|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Williams Imperial March no doubt about it...especially if you´re into s/m stuff...
|
|
|
|
|
There indeed IS sexy Korngold music, but it's in his operas, especially "Die Tote Stadt" and "Violanta." And, I still challenge anyone to listen to a Bax tone poem and, then, honestly be able to say that music is entirely non-representational and can't be sexy.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: |
Apr 23, 2008 - 3:37 PM
|
|
|
By: |
Sarge
(Member)
|
Well, you know me, I kinda would have preferred to see a separate thread for that and keep this to Williams. Fair enough, Thor. A casual look over Williams' filmography sparked a few thoughts... The main theme to PRESUMED INNOCENT has a dark sexuality to it, and it expresses the obsession / despair of the main character beautifully. WITCHES OF EASTWICK may be a contender, although it's playful in tone... DRACULA is epic, romantic stuff - not really sexual, but Williams did score the love scene between Frank Langella and Kate Nelligan perfectly. And yes, when it comes to purely romantic love, Williams has hit the ball out of the park several times. STAR WARS, SUPERMAN, JANE EYRE, DRACULA, ATTACK OF THE CLONES, ACCIDENTAL TOURIST... even RAIDERS has a bang-up love theme.
|
|
|
|
|
|
|
Posted: |
Apr 23, 2008 - 3:52 PM
|
|
|
By: |
Ron Pulliam
(Member)
|
Well, you know me, I kinda would have preferred to see a separate thread for that and keep this to Williams. Fair enough, Thor. A casual look over Williams' filmography sparked a few thoughts... The main theme to PRESUMED INNOCENT has a dark sexuality to it, and it expresses the obsession / despair of the main character beautifully. WITCHES OF EASTWICK may be a contender, although it's playful in tone... DRACULA is epic, romantic stuff - not really sexual, but Williams did score the love scene between Frank Langella and Kate Nelligan perfectly. And yes, when it comes to purely romantic love, Williams has hit the ball out of the park several times. STAR WARS, SUPERMAN, JANE EYRE, DRACULA, ATTACK OF THE CLONES, ACCIDENTAL TOURIST... even RAIDERS has a bang-up love theme. Yep, yep and YEP! Thanks, Sgt. E, for bringing up these glorious scores. Perhaps Williams hasn't had an equivalent of "Basic Instinct" vis-a-vis "sexually charged", but his music is far more accessible emotionally...with far more warmth...than the works (excellent works at that) of Goldsmith. Goldsmith has always been, to me, cerebral, while Williams' writes from the heart.
|
|
|
|
|
|
|
|
|
Goldsmith has always been, to me, cerebral, while Williams' writes from the heart. Really? That's an interesting perspective. I see them as capable of both, but I find Goldsmith more emotionally accessible and less manipulative in that sense than Williams. Generally speaking, of course. I can't imagine that the finale to "The Russia House" was written from anywhere but the heart.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|