I'm thrilled they're going in the direction of completely unreleased scores for their Goldsmith re-recording series. I hope it continues, though I'd like a sound effects-free version of The Satan Bug. I'm sure I'm not alone in that.
Ordered. Not only am i thrilled to finally hear more from the Salamander than the amazing main titles (which I've had ripped for years), the new suites sound very intriguing - especially RANSOM. That is an excellent score plagued with a muddy recording. This new one will most likely knock my socks off.
Yesterday when I was watching the video sample, something about the sublime last part of this cue (4:20 on) made me think about the "Sky Chaser" cue from Ransom... I'm surprised to learn that's on this disc as well!
Just ordered! Also used the opportunity to buy (yet another) copy of FSM's release of "Under Fire" to give as a gift to a friend. But if this release of Tadlow turns out to be as magnificent as it promises to be (with the inclusion of those concert cues) it too may become one of the few discs I use to lure new members into the Cult of Jerry!
I'm thrilled they're going in the direction of completely unreleased scores for their Goldsmith re-recording series. I hope it continues, though I'd like a sound effects-free version of The Satan Bug. I'm sure I'm not alone in that.
As difficult as it might be to replicate the strange electronic effects of that score, I'd love to have the whole thing sans sound effects, even if it were a re-recording. All of the best action cues were covered up by grunts, screams, tire squeals and helicopter rotors on the FSM CD.
Without reading this whole thread, I'm just wondering why this obscure score was chosen. It may be brilliant for all know, but I've never heard of the movie (it gets 5.2 on IMDB and is described as slow, which doesn't bode well for those wanting exciting music) nor ever seen anyone asking for the soundtrack. Is it a favourite of James Fitzpatrick's? What's the story?
Without reading this whole thread, I'm just wondering why this obscure score was chosen. It may be brilliant for all know, but I've never heard of the movie (it gets 5.2 on IMDB and is described as slow, which doesn't bode well for those wanting exciting music) nor ever seen anyone asking for the soundtrack. Is it a favourite of James Fitzpatrick's? What's the story?
Not being a member of the Goldsnith cult I’m not familiar with the score (or film) either but I’m sure it’s another excellent recording by Tadlow and the Prague orchestra. Don’t forget - this is a Prometheus release, so as to whose favourite it is, maybe you need to look more to executive producer Luc Van de Ven who is behind this series of Goldsmith recordings by Tadlow.
Without reading this whole thread, I'm just wondering why this obscure score was chosen. It may be brilliant for all know, but I've never heard of the movie (it gets 5.2 on IMDB and is described as slow, which doesn't bode well for those wanting exciting music) nor ever seen anyone asking for the soundtrack. Is it a favourite of James Fitzpatrick's? What's the story?
I think it being a Goldsmith score and one where the original tapes are reportedly on some landfill, kinda explains a lot. The new recording sounds very enticing, still on the fence though.
Without reading this whole thread, I'm just wondering why this obscure score was chosen.
I'd rather see a rerecording of a score where the original tapes have been lost to time than the umpteeth rehash of something like Star Wars or Lawrence Of Arabia.
