aero]
LOVE AT FIRST BITE (Charles Bernstein), AN AMERICAN WEREWOLF IN LONDON (Elmer Bernstein), BEETLEJUICE (Danny Elfman), MODERN PROBLEMS (Dominic Frontiere), THE FEARLESS VAMPIRE KILLERS (Christopher Komeda) [New Beverly]
MEAT [Silent Movie Theater]
YOUNG FRANKENSTEIN (John Morris), THE MAN WITH TWO BRAINS (Joel Goldsmith) [New Beverly]

October 30
DRACULA, DRACULA'S DAUGHTER [Cinematheque: Aero]
GHOSTBUSTERS (Elmer Bernstein) [Cinematheque: Egyptian]
GREMLINS (Jerry Goldsmith) [Arclight Hollywood]
HALLOWEEN (Tyler Bates), HALLOWEEN II (Tyler Bates) [New Beverly]
THE HAUNTING (Humphrey Searle) [Silent Movie Theater]
THE TINGLER (Von Dexter) [Silent Movie Theater]
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Today in Film Score History:
April 26
Alan Parker begins recording his score for Jaws 3D (1983)
Barry Gray died (1984)
Bronislau Kaper died (1983)
Bruce Broughton begins recording his score The Blue and the Gray (1982)
Carmine Coppola died (1991)
Dave Grusin begins recording his score for The Firm (1993)
David Bell records his score for the Star Trek: Deep Space Nine episode “Tracking Into the Wind” (1999)
Francis Lai born (1932)
Giorgio Moroder born (1940)
Jerry Fielding begins recording his score for Gray Lady Down (1977)
John M. Keane born (1965)
Maurice Jarre begins recording his score for Distant Thunder (1988)
Miklos Rozsa begins recording his score for Green Fire (1954)
Paul Sawtell and Bert Shefter record their score for Kronos (1957)
Reinhardt Wagner born (1956)
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