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 Posted:   Jan 17, 2020 - 12:47 PM   
 By:   Yavar Moradi   (Member)

Until then let's just celebrate the music!

Yavar


Don’t tell us what to do.

Oooookay...don't think that was really my tone with that comment, but how's this as an alternative?

"Until then why don't we just celebrate the music?"

Yavar

 
 Posted:   Jan 17, 2020 - 12:59 PM   
 By:   Traveling Matt   (Member)

...but it also displays Elfman’s maturity as a filmmaker and storyteller using music to define, paint, and coax a psychological narrative...

Interesting release (never heard of the film) but I'm at a loss for this statement in the press blurb. I buy "storyteller" but how exactly is Elfman a filmmaker?

Happy for those purchasing it.

 
 
 Posted:   Jan 17, 2020 - 1:26 PM   
 By:   lonzoe1   (Member)

Well according to Soundtrack.Net the total album time is over 89 minutes. So I question if this is the complete score or not? Like I mentioned before according to the MFADT Vol. 2 liner notes Elfman wrote 100 minutes of score.

 
 
 Posted:   Jan 17, 2020 - 1:41 PM   
 By:   Hurdy Gurdy   (Member)

Maybe he didn't record the 100 minutes he wrote, or they were just extra variations on the alternates already included?
Just surmising.

 
 Posted:   Jan 17, 2020 - 1:46 PM   
 By:   Yavar Moradi   (Member)

Maybe he didn't record the 100 minutes he wrote, or they were just extra variations on the alternates already included?
Just surmising.


That seems very likely. I'm sure since this went to a 2nd disc, Varese included everything that was available. (Whereas to keep Executive Decision: The Deluxe Edition to a single disc, I believe they left off a significant alternate.)

Yavar

 
 Posted:   Jan 17, 2020 - 1:48 PM   
 By:   Yavar Moradi   (Member)

Probably unused cues or alternates he wrote but which did not get recorded. Pretty common in Hollywood for a long time... heck Tadlow recorded a few great cues Miklos Rozsa wrote for Ben-Hur, which weren't on the FSM set because they never reached the recording stage back in the late 50s.

Yavar

 
 Posted:   Jan 17, 2020 - 2:05 PM   
 By:   JohnnyG   (Member)

Well according to Soundtrack.Net the total album time is over 89 minutes. So I question if this is the complete score or not? Like I mentioned before according to the MFADT Vol. 2 liner notes Elfman wrote 100 minutes of score.


"A hundred plus", actually - just checked the booklet.

 
 Posted:   Jan 17, 2020 - 6:10 PM   
 By:   Advise & Consent   (Member)

Fuck yeah! I've had the promo release for ages (sent to me by Elfman through Lukas when I reviewed the initial Varese CD for FSM almost 25 years ago eek ), but will gladly upgrade for one of his best dramatic mid-90's efforts.

In my top one Elfman score. FAN-FREAKING-TASTIC!

 
 
 Posted:   Jan 17, 2020 - 6:54 PM   
 By:   MCurry29   (Member)

ALL IN! Very excited for this release. What a great day. The Deluxe ALIVE Score arrived and now this has been announced. Well done.

 
 Posted:   Jan 17, 2020 - 7:20 PM   
 By:   Amer Zahid   (Member)

I need to watch the movie again. Its been so long.

 
 Posted:   Jan 17, 2020 - 7:25 PM   
 By:   Amer Zahid   (Member)

I believe our Peter Hackman also contributed to this set's production. Iam just wondering if Jeff Bond worked on the liner notes?

 
 Posted:   Jan 17, 2020 - 8:30 PM   
 By:   Mr. Jack   (Member)

I need to watch the movie again. Its been so long.

Get the Blu-Ray from Warner Archive. Splendid transfer.

 
 
 Posted:   Jan 17, 2020 - 10:54 PM   
 By:   DS   (Member)

Amazing. This is one of Elfman's masterpieces and it's such great news that this is finally happening.

 
 
 Posted:   Jan 18, 2020 - 2:05 AM   
 By:   Hurdy Gurdy   (Member)

I'm more interested in who did the remixing or remastering on this one.
I trust James Nelson, Mike Matessino & Chris Malone the most.

 
 
 Posted:   Jan 18, 2020 - 12:04 PM   
 By:   Bond1965   (Member)

Hmmm...'Doolittle' or 'Dolores'? I've loved this music and the film since it premiered so long ago. This is worth the price asked, and I seldom buy new releases anymore. And aside: When I first moved to Montana, a woman came up to me in Missoula, and asked for directions to get her car and trailer washed. She was wearing sunglasses, but I instantly recognized the voice, it was Kathy Bates and I believe (at that time), she had a ranch up here. It was pleasant to talk with her, but I cut it short because her husband was standing nearby. Great Film Score, and WHY she didn't get an Oscar nomination for this role is a mystery!


Dolores definitely. Dolittle is subpar Elfman and the film is a hot mess.

J

 
 
 Posted:   Jan 18, 2020 - 2:11 PM   
 By:   leagolfer   (Member)

Watched DC last-week quality movie, haven't got this ex score this will be a fine upgrade.

Elfman's palette was pretty-neat portraying this great mournful mood - soured frustrations & clear passions, this being mainly between two emotional gals - the pace & mood is crisp & gorgeous, Elfman's orchestration sounds small-scale with string section - a little percussion hearing sweet horns too that engages its beauty this is more a personal score.

 
 
 Posted:   Jan 18, 2020 - 2:24 PM   
 By:   leagolfer   (Member)

Thanks again Varese, this looks a wonderful release, i don't know Elfman's style coz i only own 5 scores, DC sounds totally different from those.

 
 
 Posted:   Jan 19, 2020 - 3:43 AM   
 By:   ddddeeee   (Member)

I watched the movie again last night, and I really think this might be Elfman's best work.

At the end, Elfman finally ditches all of the dissonance and plays what the characters are feeling towards each other but are too uncomfortable to say. Such a powerful moment.

Complex narratives bring out the best in Elfman - Dolores Claiborne, A Simple Plan and The Girl on the Train. The storytelling in all three is just sublime. Each time I rewatch, I notice something new and it's right there in Elfman's score too. I hope 'Woman in the Window' is in this vein.

 
 
 Posted:   Jan 22, 2020 - 4:53 AM   
 By:   Thor   (Member)

First of all, DOLORES CLAIBORNE is a great score and film. It's right there in intersection between the more consonant Elfman and when he was trying to be more contrapuntal.

Second, the original Varese is actually fine. Presents the perfect, balanced "bleak and harsh, but also beautiful" journey before overstaying its welcome. I also owned the old promo programme back in the day , which expanded the material of the OST with some 30 minutes or so. It's not bad, but it's a TAD on the long side, given the nature of the music. I might -- just MIGHT -- have considered getting this if it was a straight commercial reissue of the 60-minute promo programme, but obviously this goes even beyond that, as is the custom these days.

 
 
 Posted:   Jan 22, 2020 - 4:53 AM   
 By:   Thor   (Member)

[double post]

 
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