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An opinion posed as question. From the "maybe it's me" department. Is it me or do the songs from these two Hobbit movies seriously, seriously suck? As a rule, I'm not huge into doing the "James Horner thing" of adding a song to a film but the LOTR ones were pretty strong, particularly the one for ROTK. But the two for these new films are of that horrible indie music hipster "I heard Springsteen's Nebraska when I was a little kid in 1998 and I wish I could write like that" bullcrap. When installing into my iTunes, I deselected these songs. Didn't like them at all. I seem to remember that Shore said that for the LotR films he composed the music based on reading the books and not seeing the film clips. Am I right about that? For these films I believe he was scoring from the film clips? If these are correct, then could that have made the difference between these films scores and the LotR scores?
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I have finished playing The Desolation of Smaug through my audio system using proac speakers and what a revelation. The music really comes alive. Usually I can get the power of music pretty much through my headphones, but in this case using my stereo setup has added an extra dimension to the listening experience - well for me anyway. I am very much growing into these scores. They are certainly, as I said before, very different beasts to TLotR scores IMO.
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There are literally pages of discussion per day on these scores over at JWFan....
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Why did you review the shorter version of the score, Jon? Asking for a friend.
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There are literally pages of discussion per day on these scores over at JWFan.... JWFan really seems to be the center of Middle Earth music!
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In the film the soundtrack seemed quite insignificant, making obvious comments in obvious moments. Including, in my opinion, the composer failed when he was unable to create an atmosphere of suspense in a crucial sequence in the film: when Bildo falls in the cave / mine where the dragon is. Oh, Shore scored that part. Peter Jackson took it out.
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