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As much as I like HOOSIERS, that year Morricone should have won for THE MISSION.
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I think it should've gone to Morricone. Exquisitely beautiful score, and it gave the film, which I loved even though it broke my heart at the end, immense depth and power. But Hoosiers wasn't worth a damn without Goldsmith. The action music, with the risky-but-successful use of the basketball bounce, gets the attention, but the quieter moments are equally essential, especially the opening scene as Gene Hackman drives to Hickory. In those first 5 minutes, you know it's a classic unfolding. Horner should've been nominated for An American Tail. A highlight of his career. -
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I have to go with "The Mission".
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HOOSIERS the most effective score though a little in-your-face for the Academy, so THE MISSION for its majestic and beautiful themes. Certainly not ROUND MIDNIGHT.
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THE MISSION. It was robbed.
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TOP GUN
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They're all just a fkn bunch of nonces. Bingo! He said, as he ran for cover from the wrath of PandaMan (TM).
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