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 Posted:   Sep 17, 2017 - 1:51 PM   
 By:   JDH   (Member)

Jewel case in HMV - and, despite the enticing artwork on Amazon.co.uk, my copy from there also arrived in a boring jewel case.

 
 
 Posted:   Sep 19, 2017 - 5:32 AM   
 By:   Hurdy Gurdy   (Member)

So, the trick is to try and whip this baby into one of those old Varese 30 minute 'highlights' CD's.
So far, the tracks that stand out to me as descriptive AND (mainly) musical*, after one play through, are;

Every 27 Years
Paper Boat
Georgie, Meet Pennywise
Derry
Beverly
Derry History
January Embers
Georgie's Theme
He Didn't Stutter Once
It's What It Wants
--------
Return To Neibolt
Georgie Found
Transformation
Yellow Raincoat
Blood Oath
Kiss
Every 27 Years (Reprise)

*Unfortunately, my programme plays more like a love story than a horror film!! smile

 
 
 Posted:   Sep 19, 2017 - 6:52 AM   
 By:   Hurdy Gurdy   (Member)

Another thing I've noticed about this score.
Quite a bit of it reminds me of Chris Bacon's music from BATES MOTEL.
The 2nd half of 'He Didn't Stutter Once' could BE the 'previously on Bates Motel' music.

 
 Posted:   Sep 19, 2017 - 7:55 AM   
 By:   Shaun Rutherford   (Member)

It's all the better for your playlist that it sidesteps the horror, though. I know he's not a Zimmer original, just someone who joined up later, but the influence of Zimmer is clear here. It's in that Hannibal vein, where there are 175 strings all playing the exact same notes.

 
 
 Posted:   Sep 19, 2017 - 11:37 AM   
 By:   Spymaster   (Member)

Plenty of copies in HMV Liverpool today. About 5 or 6.
12 pounds and 99 pee (about 17 dollars, I would guess).


One of those was purchased by moi :-)

 
 
 Posted:   Sep 30, 2017 - 2:17 PM   
 By:   leagolfer   (Member)

Btw, only 3500 cds made.

MV


The cd + packaging doesn't state its 3500, how do you know! MV.

 
 Posted:   Oct 1, 2017 - 9:24 AM   
 By:   SpaceMind   (Member)

I just Ordered through FYE. Fingers Crossed.

 
 
 Posted:   Oct 2, 2017 - 3:32 AM   
 By:   moolik   (Member)

Just watched the movie...well...I guess it´s a nice Halloweenride for 16 year olds.
Read the book when I was 16 and enjoyed it a great deal..so maybe I´m just outgrown.
Concerning the score..I posted earlier, that the music seems to be foreshadowing the "scary"scenes. And I think this is what happened.I thought it was a really bad effort in filmscoring.First of all way too much music and ..as I also posted before..a very rookiish attempt to evoke tension.The movie itself was full of "BOOOO here I am" moments..to emphasize this by music was even weaker and washed it all down.
Well....what are your opinions on movie and music.

 
 Posted:   Feb 26, 2018 - 1:04 PM   
 By:   Oscarilbo   (Member)

https://youtu.be/bOeOh0GpvK4

film music composer Mark Korvens (The Witch) shares some of his samples he officially made for IT film, before Benjamin Wallfisch finally got the gig.

What are your thoughts?

 
 Posted:   Feb 26, 2018 - 1:32 PM   
 By:   Shaun Rutherford   (Member)

I liked "Chasing The Boat" for sure.

 
 Posted:   Feb 26, 2018 - 1:58 PM   
 By:   Oscarilbo   (Member)

I liked "Chasing The Boat" for sure.

That sounded kind of towards Delerue for me. Liked too.

 
 
 Posted:   Feb 26, 2018 - 2:31 PM   
 By:   joan hue   (Member)

I watch IT last week. Even though I am way way way over 16, I thought it was pretty good. The kids did a great job. The music was pleasant in a few places and very scary in many other places.
The music served its purpose and often intensified scary moments.

 
 Posted:   Jul 2, 2019 - 5:17 PM   
 By:   First Breath   (Member)

I just saw the film. Enjoyable stuff!

I personally feel that this film should have had an electronic 80s based score like the one in Stranger Things though, instead of Wallfisch's more traditional approach. Bummer.

 
 Posted:   Jul 2, 2019 - 10:05 PM   
 By:   Lokutus   (Member)

Yeah, cause all these Amblin films these are trying to emulate are SO FAMOUS for their synth scores.

 
 Posted:   Jul 3, 2019 - 6:48 AM   
 By:   Mr. Jack   (Member)

Yeah, cause all these Amblin films these are trying to emulate are SO FAMOUS for their synth scores.

^ This. I'm always irritated whenever some nostalgic 80s period piece breaks out the John Carpenter/Tangerine Dream throbbing synth score, when Amblin stuff aimed at a younger audience NEVER sounded like that. It's so commonplace basically because that kind of music is inexpensive and easy to replicate, whereas no composers working today can properly emulate that kind of bright, melodic, fully-orchestral Williams/Horner/Goldsmith/Broughton "Amblin sound". frown As much as I love Stranger Things, the soundtrack is totally wrong for the tenor of the show, which is far more E.T. or Poltergeist than it is Halloween or The Fog.

 
 Posted:   Jul 3, 2019 - 8:44 AM   
 By:   Shaun Rutherford   (Member)

Yeah, cause all these Amblin films these are trying to emulate are SO FAMOUS for their synth scores.

^ This. I'm always irritated whenever some nostalgic 80s period piece always breaks out the John Carpenter/Tangerine Dream throbbing synth score, when Amblin stuff aimed at a younger audience NEVER sounded like that. It's so commonplace basically because that kind of music is inexpensive and easy to replicate, whereas no composers working today can properly emulate that kind of bright, melodic, fully-orchestral Williams/Horner/Goldsmith/Broughton "Amblin sound". frown As much as I love Stranger Things, the soundtrack is totally wrong for the tenor of the show, which is far more E.T. or Poltergeist than it is Halloween or The Fog.


Yeah, doesn't It take place in 1989? Synth scores were on the wane at the time then, too. I will also somewhat disagree with the Stranger Things/Amblin thing. The friendship aspect of the show harkens back to the Amblin stuff, but the horror stuff - particularly the sequences set in and around the lab - is straight out of movies like Halloween III.

 
 
 Posted:   Jul 3, 2019 - 10:28 AM   
 By:   Randy Watson   (Member)

I just saw the film. Enjoyable stuff!

I personally feel that this film should have had an electronic 80s based score like the one in Stranger Things though, instead of Wallfisch's more traditional approach. Bummer.


That would have been the totally wrong approach. Just cause the story takes place in the 80's, doesn't mean it needs to sound like an 80's electronic score. If they would've gone down that road, it would've felt like a cheesy 80's pastiche (like Stranger Things) and that would not have worked for It.

That sound would also not have worked for part 2, which takes place in the present. Also It is a monster that has been lurking around for centuries, not just a summer in the 80's, so the music needs to reflect that as well.

 
 Posted:   Jul 3, 2019 - 10:30 AM   
 By:   Mr. Jack   (Member)

I will also somewhat disagree with the Stranger Things/Amblin thing. The friendship aspect of the show harkens back to the Amblin stuff, but the horror stuff - particularly the sequences set in and around the lab - is straight out of movies like Halloween III.

Granted there's a lot of 80s horror stuff referenced in Stranger Things, but an 80s movie like, say, Poltergeist (which was the obvious template for the "Vanishing Of Will Byers" storyline), certainly didn't have throbbing Carpenter electronic basslines. It's the laziest of clichés when referencing movies of that era, and it's only done because electronic scoring is cheap and easy compared to hiring a full orchestra. While the recent Netflix movie Rim Of The World wasn't very good, props to Bear McCreary to actually writing a full-bodied, theme-driven orchestral score that evoked what 80s "kids on an adventure" movies really sounded like (replete with the obvious temp-tracking of Goldsmith's Explorers).

 
 Posted:   Jul 3, 2019 - 10:43 AM   
 By:   Michael Scorefan   (Member)

Yeah, doesn't It take place in 1989? Synth scores were on the wane at the time then, too. I will also somewhat disagree with the Stranger Things/Amblin thing. The friendship aspect of the show harkens back to the Amblin stuff, but the horror stuff - particularly the sequences set in and around the lab - is straight out of movies like Halloween III.

Did they ever actually establish a year in which the show takes place? The show always seemed a bit anachronistic given some of the movies, shows, music and events being referenced. I believe this upcoming season incorporates the debut of New Coke, which I believe was killed well before 1989.

 
 Posted:   Jul 3, 2019 - 10:47 AM   
 By:   Mr. Jack   (Member)

Did they ever actually establish a year in which the show takes place? The show always seemed a bit anachronistic given some of the movies, shows, music and events being referenced. I believe this upcoming season incorporates the debut of New Coke, which I believe was killed well before 1989.

Stranger Things season one was 1983, season 2 was '84, and the new third season is the summer of '85, so New Coke was a brand-new product at that time. It was set in the summer of '89.

 
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