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The trailer music (see above) really reminds me of Shores' work on the U.N.C.L.E. series (serieses?). "Can't hardly wait". It's Richard Shore's music that I'm most looking forward to
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Who says the labels aren't working on those other scores as well. Or maybe those titles are more difficult to release. But it's very simple... If you don't like it, don't buy it. It's not a matter of what I like or not. My point is: why a top label would waste efforts on producing titles only a very few might buy (previous editions of such obscure music are available cheap on the secondary market), and later they express annoyance that people don't buy the products or that the market has become difficult. It's not a wasted effort. It's a sound economic decision with a guarantee of 1000 units sold within the first 30 days of release, netting an income of roughly $17k, a profit of about $8k. MV
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I sincerely apologise if I sounded rude or something! It wasn't my intention at all. I love LLL deeply and respect their outstanding work by all means. And I'm not complaining, I adore Horner. My reaction was adressed to those who think we need expanded reissues of scores like "Bopha". But I also believe people can express opinions freely. Just for the record, on another post I suggested LLL should revisit Mark Isham's "Reversal of Fortune" and I was attacked for saying this. So obviously on man's junk is another's treasure. Peace!
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I sincerely apologise if I sounded rude or something! It wasn't my intention at all. I love LLL deeply and respect their outstanding work by all means. And I'm not complaining, I adore Horner. My reaction was adressed to those who think we need expanded reissues of scores like "Bopha". But I also believe people can express opinions freely. Just for the record, on another post I suggested LLL should revisit Mark Isham's "Reversal of Fortune" and I was attacked for saying this. So obviously on man's junk is another's treasure. Peace! Isham is a wonderful composer, but he doesn't have the fanbase of Horner. Sometimes it's all about the composer (Williams, Goldsmith, Barry, Elfman, Zimmer, Poledouris, Kamen, Herrmann, Carpenter) seem to have fans that will buy just about everything...even over again if there is something new to add! MV
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Posted: |
Jul 3, 2017 - 1:03 PM
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By: |
JB Fan
(Member)
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Isham is a wonderful composer, but he doesn't have the fanbase of Horner. Sometimes it's all about the composer (Williams, Goldsmith, Barry, Elfman, Zimmer, Poledouris, Kamen, Herrmann, Carpenter) seem to have fans that will buy just about everything...even over again if there is something new to add! MV
Agree! I'll buy even Bells (aka Murder by Phone) - just 'cause it's Barry score!
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Bopha! is actually one of his best synth scores if you whittle it down to like 20 minutes.
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Posted: |
Jul 3, 2017 - 8:00 PM
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By: |
SBD
(Member)
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Isham is a wonderful composer, but he doesn't have the fanbase of Horner. Sometimes it's all about the composer (Williams, Goldsmith, Barry, Elfman, Zimmer, Poledouris, Kamen, Herrmann, Carpenter) seem to have fans that will buy just about everything...even over again if there is something new to add! MV
Agree! I'll buy even Bells (aka Murder by Phone) - just 'cause it's Barry score! I'd actually like a release of BELLS (and if it wasn't recorded in Canada, I'd like to believe that there's a shot in hell it'll be released).
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Isham is a wonderful composer, but he doesn't have the fanbase of Horner. Sometimes it's all about the composer (Williams, Goldsmith, Barry, Elfman, Zimmer, Poledouris, Kamen, Herrmann, Carpenter) seem to have fans that will buy just about everything...even over again if there is something new to add! MV
Agree! I'll buy even Bells (aka Murder by Phone) - just 'cause it's Barry score! I'd actually like a release of BELLS (and if it wasn't recorded in Canada, I'd like to believe that there's a shot in hell it'll be released). ??? Recorded in Canada? What would be the difference?
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